French Biographer Explores Life of Audrey Hepburn in New Book

Audrey Hepburn poses with her Oscar for best actress for the film "Roman Holiday" on March 25, 1954 | AFP Photo
Audrey Hepburn poses with her Oscar for best actress for the film "Roman Holiday" on March 25, 1954 | AFP Photo
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French Biographer Explores Life of Audrey Hepburn in New Book

Audrey Hepburn poses with her Oscar for best actress for the film "Roman Holiday" on March 25, 1954 | AFP Photo
Audrey Hepburn poses with her Oscar for best actress for the film "Roman Holiday" on March 25, 1954 | AFP Photo

Audrey Hepburn has been the star of many books before and after she left this world. French biographer Guillaume Evin has recently released a new book revolving around the journey of the British star whose movies still charm cinema lovers 50 years after she ended her career, and around 30 years after her death from cancer. Evin wrote many popular books about several stars including Steve McQueen, Brigitte Bardot, and Alain Delon, in addition to many others about the Scottish actor Sean Connery and his character in the James Bond movies.

Hepburn, who was born in Belgium, amazed Hollywood with her exceptional talent in the 1950s, although she wasn't blonde and chubby actress like the stars of that time. She was so skinny, with black hair, two wide eyes, and the uncanny fitness of a ballerina. These characteristics caught the attention of many famous fashion designers, mostly the French Hubert de Givenchy who built a strong decades-long friendship with her.

Thanks to her unique personality, she managed to break into the exclusive club of actresses who won the four top cinema awards: Emmy, Grammy, Tony, and Oscar. She was awarded the 1954 Academy Award for Best Actress for her role in "Roman Holiday" directed by William Wyler and co-starred by Gregory Peck. She also won a BAFTA and a Golden Globe for her performance in the same movie. In 1955, she was awarded a Henrietta Award for World Film Favorite. She was also a prominent humanitarian activist who focused on helping children as a UNICEF ambassador. After her death, Hepburn won a Jean Hersholt Humanitarian Award and the Presidential Medal of Freedom for her humanitarian work.

The book highlights many phases of the British star's journey, starting from a miserable childhood in a boarding school, the Second World War, and her struggle with her father, who was a Nazi supporter and abandoned his family and divorced her mother. However, the skinny girl who never thought she could survive the war found her way to the big screen, fame, and stardom. Yet, the 38-year-old Audrey decided to give up on acting at the peak of her success to dedicate her life to her two sons, and used her fame to serve the children care associations in poor countries.

Released by Casa editions, the 200-page book was issued with a box including a brochure and a CD of the "Love in the Afternoon," one of Hepburn's iconic movies. It was directed by Billy Wilder and screened in 1957. She co-starred it with the great Gary Cooper, playing a young woman who falls in love with a manipulative older man. The CD features a new edition of the movie restored by Carlotta Films.

Hepburn also inspired a series produced by the Wildside Company. Her son Luca Dotti co-wrote the script of the series which depicts the amazing life of an unforgettable actress and her subtle roles in movies like Funny Face and My Fair Lady. Luca, Hepburn's son from her Italian husband took his ideas for the series from a 2015 book entitled Audrey at Home. The series followed a movie about Hepburn starred by Jennifer Love Hewitt in 2000.

In a recent interview with The Sun, Sean Hepburn Ferrer, 60, her other son from her American husband, actor Mel Ferrer, said his mother lived many emotional failures despite her outstanding career. The interview discussed a documentary entitled "Audrey: More Than an Icon" that explores the "deep pains she hid behind her beautiful smile." Ferrer added that his mother always opened up to him about what she was facing with teary eyes, and asked for his advice, but he was a little boy and he didn't know how to help her.



Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
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Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)

Tourists who want to get close to Rome's Trevi Fountain will soon have to pay a two-euro ($2.34) fee, the city mayor said on Friday, as authorities look to profit more handsomely from Italy's many attractions.

Mayor Roberto Gualtieri told reporters the new payment system would start on February 1, adding that the measure was expected to raise 6.5 million euros a year.

"Two euros isn't very much ... and it will lead to less chaotic tourist flows," Gualtieri said, stressing that citizens of Rome will continue to have free access to the fountain.

Tourists will ‌have to ‌pay if they want to get ‌onto ⁠the stone steps ‌surrounding the fountain's basin, while the small surrounding square offering a view of the imposing monument will remain open for everyone.

The Trevi Fountain, where tradition dictates that visitors toss a coin into the water to guarantee their return to Rome, has long been a major tourist attraction, even for visiting world leaders.

Completed in 1762, the monument is ⁠a late Baroque masterpiece depicting Oceanus and symbolizing the varying ‌moods of the world's seas and ‍rivers.

It has received nine million ‍visitors so far this year, Gualtieri said, suggesting that he ‍expects many people will opt to view the fountain from afar in future, rather than pay to get near the water.

Visitors on Friday said they would be willing to pay if the money was put to good use.

"If it means that money is used to keep it maintained, then yeah, that's fine," said British ⁠tourist Yvonne Salustri.

Gualtieri said five other relatively unknown sites in Rome that are currently free will start charging five euros for access from February, continuing the recent trend aimed at squeezing profits from Italy's cultural heritage.

In 2023, a five-euro entrance fee was introduced for Rome's ancient Pantheon. As a result, the square outside is often crammed with people waiting for their turn to pay and enter.

Venice has introduced a tourist entry-fee system during the peak travel season, while Verona this month began charging for access to the balcony in ‌the northern Italian city that is associated with Shakespeare's "Romeo and Juliet".


ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
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ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French

The International Center for Artificial Intelligence Research and Ethics (ICAIRE) announced the launch of an interactive edition of the Data and Artificial Intelligence Glossary, in cooperation with the Saudi Data and Artificial Intelligence Authority (SDAIA), the King Salman Global Academy for Arabic Language (KSGAAL), and the Islamic World Educational, Scientific and Cultural Organization (ICESCO).

The launch coincides with World Arabic Language Day, observed annually on December 18.

The dictionary aims to preserve the Arabic language, enrich Arabic digital content with technical terminology and concepts, raise awareness of modern concepts, and facilitate access to information for researchers and practitioners.

It seeks to unify technical terminology in support of the development of the digital economy and the building of a sustainable knowledge-based future.

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French, and allows users to interact with the dictionary by adding terms in various dialects.

These enhance knowledge exchange and help ensure the unification and integration of efforts among scientific and technical institutions both regionally and internationally. The dictionary includes more than 1,200 technical terms.


Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
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Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission

As part of its World Arabic Language Day celebration, the Jeddah Book Fair 2025 has organized a panel discussion on expanding Arabic literature’s global reach.

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission. Several female academics and other literature enthusiasts took part.

The panel discussed the concept of world literature and its relationship to comparative literature, stressing that opening Arabic texts to the world’s literature requires moving beyond local geographic boundaries and engaging in wider circles of reception and circulation.

The discussion also highlighted the key role of the press and media in conveying literary texts and reaching global readers, while praising Saudi efforts to internationalize Arabic literature through clear plans and strategies as a sustainable institutional approach.

The panel is part of the commission’s efforts to mark global occasions linked to Arabic literature and culture within an integrated cultural program offered by the Jeddah Book Fair, which continues to welcome visitors until December 20, with Saudi and Arab publishing houses showcasing the latest literary releases.