Kambuzia Partovi, Iranian Film Writer-Director, Dies of Coronavirus

Movie director Kambuzia Partovi. (AFP)
Movie director Kambuzia Partovi. (AFP)
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Kambuzia Partovi, Iranian Film Writer-Director, Dies of Coronavirus

Movie director Kambuzia Partovi. (AFP)
Movie director Kambuzia Partovi. (AFP)

Movie director Kambuzia Partovi, who scripted the only Iranian film to win a Golden Lion in Venice, died on Tuesday of the novel coronavirus, the country’s film body said.

Partovi, one of the "most influential filmmakers of Iranian children's cinema", died in Tehran's Dey hospital aged 64, the Farabi Foundation said in a message of condolence on its website.

Born in Rasht in northern Iran, Partovi began his directing career in the 1980s with "Mahi" ("The Fish") and quickly became an important figure in Iranian children's cinema -- but he did not limit himself to the genre.

As a scriptwriter, Partovi worked with several well-known Iranian filmmakers, including Abbas Kiarostami, Jafar Panahi and Majid Majidi.

He won four scriptwriting awards from Tehran's Fajr Festival, the most among his peers.

In 2000, Partovi co-wrote "The Circle", which tackles difficulties facing Iranian women. It was the first and so far only Iranian film to win the Golden Lion at the Venice Film Festival.

Partovi's later film "Cafe Transit", which tells the story of a widow who decides to run her late husband's truck-stop restaurant, was selected to represent Iran at the Oscars in 2007.

In 2013, Panahi and Partovi won the Silver Bear for best screenplay at the Berlin film festival for "Parde" ("Closed Curtain"), made secretly in defiance of a ban by the Tehran authorities.

Partovi is not the first Iranian filmmaker to die of the novel coronavirus.

Iranian media announced in August that renowned filmmaker Khosro Sinai had also died from Covid-19.

Iran is the country worst-hit in the region by the pandemic.

It has officially recorded 45,738 deaths and 880,542 virus cases, though some officials, including from the health ministry, have expressed concern that the real toll is likely to be higher.

Tehran announced Saturday it had shut non-essential businesses in over half its cities and towns for up to two weeks and introduced movement restrictions in order to rein in the outbreak.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.