Kambuzia Partovi, Iranian Film Writer-Director, Dies of Coronavirus

Movie director Kambuzia Partovi. (AFP)
Movie director Kambuzia Partovi. (AFP)
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Kambuzia Partovi, Iranian Film Writer-Director, Dies of Coronavirus

Movie director Kambuzia Partovi. (AFP)
Movie director Kambuzia Partovi. (AFP)

Movie director Kambuzia Partovi, who scripted the only Iranian film to win a Golden Lion in Venice, died on Tuesday of the novel coronavirus, the country’s film body said.

Partovi, one of the "most influential filmmakers of Iranian children's cinema", died in Tehran's Dey hospital aged 64, the Farabi Foundation said in a message of condolence on its website.

Born in Rasht in northern Iran, Partovi began his directing career in the 1980s with "Mahi" ("The Fish") and quickly became an important figure in Iranian children's cinema -- but he did not limit himself to the genre.

As a scriptwriter, Partovi worked with several well-known Iranian filmmakers, including Abbas Kiarostami, Jafar Panahi and Majid Majidi.

He won four scriptwriting awards from Tehran's Fajr Festival, the most among his peers.

In 2000, Partovi co-wrote "The Circle", which tackles difficulties facing Iranian women. It was the first and so far only Iranian film to win the Golden Lion at the Venice Film Festival.

Partovi's later film "Cafe Transit", which tells the story of a widow who decides to run her late husband's truck-stop restaurant, was selected to represent Iran at the Oscars in 2007.

In 2013, Panahi and Partovi won the Silver Bear for best screenplay at the Berlin film festival for "Parde" ("Closed Curtain"), made secretly in defiance of a ban by the Tehran authorities.

Partovi is not the first Iranian filmmaker to die of the novel coronavirus.

Iranian media announced in August that renowned filmmaker Khosro Sinai had also died from Covid-19.

Iran is the country worst-hit in the region by the pandemic.

It has officially recorded 45,738 deaths and 880,542 virus cases, though some officials, including from the health ministry, have expressed concern that the real toll is likely to be higher.

Tehran announced Saturday it had shut non-essential businesses in over half its cities and towns for up to two weeks and introduced movement restrictions in order to rein in the outbreak.



Oz, Bond and Quincy Jones: Oscars a Musical Ode to Film Icons

Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
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Oz, Bond and Quincy Jones: Oscars a Musical Ode to Film Icons

Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP

The Oscars gala traditionally features performances of all the tracks nominated for best original song -- this year, the ceremony on Sunday bucked norms, but musical numbers still punctuated the show.

Ariana Grande and Cynthia Erivo opened the star-studded gala with a tribute to Los Angeles -- which recently suffered devastating wildfires -- that also celebrated their Oscar-nominated roles in the blockbuster film "Wicked."

In a glimmering red dress and shoes nodding to Dorothy's magic slippers, Grande belted a touching version of the classic ballad "Over the Rainbow" from 1939's "The Wizard of Oz" starring Judy Garland, AFP said.

Erivo then joined to deliver a soaring rendition of "Home" from "The Wiz" -- both "The Wizard of Oz" and 1978's "The Wiz" are tales about the fantastical land of Oz that "Wicked" also riffs on.

Grande and Erivo ultimately brought the audience to its feet with the film's hit song "Defying Gravity," which brought some attendees, including co-star Michelle Yeoh, to tears -- especially thanks to Erivo's chills-inducing climax.

Later in the show came a James Bond medley, a celebration of the film franchise that just controversially came under the creative control of Amazon MGM Studios.

The Oscar stage turned Bond set featured a dance number led by "The Substance" star Margaret Qualley -- who is a trained dancer.

Lisa -- a member of the K-pop group Blackpink -- descended from the ceiling to sing Wings' "Live and Let Die" from that 1973 film.

And Doja Cat literally dripped in diamonds to sing Shirley Bassey's "Diamonds Are Forever," before an orchestra joined Raye to close the performance with a cover of Adele's "Skyfall."

Tribute to Quincy Jones

Mick Jagger popped by to present the prize for best original song, which went to "El Mal," the track off "Emilia Perez" written by Clement Ducol, Camille and the film's director Jacques Audiard.

"We wrote 'El Mal' as a song to denounce corruption," Camille said onstage. "We hope it speaks to the role music and art can play, and continue to play, as a force of the good and progress in the world."

Before presenting the award, Jagger joked that "the producers really wanted Bob Dylan to do this -- Bob didn't want to do it because he said the best songs this year were obviously in "A Complete Unknown" -- the film about Dylan.

"Bob said, 'You should find somebody younger,'" the Rolling Stone frontman quipped.

Oprah Winfrey and Whoopi Goldberg presented a tribute to the late Quincy Jones, the composing titan who orchestrated the sounds of the music and film worlds for more than 50 years.

"Quincy was love lived out loud in human form, and he poured that love out into others and into his work," Winfrey said.

Latifah then brought disco to the Academy Awards with a performance of "Ease on Down the Road" -- yet another nod to the world of Oz -- from the musical film adaptation of "The Wiz," which Jones worked on.

Host Conan O'Brien added in his own song and dance after his opening monologue, poking fun at the show's reputation for trudging along at a glacial pace.

"I Won't Waste Time!" he sang.

The show ultimately clocked in at nearly four hours.