Former James Bond Actor Sean Connery Dies Aged 90

Sean Connery. (AP)
Sean Connery. (AP)
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Former James Bond Actor Sean Connery Dies Aged 90

Sean Connery. (AP)
Sean Connery. (AP)

Scottish movie legend Sean Connery, who shot to international stardom as the suave, sexy and sophisticated British agent James Bond and went on to dominate the silver screen for four decades, has died aged 90, the BBC and Sky News reported on Saturday.

Connery was raised in near poverty in the slums of Edinburgh and worked as a coffin polisher, milkman and lifeguard before his bodybuilding hobby helped launch an acting career that made him one of the world's biggest stars.

He will be remembered first as British agent 007, the character created by novelist Ian Fleming and immortalized by Connery in films starting with "Dr. No" in 1962.

As Bond, his debonair manner and wry humor in foiling flamboyant villains and cavorting with beautiful women belied a darker, violent edge, and he crafted a depth of character that set the standard for those who followed him in the role.

He would introduce himself in the movies with the signature line, "Bond - James Bond." But Connery was unhappy being defined by the role and once said he "hated that damned James Bond".

Tall and handsome, with a throaty voice to match a sometimes crusty personality, Connery played a series of noteworthy roles besides Bond and won an Academy Award for his portrayal of a tough Chicago cop in "The Untouchables" (1987). He was 59 when People magazine declared him the "sexiest man alive" in 1989.

Connery was an ardent supporter of Scotland's independence and had the words "Scotland Forever" tattooed on his arm while serving in the Royal Navy. When he was knighted at the age of 69 by Britain's Queen Elizabeth in 2000 at Holyrood Palace in Edinburgh, he wore full Scottish dress including the green-and-black plaid kilt of his mother's MacLeod clan.

Became fed up with 'idiots'
Some noteworthy non-Bond films included director Alfred Hitchcock's "Marnie" (1964), "The Wind and the Lion" (1975) with Candice Bergen, director John Huston's "The Man Who Would be King" (1975) with Michael Caine, director Steven Spielberg's "Indiana Jones and the Last Crusade" (1989) and the Cold War tale "The Hunt for Red October" (1990).

Fans of alternative cinema will always remember him starring as the "Brutal Exterminator" Zed in John Boorman's mind-bending fantasy epic "Zardoz" (1974), where a heavily mustachioed Connery spent much of the movie running around in a skimpy red loin-cloth, thigh-high leather boots and a pony tail.

Connery retired from movies after disputes with the director of his final outing, the forgettable "The League of Extraordinary Gentlemen" in 2003.

"I get fed up dealing with idiots," he said.

The Bond franchise was still going strong more than five decades after Connery started it. The lavishly produced movies, packed with high-tech gadgetry and spectacular effects, broke box office records and grossed hundreds of millions of dollars.

After the smashing success of "Dr. No," more Bond movies followed for Connery in quick succession: "From Russia with Love" (1963), "Goldfinger" (1964), "Thunderball" (1965) and "You Only Live Twice" (1967).

Connery then grew concerned about being typecast and decided to break away. Australian actor George Lazenby succeeded him as Bond in "On Her Majesty's Secret Service" in 1969.

But without Connery it lacked what the public wanted and he was lured back in 1971 for "Diamonds Are Forever" with temptations that included a slice of the profits, which he said would go to a Scottish educational trust. He insisted it would be his last time as Bond.

Twelve years later, at age 53, Connery was back as 007 in "Never Say Never Again" (1983), an independent production that enraged his old mentor, producer Albert "Cubby" Broccoli.

In a 1983 interview, Connery summed up the ideal Bond film as having "marvelous locations, interesting ambiance, good stories, interesting characters - like a detective story with espionage and exotic settings and nice birds."

But Connery's influence helped shape the character in the books as well as the films. He never attempted to disguise his Scottish accent, leading Fleming to give Bond Scottish heritage in the books that were released after Connery's debut.

Born Thomas Connery on Aug. 25, 1930, he was the elder of two sons of a long-distance truck driver and a mother who worked as a cleaner. He dropped out of school at age 13 and worked in a variety of menial jobs. At 16, two years after World War Two ended, Connery was drafted into the Royal Navy, and served three years.

"I grew up with no notion of a career, much less acting," he once said. "I certainly never have plotted it out. It was all happenstance, really."

Connery played small parts with theater repertory companies before graduating to films and television.

It was his part in a 1959 Disney leprechaun movie, "Darby O'Gill and the Little People," that helped land the role of Bond. Broccoli, a producer of the Bond films, asked his wife to watch Connery in the Disney movie while he was searching for the right leading actor.

Dana Broccoli said her husband told her he was not sure Connery had sex appeal.

"I saw that face and the way he moved and talked and I said: 'Cubby, he's fabulous!'" she said. "He was just perfect, he had star material right there."

Connery married actress Diane Cilento in 1962. Before divorcing 11 years later, they had a son, Jason, who became an actor. He married French artist Micheline Roquebrune, whom he met playing golf, in 1975.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”