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Assala to Asharq Al-Awsat: Gulf Songs Bring out the Best in my Voice

Syrian artist Assala Nasri visits the Baheya Centre for Early Detection and Treatment of Women's Cancer.
Syrian artist Assala Nasri visits the Baheya Centre for Early Detection and Treatment of Women's Cancer.
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Assala to Asharq Al-Awsat: Gulf Songs Bring out the Best in my Voice

Syrian artist Assala Nasri visits the Baheya Centre for Early Detection and Treatment of Women's Cancer.
Syrian artist Assala Nasri visits the Baheya Centre for Early Detection and Treatment of Women's Cancer.

Syrian artist Assala Nasri said that she is pleased with the feedback she has received over her new album “Never Give Up”, which includes 20 songs sung in the Gulf dialect. Many of the songs were recorded in collaboration with Gulf poets and producers and the album was released on several digital platforms and apps.

During her visit to Cairo's Baheya Centre for Early Detection and Treatment of Women's Cancer on Wednesday, she added that her songs “champion women's causes and express their tribulations in all their forms."

Elaborating on the album and the feedback she received, Assala told Asharq Al-Awsat that her work reflects her genuine feelings and that she chooses her words very carefully and goes over albums several times to ensure that their intended message reaches audiences.

Asked about her absence from the latest edition of the Arab Music Festival, which was organized by the Egyptian Opera House, given that she participates almost every year, she remarked: "I was unlucky to have not participated this year. I feel terrible about not being able to attend to personal circumstances, especially since it is genuinely an outlet for musical creativity." Assala stressed that she see the Egyptian Opera House as her home and singing in it as a privilege.

On her latest Gulf song album, she said: "I am a Bahraini from the Arab Gulf, and I love Gulf lyrics because they bring out the best in my voice and give me the space needed to diversify my style. On top of that, Gulf audiences are unique, and I feel the strength of their love whenever I perform a concert there.”

Asked about whether she would consider an acting role, the Syrian star ruled out the idea for the time being, saying: "It takes a lot of preparation and involves lengthy work hours."

She emphasized her support for women in general and breast cancer patients in particular: "I am a strong supporter of women on all levels, and I have an abundance of feelings and emotions through which I strive to express women's pain. I am so biased towards women that some men fear me; I always see it during my daily interactions."

Assala said that the coronavirus pandemic did not prevent her from visiting the hospital. "If this were the last journey I take in my life, I would be satisfied with the pride I felt from being able to bring joy to this large audience.”

“I hope my 27-year singing career will be full of grace and free of any blemishes. I hope this audience will remain supportive and that I will continue to feel their positive impact on my life.”

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Entertainment

Andrew Garfield Finds Wonder in Everyday Life in ‘The Magic Faraway Tree’

Andrew Garfield at a special screening of "The Magic Faraway Tree" in New York City on July 29. (Getty Images)
Andrew Garfield at a special screening of "The Magic Faraway Tree" in New York City on July 29. (Getty Images)
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Andrew Garfield Finds Wonder in Everyday Life in ‘The Magic Faraway Tree’

Andrew Garfield at a special screening of "The Magic Faraway Tree" in New York City on July 29. (Getty Images)
Andrew Garfield at a special screening of "The Magic Faraway Tree" in New York City on July 29. (Getty Images)

Andrew Garfield wants audiences to look up from their phones and remember that there is still plenty of magic in the world around them.

That idea drew the two-time Oscar nominee to “The Magic Faraway Tree,” a family adventure about Tim, a stay-at-home father whose family is forced to reconsider life after his wife, Polly, quits her job. They move to the countryside, where their children discover the magical Faraway Tree and its ever-changing worlds, sending the family into a series of fantastical adventures. The film, based on Enid Blyton’s children’s books, arrives in US theaters on Friday.

For Garfield, the story’s themes of nature, imagination and community feel especially timely as technology increasingly shapes everyday life. “I think people are craving connection and community and a kind of reconnection to the earth and to each other,” he said.

Garfield said he became passionate about the project after reading Simon Farnaby’s screenplay. “I really just adore his sense of whimsy and heartfeltness and magic and joy,” he said. “I felt very, very passionate about it.”

Tim’s journey reflects the film’s larger ideas about finding wonder outside the routine and distractions of modern life. For Garfield, that sense of wonder extends beyond fantasy. “I think it’s all around us,” he said. “There are so many things to be in awe of on this planet.”

The film, he said, is ultimately about recognizing that “there’s magic in the ordinary” as well as in the extraordinary.

Garfield, whose credits include playing Spider-Man, says he is drawn to roles with an element of play, community and the natural world. He focuses on “anything that keeps me awake to the remembering of the connection that we have to each other, the connection we have to nature, how we are all interconnected,” he said.

Garfield grew up reading Enid Blyton’s “The Famous Five” with his brother but did not read “The Faraway Tree” series as a child. His mother introduced him to another beloved literary adventurer: Bilbo Baggins, the hero of J.R.R. Tolkien’s “The Hobbit.”

“Any underdog story, really, those are the ones that get me,” Garfield said.

Another childhood escape was the video store. Garfield remembers being fascinated by the rows of VHS tapes and the possibilities behind their covers. The habit has survived in a new form in adulthood: spending an evening browsing streaming services without picking anything, enjoying the feeling of looking “into the windows of all these imaginary worlds.”

That may help explain why Garfield welcomes the resurgence of VHS and other analog technology among younger audiences.

“I dig that,” he said. “The regression to analog is looking good to me.”

Entertainment

Hayden Panettiere, who Starred in ‘Heroes’ and ‘Nashville,’ Dies at 36

FILE PHOTO: Hayden Panettiere at the SAP arena in Mannheim, Germany, May 4, 2013. REUTERS/Kai Pfaffenbach/File Photo
FILE PHOTO: Hayden Panettiere at the SAP arena in Mannheim, Germany, May 4, 2013. REUTERS/Kai Pfaffenbach/File Photo
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Hayden Panettiere, who Starred in ‘Heroes’ and ‘Nashville,’ Dies at 36

FILE PHOTO: Hayden Panettiere at the SAP arena in Mannheim, Germany, May 4, 2013. REUTERS/Kai Pfaffenbach/File Photo
FILE PHOTO: Hayden Panettiere at the SAP arena in Mannheim, Germany, May 4, 2013. REUTERS/Kai Pfaffenbach/File Photo

Hayden Panettiere, star of popular television series including “Heroes” and “Nashville,” has died. She was 36.

Panettiere’s father, Skip, announced the actor’s death in a statement provided to ABC News on Sunday.

“It is with profound sadness that we share the tragic passing of our beloved Hayden. She was an incredible light and a force of nature who brought immeasurable love and joy to all who knew her — and to the millions who watched her onscreen,” his statement said.

No cause of death was announced, and a publicist for Hayden Panettiere did not immediately respond to an email from The Associated Press.

Panettiere, who would have turned 37 on Friday, began her career as a child actor in commercials and soap operas.

Her role as a cheerleader with superpowers in “Heroes” propelled her to fame in 2006, with the series revolving around the mantra “Save the cheerleader, save the world.”

“I think ‘Heroes’ is really hot because it’s just a really great combination of everything that people love — they love reality, they love sci-fi and things like X-Men where they get to dream of something bigger,” Panettiere told The Associated Press in 2008. “And at the core of it are these human stories that people can relate to, very rugged. And it’s just grabbed everyone in every age group.”

She went on to win three Teen Choice Awards for that role and was a Grammy Award nominee for a children’s spoken word album recorded a few years after the release of the animated movie “A Bug’s Life.”

Panettiere later played a brash country upstart opposite Connie Britton on “Nashville,” which aired on ABC for four seasons before being canceled and revived on CMT. She did her own singing in the show, which scored some hits on country charts, spawned US tours and earned Panettiere two supporting actress Golden Globe nominations. Panettiere had 11 songs recorded for “Nashville” appear on Billboard’s Hot Country Songs charts during the show’s run, including two featuring Britton.

Panettiere's younger brother, Jansen, who was also an actor, died of a heart condition in 2023, at age 28.

She had been open about her struggles with alcohol addiction and depression, including after the birth of her daughter with Ukrainian boxer Wladimir Klitschko in 2014.

In an interview with podcaster Jay Shetty after her memoir came out in May, Panettiere talked about the custody arrangement for her 11-year-old daughter, who lives full-time with Klitschko in Ukraine. News of the 2018 decision prompted headlines about Panettiere giving up custody of her daughter.

“I think there’s been this very common misconception that I just gave up my child,” she said. “That could not be farther from the truth.”

Panettiere said Klitschko suggested their daughter live with him full-time when the child was 2, as Panettiere struggled with mental health challenges and addiction. She said she was in a “horrible cycle for years of battling depression and anxiety and alcoholism and substance abuse” while “just trying to find my way back, my way out of the darkness.”

She entered rehab in 2015, while filming “Nashville.”

“I was the one who put myself in the first treatment center. I was drowning,” she said in a 2023 interview with Women’s Health magazine.

On Shetty’s podcast, Panettiere recalled the explosion of her fame when she was cast on “Heroes,” including the first time she was tracked by the paparazzi. When she’d imagined the moment as a younger actress, she’d planned to look chic.

Instead, she said, “it was just sheer terror.”

Panettiere also appeared in two of the “Scream” movies, starred as the title character in the 2009 film “I Love You Beth Cooper” and played the young daughter of a football coach in “Remember the Titans.” She had spoken positively about her experience filming “Remember the Titans,” saying she felt so similar to the character she played — Sheryl Yoast, the opiniated, football-loving daughter of Will Patton’s Coach Bill Yoast.

Entertainment

Box Office: ‘Spider-Man’ Stays on Top While Two Dino Movies Battle for Third

Tom Holland poses for photographers upon arrival at the "Spider-Man: Brand New Day" premiere in London, England, Wednesday, July 29, 2026. (AP)
Tom Holland poses for photographers upon arrival at the "Spider-Man: Brand New Day" premiere in London, England, Wednesday, July 29, 2026. (AP)
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Box Office: ‘Spider-Man’ Stays on Top While Two Dino Movies Battle for Third

Tom Holland poses for photographers upon arrival at the "Spider-Man: Brand New Day" premiere in London, England, Wednesday, July 29, 2026. (AP)
Tom Holland poses for photographers upon arrival at the "Spider-Man: Brand New Day" premiere in London, England, Wednesday, July 29, 2026. (AP)

Two very different dinosaur movies devoured a modest chunk of the North American box office this weekend, although neither came close to unseating “Spider-Man” from its perch atop the charts, nor managed to steal second place from “The Odyssey.”

“Paw Patrol: The Dino Movie” and “The End of Oak Street,” one targeted to very young children and the other an original PG-13 rated action movie, battled for third place in their first weekend in theaters. According to studio estimates on Sunday, the Anne Hathaway and Ewan McGregor movie had the slight edge, with a projected $21 million to the animated pups’ $20.5 million.

Neither stood a chance for first, however, while “Spider-Man: Brand New Day” continues to cast its sticky web around audiences three weekends into its historic run. The Sony Pictures release added another $70 million from theaters in the US and Canada, bringing its domestic total to a staggering $785.8 million, making it the fourth-biggest domestic release ever.

With $118.7 million from overseas markets, it surpassed $2 billion globally, only the eighth movie ever to achieve that landmark (not accounting for inflation) and the second-fastest to do so. “Avengers: Endgame” did it in 11 days in 2019. “Brand New Day” took about 18.

“The Odyssey,” now in its fifth weekend, also managed to stay in second with a $23.2 million weekend that pushed its domestic total to $504.7 million. With $98 million from international showings, propelled by $36.6 million from its first few days playing in China, Christopher Nolan’s epic has now made over $1.2 billion globally.

“The End of Oak Street” came in ahead of expectations with around $21 million from 3,446 locations. It also made $26 million from international screenings, adding up to a $47 million global opening against a reported $80 million production budget.

The film, written and directed by David Robert Mitchell, stars McGregor and Hathaway as suburban parents in 1982 whose neighborhood is mysteriously transported to prehistoric times. It was well-received by critics and currently carries an 86% on Rotten Tomatoes, but audiences gave it a less enthusiastic B CinemaScore. According to PostTrak exit polls, just over half the opening weekend audience said they would “definitely recommend” to friends.

Family audiences showed up for “Paw Patrol: The Dino Movie,” which Paramount Pictures released in 3,545 theaters in the US and Canada this weekend. Carrying a PG rating, it’s the third theatrically released Paw Patrol movie since 2021. The opening weekend audience gave it an A CinemaScore. Globally, it has a running total of $69 million.

The Katseye documentary “Katseye: Wild Hearts” rounded out the top five with $4 million from only 724 screens. Several other newcomers also managed to get places in the top 10: “Six: The Musical Live” opened in sixth place with $3 million, followed by “The Brink of War” with $2.7 million. The Tamil-language romance “Vishwanath & Sons” made $1.6 million to take 10th place.

The Matthew McConaughey crime thriller “The Rivals of Amziah King” opened outside of the top 10 with just over $1 million from 632 theaters. The young Anthony Bourdain biopic “Tony,” meanwhile, made $706,676 from 37 theaters in its second weekend. The A24 release is expanding in the coming weeks.

The box office is strong with the summer season, now over, accounting for over $4.2 billion in ticket sales — about 5.7% ahead of the pre-pandemic summer of 2019. Paul Dergarabedian, the head of marketplace trends for Rentrak, noted that the number is only about $130 million shy of the record 2013 summer, which was led by “Iron Man 3” and “Despicable Me 2.”

While this summer might not surpass 2013, Dergarabedian said, “This is going to be a top five summer of all time.”

The year overall is just under $6.9 billion.