Roberto Firmino Shows Time Is on His Side in Liverpool Cameo

 Roberto Firmino was left on the Liverpool bench for more than an hour at Anfield, but made his presence felt against Ajax. Photograph: Michael Regan/EPA
Roberto Firmino was left on the Liverpool bench for more than an hour at Anfield, but made his presence felt against Ajax. Photograph: Michael Regan/EPA
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Roberto Firmino Shows Time Is on His Side in Liverpool Cameo

 Roberto Firmino was left on the Liverpool bench for more than an hour at Anfield, but made his presence felt against Ajax. Photograph: Michael Regan/EPA
Roberto Firmino was left on the Liverpool bench for more than an hour at Anfield, but made his presence felt against Ajax. Photograph: Michael Regan/EPA

Jürgen Klopp is too busy, bothered and generally bad-tempered these days to play silly games with selection just to prove a point. So it cannot be the case that he left Roberto Firmino on the bench for more than an hour against Ajax in an attempt to demonstrate exactly what it is he brings to the team that so many others seem unable to see.

Nevertheless, for just about an hour at Anfield, that was what it looked like. Until a callow mistake by the visiting goalkeeper André Onana gifted Curtis Jones a neatly taken winner, Liverpool were, unusually, almost unrecognizably blunt. Even with free-scoring Diogo Jota on the pitch, the front three were not linking with their usual panache, or causing the Ajax defense many problems they could not handle.

Jones himself appeared the player most likely to take advantage of the visitors’ confident-bordering-on-casual organisation and distribution at the back, bringing an early save from Onana before hitting an upright with a crisply struck shot, but as European nights at Anfield go this would have been on the quieter side even with a crowd in attendance. Mohamed Salah and Sadio Mané were isolated and occasional threats, nothing like the swaggering menaces the leading sides in Europe have come to expect, and in terms of goal threat the most dangerous player on the pitch for a long time took the unlikely form of Davy Klaassen, formerly of the parish across the park, who got into great positions for three free headers but managed to make a mess of all of them.

None of which will worry Klopp unduly, he has well-documented injury problems and was pleased to secure qualification early with this result and survive 90 minutes without seeing anyone else carted off crocked, but it was sporting of him to send Firmino on for the last 20 minutes with his side in the lead and Ajax beginning to take risks in chasing the game.

It would be pleasant to report that the Brazilian came on and transformed the evening into a magical occasion, though Anfield is not quite its usual fairytale factory at the moment, despite what Klopp said at the end. What Firmino did do was come on and play his normal game. Not overtly spectacular or swashbuckling, but enough to show what his manager sees in him and add a little style to an otherwise subdued evening.

Where Firmino turned up first was deep in his own half, where he made the ball his own, powered past three Ajax midfielders and attempted to release Mané with a precise 40-yard pass. Had he been able to control the ball properly, a decent first touch would have seen him bearing down on goal, but the Senegal forward could not get his feet in quite the right position and Ajax were reprieved. Minutes later Firmino himself had a chance, bursting into the penalty area at exactly the right time but failing to beat Onana when scoring looked easier.

Finishing has not always been a strong point, especially this season, though in the context of the game this was one of the few clear front-of-goal openings Liverpool created, even if it was not accepted. Firmino set up another opportunity for Salah before the end of the game, and finished his shift in his own penalty area, heading clear from the corner that followed Caoimhín Kelleher’s save from Klaas-Jan Huntelaar. Considering he was on the pitch for just 22 minutes, it was quite an impressive cameo. Even in such a short space of time, Firmino was able to cover most areas of the pitch and form productive links with teammates. Klopp keeps saying he should not have to explain what his forward brings to the team and this was certainly an indication that Firmino can speak for himself on the pitch.

Klopp went on to say it was one of the biggest Champions League nights he has witnessed at Anfield and one of the most exceptional victories. Outrageous hyperbole if you like, given the sort of stunning occasions served up at the stadium even in the past five years, though perhaps the manager had a point when he claimed that the absence of fans makes it more difficult than usual. “It might not have been an obvious moment of the year for us,” Klopp explained. “But with no supporters, a lot of injuries and a number of kids on the pitch I thought we did incredibly well in the circumstances.”

The Guardian Sport



Jeddah Circuit Sparks Cross-Cultural Love Story Between Saudi Architect, Spanish Engineer

Lamia and Abdulrahman show their rings while standing next to the Saudi Arabian Grand Prix Trophy. Photo: Asharq Al-Awsat
Lamia and Abdulrahman show their rings while standing next to the Saudi Arabian Grand Prix Trophy. Photo: Asharq Al-Awsat
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Jeddah Circuit Sparks Cross-Cultural Love Story Between Saudi Architect, Spanish Engineer

Lamia and Abdulrahman show their rings while standing next to the Saudi Arabian Grand Prix Trophy. Photo: Asharq Al-Awsat
Lamia and Abdulrahman show their rings while standing next to the Saudi Arabian Grand Prix Trophy. Photo: Asharq Al-Awsat

A wedding ring inspired by the design of the 2023 Saudi Arabian Grand Prix trophy has brought together a Spanish groom and a Saudi bride in matrimony. The Spanish national, Calderon Mari - who converted to Islam and changed his name to Abdulrahman - presented the custom-made ring to his Saudi wife, Lamia Al-Husail, as a symbol of their shared love for motorsports and their unique journey.

The couple spoke to Asharq Al-Awsat during their visit to the Formula 1 paddock area in Jeddah. "We met, by the grace of Allah, through Formula 1. Our professional paths crossed during the Kingdom’s early years of hosting the championship and throughout several races in recent seasons," said Abdulrahman.

He explained that he works as a mechanical engineer for a Formula 1 team, while Lamia is an architect who was involved from the very beginning in constructing the Jeddah Corniche Circuit.

When they decided to get married, Abdulrahman knew he didn’t want to offer a conventional wedding ring. Instead, he wanted a ring that represented both their shared passion for motorsports and the unique story that brought them together.

While visiting the Red Bull Racing headquarters in the UK - by coincidence - he found himself in a room displaying the team's trophies. One in particular caught his eye: The Saudi Arabian Grand Prix trophy won by Max Verstappen in 2023. The intricate beauty of the trophy’s design inspired him.

Abdulrahman already had a vision for the ring: he and his bride wanted it to incorporate materials like carbon fiber, gold, and silver. He took a video of the trophy and shared it with Lamia, explaining his dream of turning its design into their wedding ring.

To his surprise, Lamia responded with exciting news - she personally knew the trophy’s designer. "I know the artist behind this piece," she told him. That designer was none other than Richard Fox.

Lamia contacted Fox, who met Abdulrahman in the UK and listened to their story from the beginning - the story of how they met, how motorsport brought them together, and how they wanted their ring to symbolize that very connection.

After several months of design sketches, materials discussions, and collaborative ideas, the couple and Fox finally arrived at the perfect design: Lamia’s ring features a sapphire, Abdulrahman’s favorite stone, while his ring is adorned with a ruby, her favorite.

Lamia shared her side of the story, saying: “I was working on the circuit as an architect, passionate about cars, and I always made it a point to showcase our culture and historical heritage to the Formula 1 community through the renowned Saudi hospitality.”

She noted that Abdulrahman, even before converting to Islam, had shown a deep interest in Islamic culture and architecture. During his time in Saudi Arabia, he was struck by the architectural similarities between traditional houses in Jeddah’s historic district and Andalusian design.

“He saw something of Andalusia in Jeddah’s old homes, in their mashrabiyas and warm spirit, despite the difference in language,” Lamia said. With her background in architecture, she helped him appreciate the details of Islamic design and its aesthetic depth.

Lamia also described her own experience visiting Spain, her husband’s homeland: “I felt at home, among my own people - only the language was different.”

As for the man behind the ring’s inspiration, renowned British designer Richard Fox revealed to Asharq Al-Awsat the philosophy behind his trophy designs. Fox has been crafting the Formula 1 World Championship trophies for nearly four decades and has designed all Saudi Arabian Grand Prix trophies since the inaugural race in 2021.

Fox explained that his designs aim to reflect Saudi Arabia’s rich cultural identity. The top of the Saudi Grand Prix trophy features a pink-gold palm tree, symbolizing the Kingdom. Below it are six columns plated inside and out, representing a dialogue between the past and the future, and vice versa.

The upper section of the trophy features design elements inspired by traditional Jeddah mashrabiyas. The trophy’s silhouette draws from a mosque in Riyadh designed by the late Iraqi architect Zaha Hadid, while its base includes a silver dome engraved with the golden palm-and-crossed-swords emblem of Saudi Arabia.

Around the dome are intricate traditional patterns from various regions of the Kingdom, modeled after the royal carpet. The base of the trophy represents the championship platform, and the trophy itself stands nearly three-quarters of a meter tall.

Through a blend of heritage, symbolism, and personal meaning, the ring designed for Abdulrahman and Lamia stands as a testament to how love, motorsport, and culture can intertwine in the most unexpected ways, ultimately forming a bond that transcends borders.