Syrian Director Hatem Ali Passes Away at 58 in Cairo

Late Syrian director and actor Hatem Ali - Asharq Al-Awsat
Late Syrian director and actor Hatem Ali - Asharq Al-Awsat
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Syrian Director Hatem Ali Passes Away at 58 in Cairo

Late Syrian director and actor Hatem Ali - Asharq Al-Awsat
Late Syrian director and actor Hatem Ali - Asharq Al-Awsat

Syrian director and actor Hatem Ali, considered by many to have been the “godfather of Syrian drama,” passed away of a heart attack in Cairo on Tuesday.

He was mourned both by pro-government and opposition figures.

Ali, 58, was also known to have been a victim of two forced displacements, once as a refugee fleeing the Golan Heights to Damascus and another time in 2011, when he become a supporter of the protests that had erupted that year.

He has won numerous awards throughout his career, and his works were widely received with critical acclaim and commercial success. But out of the tens of works he has been involved in during his career, he is best known for directing renowned historical dramas such as Salah Al-Din Al Ayyubi, The Palestinian Exodus, Omar, and a quartet about the history of Muslim Andalusia.

Since his 2011 exile, Ali has worked on many projects in Egypt, the latest of which was another historical drama ''Once Upon A Time'', which is now available on Netflix.

He had also been planning on directing another Egyptian work, a movie about Mohmad Ali Pasha, before he passed away.

Thousands of fans and tens of those who he had worked with wrote heartfelt messages mourning his death on social media.

From his place of exile in Paris, Syrian director Haitham Haqqi, with whom Hatem began his career as an actor, mourned his loss on Facebook writing: “Hatem, you broke my heart, my brother, my son, my friend and my colleague, an actor, director, and writer. What grief surrounds our suffering Syria.”

On the other hand, official Syrian regime media outlets merely briefly mention the news.

Syrian Jamal Suleiman, who had collaborated with Ali on several occasions, went to the hotel where Ali suddenly passed away to help with the paperwork needed to transfer the body from to a hospital.

His family has said that he will be buried in Damascus upon his will.



'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
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'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)

Marvel’s “Thunderbolts” and Ryan Coogler’s “Sinners” dominated the North American box office charts again this weekend.
Now in their second and fourth weekends respectively, the two films had some new competition, including a horror movie, a Kerry Washington action pic, a Josh Hartnett airplane thriller, and a Shakespeare-inspired musical. None of the additions made a significant impact.
“Thunderbolts” took first place, with $33.1 million from theaters in the US and Canada, according to studio estimates Sunday. That's down 55% from its opening, The Associated Press reported. Internationally, it added $34 million, bringing its global total to $272.2 million. In just two weekends, the Walt Disney Co. release is already the fourth biggest of the year, globally and domestically.
The movie is also faring better than the previous Marvel movie, “Captain America: Brave New World,” which took a big 68% dive in its second weekend. The key difference was reviews, which don’t always dictate the fate of superhero movies, but good word of mouth has helped “Thunderbolts.”
“The holding power of this film harkens back to the heyday of Marvel,” said Paul Dergarabedian, the senior media analyst for Comscore. “The currency of the long-term playability is more important than the sheer opening weekends.”
The studio also has another big movie coming later this summer in “The Fantastic Four: First Steps.”
“Sinners,” meanwhile, crossed the $200 million mark in North American ticket sales this weekend, which is especially notable for an original R-rated movie. It added $21.1 million domestically, and $6.6 million internationally, bringing its global total to $283.3 million. Next weekend, it’s also returning to 70mm IMAX screens “by popular demand,” IMAX said.
Warner Bros.’ other juggernaut, “A Minecraft Movie,” has made $409 million domestically and $909.6 million globally in its six weekends in theaters. It added just under $8 million to take third place this weekend, followed by “The Accountant 2” in fourth with $6.1 million.
Several new movies also opened in wide release this weekend, but none seemed to break through the noise. The biggest of the bunch was “Clown in a Cornfield,” which earned $3.7 million (a relative high water mark for its distributor IFC) and cracked the top five.
“The second weekend in May, there is typically a bit of a lull,” Dergarabedian said. “IFC picked a perfect date for this clown to scare people into the theater."
“Shadow Force,” a Lionsgate action pic with Washington and Omar Sy from “The Grey” filmmaker Joe Carnahan, made $2 million from 2,170 screens. Vertical’s “Flight or Fight,” starring Hartnett as a mercenary on a plane full of assassins, also debuted with an estimated $2 million from 2,153 screens.
In limited release, the Tim Robinson and Paul Rudd movie “Friendship” launched on six screens in New York and Los Angeles and scored the best per-screen average of the year ($75,317) with many sellouts reported. A24 plans to expand the release nationwide over Memorial Day.
Overall, it was a relatively quiet weekend, but thanks to “A Minecraft Movie,” “Sinners” and “Thunderbolts,” the year-to-date box office is up around 16% from last year, according to Comscore data. Compared with 2019, however, it’s down over 32%.
Next week, “Final Destination: Bloodlines” should give the marketplace another jolt before two giants debut over the holiday weekend: “Lilo & Stitch” and “Mission: Impossible – The Final Reckoning.”