Researchers Offer New Theory on 'Venus' Figurines

A woman looks at the Venus of Willendorf sculpture on October
5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo:
Norbert Milauer/AFP/Getty Images.
A woman looks at the Venus of Willendorf sculpture on October 5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo: Norbert Milauer/AFP/Getty Images.
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Researchers Offer New Theory on 'Venus' Figurines

A woman looks at the Venus of Willendorf sculpture on October
5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo:
Norbert Milauer/AFP/Getty Images.
A woman looks at the Venus of Willendorf sculpture on October 5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo: Norbert Milauer/AFP/Getty Images.

One of world's earliest examples of art, the "fat sculptures" carved some 30,000 years ago, have intrigued and puzzled scientists for nearly two centuries.

Now a researcher from the University of Colorado Medical Campus believes he's gathered enough evidence to solve the mystery behind these curious totems.

These sculptures, which appear in most art history books, were long seen as symbols of fertility or beauty. But according to Richard Johnson, lead author of the study published in the journal Obesity, the key to understanding the statues lays in climate change and diet.

"Some of the earliest art in the world are these mysterious figurines of overweight women from the time of hunter gatherers in Ice Age Europe where you would not expect to see obesity at all. We show that these figurines correlate to times of extreme nutritional stress," said Johnson in a report published on the university's website.

Early modern humans entered Europe during a warming period about 48,000 years ago. They hunted reindeer, horses and mammoths with bone-tipped spears. In summer they dined on berries, fish, nuts and plants. But then, as now, the climate did not remain static.

"As temperatures dropped, ice sheets advanced and disaster set in," he said explaining the meaning of nutritional stress.

During the coldest months, temperatures plunged to 10-15 degrees Celsius.

"Some bands of hunter gatherers died out, others moved south, some sought refuge in forests," he explained.

It was during these desperate times that the obese figurines appeared. They ranged between 6 and 16 centimeters in length and were made of stone, ivory, horn or occasionally clay. Some were threaded and worn as amulets. Researchers believe the figurines represented an idealized body type for these difficult living conditions.

"Obesity became a desired condition. An obese female in times of scarcity could carry a child through pregnancy better than one who suffers malnutrition. So the figurines may have been imbued with a spiritual meaning that could protect a woman through pregnancy, birth and nursing," noted Johnson, who in addition to being a physician has an undergraduate degree in anthropology.

"Increased fat would provide a source of energy during gestation and times of climatic challenges. Therefore, the figurines emerged as an ideological tool to help improve fertility and survival of the mother and newborns," he concluded.



Elevator at Obelisk Offers Breathtaking View of Buenos Aires

Aerial view showing a man looking down from the Obelisk observation deck in Buenos Aires on May 8, 2025. (Photo by LUIS ROBAYO / AFP)
Aerial view showing a man looking down from the Obelisk observation deck in Buenos Aires on May 8, 2025. (Photo by LUIS ROBAYO / AFP)
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Elevator at Obelisk Offers Breathtaking View of Buenos Aires

Aerial view showing a man looking down from the Obelisk observation deck in Buenos Aires on May 8, 2025. (Photo by LUIS ROBAYO / AFP)
Aerial view showing a man looking down from the Obelisk observation deck in Buenos Aires on May 8, 2025. (Photo by LUIS ROBAYO / AFP)

The famous Obelisk in Buenos Aires Obelisk now offers a breathtaking new perspective. With the addition of an elevator, visitors can ascend this iconic monument to have panoramic views of the vibrant city below.

Quoting Architect Juan Vacas, AFP said the 67.5-meter-tall Obelisk was erected in 1936, and stands at the intersection of Corrientes Street, renowned for its dynamic theater scene, and Avenida 9 de Julio, which according to tourist guides is the widest avenue in the world.

Vacas describes the monument as “the heart of Buenos Aires.”

The Obelisk witnessed pivotal events in Argentina’s history, including Raul Alfonsin's historic 1983 presidential campaign and a tribute for football legend Diego Maradona in 2020.

Recently, the Obelisk was illuminated with the image of late Pope Francis.

During the 2022 World Cup, millions gathered around the city’s Obelisk where pictures of the players were projected. Some fans broke its doors and climbed to the top through service stairs.

The elevator rises the equivalent of twenty floors in just 55 seconds, although visitors must still climb 35 steps to reach the viewing platform, from where visitors can see Rio de la Plata.

This tourism project, completed recently, was “a major challenge for architects” as all materials had to be brought in through a narrow door.

“The entire system was prefabricated, meticulously assembled and reassembled within the Obelisk's narrow space,” noted Vacas.

Currently in a trial phase, the elevator has attracted 25,000 eager people for early access, the municipality said in a statement on its Instagram account.