Kevin Costner, Diane Lane Thriller 'Let Him Go' Tops Election Week Box Office

In this image released by Focus Features, Diane Lane, left, and Kevin Costner appear in a scene from Let Him Go. (Kimberley FrenchFocus Features via AP)
In this image released by Focus Features, Diane Lane, left, and Kevin Costner appear in a scene from Let Him Go. (Kimberley FrenchFocus Features via AP)
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Kevin Costner, Diane Lane Thriller 'Let Him Go' Tops Election Week Box Office

In this image released by Focus Features, Diane Lane, left, and Kevin Costner appear in a scene from Let Him Go. (Kimberley FrenchFocus Features via AP)
In this image released by Focus Features, Diane Lane, left, and Kevin Costner appear in a scene from Let Him Go. (Kimberley FrenchFocus Features via AP)

Focus Features’ “Let Him Go” provided a few sparks at an otherwise lifeless box office, opening over the weekend with an estimated $4.1 million.

In these COVID times, that was good enough for a first place finish. Focus also took second place with the sophomore weekend of its horror film “Come Play.” Co-produced with Amblin Partners, “Come Play” netted $1.7 million domestically bringing its total to $5.6 million.

The specialty division of Universal Pictures has been active during coronavirus in part because of a deal that its studio parent company inked with AMC Theaters. The pact enables Universal and Focus to release their movies in on-demand platforms within 17 days of their theatrical debuts. In return, AMC receives a cut of digital revenues.

Of course, the big story of the weekend was not cinemas. It was a presidential election that stretched from Tuesday to Saturday, dominating the news and Americans’ attention.

“Let Him Go” stars Kevin Costner as a retired sheriff and Diane Lane as his wife. The couple leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living in the Dakotas -- a confrontation that ends in violence. Lesley Manville, who scored an Oscar nomination for her work in another Focus release, 2017 “Phantom Thread,” co-stars. “Let Him Go” was written and directed by Thomas Bezucha, the filmmaker behind “The Family Stone.”

“War With Grandpa,” a Robert De Niro family comedy from 101 Studios, took third place, grossing $1.5 million to bring its total after three weeks to $13.4 million. Open Road’s “Honest Thief,” a thriller with Liam Neeson, was fourth with $1.1 million, pushing its haul to $11.2 million.

Christopher Nolan’s “Tenet” rounded out the top five with $905,000 domestically. That pushed the sci-fi thriller’s stateside haul to $55.1 million. Globally, the movie has grossed $350.8 million. Given that Warner Bros., the studio behind the film, has announced that “Tenet” will launch on home entertainment in December, the movie has largely wrapped up its box office run. Given its $200 million price tag and marketing costs, “Tenet” will likely fall short of profitability.

Warner Bros. said “The Witches,” the Robert Zemeckis adaptation of the Roald Dahl novel, generated $3.5 million in overseas box office, bringing its total to $10.1 million. In the US, “The Witches” opted to debut on HBO Max instead of screening in theaters.

Also of note: Disney’s re-release of “Toy Story,” picked up $505,000 some 25 years after it first opened in theaters and became a family classic.

At this point, exhibitors will take what they can get in terms of ticket sales, but with box office grosses like these, it’s going to be a long, potentially deadly winter for theaters. If “Wonder Woman 1984” moves from its Christmas release, it’s unclear how theaters will be able to stay open barring some significant government assistance.



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
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‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.