When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
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When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)

Cruella de Vil wanted to turn Dalmatian puppies into fur coats, Captain Hook tried to bomb Peter Pan and Maleficent issued a curse of early death for Aurora.

But wait, maybe these Disney villains were just misunderstood? That's the premise of a new musical show at Walt Disney World that has some people wondering: When did Disney's villains stop wanting to be so ... villainous?

The live show, "Disney Villains: Unfairly Ever After," debuts May 27 at Disney's Hollywood Studios park at the Orlando, Florida, resort. In the show, the three baddies of old-school Disney movies plead their cases before an audience that they are the most misunderstood villains of them all.

"We wanted to tell a story that's a little different than what's been told before: Which one of them has been treated the most unfairly ever after?" Mark Renfrow, a creative director of the show, said in a promotional video.

That hook - the narrative kind, not the captain - is scratching some Disney observers the wrong way.

"I think it's wonderful when you still have stories where villains are purely villainous," said Benjamin Murphy, a professor of philosophy and religious studies at Florida State University's campus in Panama. "When you have villains reveling in their evil, it can be amusing and satisfying."

Disney has some precedent for putting villains in a sympathetic light, or at least explaining how they got to be so evil. The 2021 film, "Cruella," for instance, presents a backstory for the dog-hater played by actor Emma Stone that blames her villainy on her birth mother never wanting her.

Other veins of pop culture have rethought villains too, perhaps none more famously than the book, theatrical musical and movie versions of "Wicked," the reinterpretation of the Wicked Witch of the West character from "The Wonderful Wizard of Oz."

The blockbuster success of "Wicked, " which was based on the 1995 novel "Wicked: The Life and Times of the Wicked Witch of the West," sparked the trend of rethinking villains in popular entertainment, Murphy said.

"With trends like that, the formula is repeated and repeated until it's very predictable: Take a villain and make them sympathetic," he said.

The centuries-old fairy tales upon which several Disney movies are based historically were meant to teach children a lesson, whether it was not to get close to wolves (Little Red Riding Hood, The Three Little Pigs) or trust strange, old women in the woods (Hansel and Gretel, Rapunzel).

But they often made marginalized people into villains - older women, people of color or those on the lower socioeconomic scale, said Rebecca Rowe, an assistant professor of children's literature at Texas A&M University-Commerce.

The trend toward making villains more sympathetic started in the late 1980s and 1990s as children's media took off. There was a desire to present villains in a manner that was more complicated and less black and white, as there was an overall cultural push toward emphasizing acceptance, she said.

"The problem is everyone has swung so hard into that message, that we have kind of lost the villainous villains," Rowe said. "There is value in the villainous villains. There are people who just do evil things. Sometimes there is a reason for it, but sometimes not. Just because there is a reason doesn't mean it negates the harm."

Whether it's good for children to identify with villains is complicated. There is a chance they adopt the villains' traits if it's what they identify with, but then some scholars believe it's not a bad thing for children to empathize with characters who often are part of marginalized communities, Rowe said.

The Disney villains also tend to appeal to adults more than children. They also appreciate the villains' campiness, with some "Disney princesses" gladly graduating into "evil queens."

Erik Paul, an Orlando resident who has had a year-round pass to Disney World for the past decade, isn't particularly fond of the villains, but understands why Disney would want to frame them in a more sympathetic light in a show dedicated just to them.

"I know friends who go to Hollywood Studios mainly to see the villain-related activities," Paul said. "Maybe that's why people like the villains because they feel misunderstood as well, and they feel a kinship to the villains."



Tomorrowland Music Festival Opens after its Main Stage was Destroyed by Huge Fire

The burned main stage is seen at the Tomorrowland music festival in Boom, Belgium, Friday, July 18, 2025, two days after a huge fire destroyed the stage on Wednesday. (AP Photo/Omar Havana)
The burned main stage is seen at the Tomorrowland music festival in Boom, Belgium, Friday, July 18, 2025, two days after a huge fire destroyed the stage on Wednesday. (AP Photo/Omar Havana)
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Tomorrowland Music Festival Opens after its Main Stage was Destroyed by Huge Fire

The burned main stage is seen at the Tomorrowland music festival in Boom, Belgium, Friday, July 18, 2025, two days after a huge fire destroyed the stage on Wednesday. (AP Photo/Omar Havana)
The burned main stage is seen at the Tomorrowland music festival in Boom, Belgium, Friday, July 18, 2025, two days after a huge fire destroyed the stage on Wednesday. (AP Photo/Omar Havana)

Fans roared in excitement and organizers sighed with relief as the Tomorrowland music festival kicked off Friday — just two days after a massive fire engulfed the main stage and threw one of Europe's biggest summer concert events into doubt.

Workers labored around the clock to clear out the debris from the elaborate backdrop that was consumed in Wednesday's fire.

Shouting ‘’We made it!'', the festival's opening performers, Australian electronic music group Nervo, were able to take to the main stage Friday after a last-minute scramble and slight delay. Some charred frames were still visible behind them.

No one was hurt in the fire, organizers said. The causes are being investigated.
Hundreds of thousands of people from around the world attend Tomorrowland's annual multi-day festival outside the Belgian town of Boom.

Some 38,000 people were camping at the festival site Friday, Tomorrowland spokesperson Debby Wilmsen said.

’’Maybe there are some few people that say, OK, we would like to have a refund, but it’s only like a very small percentage because most of them are still coming to the festival,” she told AP.

“It is all about unity, and I think with a good vibe and a positive energy that our festival-goers give to each other and the music we offer, I think they will still have a good time,″ she said. ’’We really tried our best.″

Australian fans Zak Hiscock and Brooke Antoniou — who traveled half the world to see the famed festival as part of a summer holiday in Europe — described hearing about the fire.

“We were sitting having dinner when we actually heard the news of the stage burning down. We were very devastated and shattered, quite upset because we travelled a long way,'' Hiscock said.

Ukrainian visitor Oleksandr Beshkynskyi shared their joy that the festival went ahead as planned.

‘’It’s not just about the one DJ or two DJs you’re looking to see, but about all the mood and about the dream being alive," Beshkynskyi said.