Artists Lead Efforts to Restore, Preserve Gaza's Old Houses

Architects and workers renovate the long-abandoned 200-year-old al-Kamalaia school, in the old quarter of Gaza City, Sunday, Dec. 20, 2020. (AP)
Architects and workers renovate the long-abandoned 200-year-old al-Kamalaia school, in the old quarter of Gaza City, Sunday, Dec. 20, 2020. (AP)
TT

Artists Lead Efforts to Restore, Preserve Gaza's Old Houses

Architects and workers renovate the long-abandoned 200-year-old al-Kamalaia school, in the old quarter of Gaza City, Sunday, Dec. 20, 2020. (AP)
Architects and workers renovate the long-abandoned 200-year-old al-Kamalaia school, in the old quarter of Gaza City, Sunday, Dec. 20, 2020. (AP)

The grand, 500-year-old brick walls of the al-Kamalaia School slowly emerged from years of accumulated garbage as grassroots preservers began the long process of restoring it to its former glory.

Located in the heart of the old quarter of Gaza City, the Mamluk-era building is one of an ever-dwindling number of historic structures at risk of demolition.

"It was in a very difficult, pitiful state. It was a dump," said Abdullah al-Ruzzi, an artist and leading volunteer.

Al-Ruzzi and other artists launched the Mobaderoon, or Initiators, program, seeking to save abandoned houses and buildings from two periods of Gaza’s history: the Mamluk Sultanate and the subsequent Ottoman Empire.

In the old section of the Palestinian enclave, fewer than 200 houses from these eras are partially or entirely standing, according to tourist officials. They are threatened by neglect, decay or even demolition by new urban development.

"Lack of public awareness and the economic considerations by owners are the greatest threats to these buildings," said Ahmed al-Astal, director of Iwan, the history and heritage institute of Gaza’s Islamic University. "These houses are our identity, but ignorance leads to their destruction."

Because the Gaza Strip is small, with 2 million people living in just 300 square kilometers (115 square miles), the experts and volunteers fear that structures of past centuries will disappear, like those from far more ancient civilizations.

Population growth, conflict with Israel and mismanagement by Hamas, which has run Gaza since 2007, have contributed to the erasure of many signs of Gaza’s five millennia of history. The territory has been enriched by its prime location along the route connecting ancient Egypt, the Levant and Mesopotamia. For example, Hamas bulldozers destroyed large parts of a rare 4,500-year-old Bronze Age settlement to make way for a housing project.

Mobaderoon is one of a handful of organizations seeking to preserve ancient sites in Gaza City. But their efforts are typically limited in scope and lack systematic plans.

It took the team two weeks to remove the trash from the al-Kamalaia school, which is named after a Mamluk sultan. Each day, young men and women gather there, sweeping the dusty floor, brushing the bricks and supporting windows with wood frames.

Once the renovation is completed, al-Ruzzi says the goal is to convert the building into a venue for cultural and artistic activities because such facilities are few in Gaza.

"This is the only school that still maintains its architectural standing, it still has classrooms. It’s clear that this school was used until a recent time in education and memorizing the Quran because it’s in the old city," said Jamal Abu Rida, director of the archaeology department in Gaza’s Tourism Ministry.

Residents of Gaza are preoccupied with financial woes, struggling with a 13-year-old Israeli blockade, and combatting a raging coronavirus outbreak that has overwhelmed the health system. Campaigns to protect heritage and archaeological sites are not top priorities, but are welcomed.

"The initiatives are very important because their goal is to preserve the cultural legacy," said al-Astal.

A few blocks from the school, a different team is working on renovating a house, the Ghussein palace, named after the family that has owned it for 200 years. The workers scraped the bricks to remove layers of dust that hid their features. Others took measurements for the door frames.

The work began on this home in August and is scheduled to be complete in January. "It was left for a long time and has a lot of cracks and problems," said Nashwa Ramlawi, the architect leading the restoration. "The place has a great heritage and cultural value. We will dedicate it for anything that serves the community; a cultural, service or social center open to everyone."



Saudi Film Forum: Cinema Beyond the Screen

The forum’s first session hosted Prince Turki Al-Faisal.
The forum’s first session hosted Prince Turki Al-Faisal.
TT

Saudi Film Forum: Cinema Beyond the Screen

The forum’s first session hosted Prince Turki Al-Faisal.
The forum’s first session hosted Prince Turki Al-Faisal.

“Where cinema transcends the screen,” marked the opening of the Saudi Film Forum, which began on Wednesday evening in Riyadh.
The event attracted a large audience of filmmakers from around the globe, including American actor and producer Will Smith, this year’s special guest.
During the opening, Minister of Culture Prince Badr bin Abdullah bin Farhan said : “Through the Saudi Film Forum, we are starting a new era that goes beyond creativity... toward a fully integrated film industry that connects us culturally and economically with the world.”
The first session featured Prince Turki Al-Faisal, Chairman of the King Faisal Center for Research and Islamic Studies, who spoke about the important role of films in bridging cultures.
He recalled how, nearly 50 years ago, the introduction of film on television helped Saudi society connect with the world and allowed others to understand Saudi culture.
Prince Turki Al-Faisal’s Experience
During the session, moderator Faisal Abbas, Editor-in-Chief of Arab News, asked Prince Turki, “If you had a magic wand to choose a film about the Kingdom to produce, what would it be?”
The prince replied : “That’s a tough question. From my experience in producing films, some have had a significant impact on how people view the Kingdom and Islam, as well as what Saudi Arabia represents.”
He recalled the first Saudi-funded film, made nearly 20 years ago about the Arab historian Ibn Battuta, which was similar to a documentary. He noted that another film about the Hajj was produced that same year, and both were shown worldwide.
“My favorite film is ‘Born a King,’ which I co-produced,” Prince Turki shared.
“It tells the story of King Faisal's first journey abroad at age 13, commissioned by King Abdulaziz. I believe it was one of the first narrative films shot in the Kingdom with Saudi actors,” he added.
On Arab cinema, he said : “Many Arab films I've seen tend to be quite gloomy in terms of visuals and storytelling, which makes me reluctant to watch them.”
He stressed that films should aim to bring joy to viewers rather than leave them feeling sad or distressed.