Actress Dawn Wells, Castaway Mary Ann on TV's 'Gilligan's Island,' Dies from COVID-19

Dawn Wells. (Reuters)
Dawn Wells. (Reuters)
TT

Actress Dawn Wells, Castaway Mary Ann on TV's 'Gilligan's Island,' Dies from COVID-19

Dawn Wells. (Reuters)
Dawn Wells. (Reuters)

Dawn Wells, who parlayed her girl-next-door charm and wholesome beauty into enduring TV fame as the sweet-natured desert island castaway Mary Ann on the classic 1960s sitcom “Gilligan’s Island,” died on Wednesday at age 82, her publicist said.

Wells, who won the title of Miss Nevada in 1959 and competed in the Miss America contest, died from complications of COVID-19, publicist Harlan Boll said in a statement.

Born in the gambling city of Reno, Wells played Kansas farm girl Mary Ann Summers, one of seven castaways stranded after their boat, the S.S. Minnow, became battered in a storm during what was supposed to be a three-hour tour from Hawaii. Wells beat out actresses including Raquel Welch for her role.

“Gilligan’s Island” ran for three seasons (1964–1967) with a cast that also included Bob Denver as the zany Gilligan, Alan Hale Jr. as “The Skipper,” Jim Backus as millionaire Thurston Howell III, Natalie Schafer as his posh wife, Russell Johnson as “The Professor,” and Tina Louise as movie star Ginger.

The death of Wells leaves Louise, 86, the sole survivor of these cast members.

The 98 episodes invariably involved their efforts in vain to get off the island, even as a parade of guest stars dropped in and had no trouble getting out. The show drew the wrath of critics but its innocent fun caught on with viewers at a time of tumult in America after the assassination of a president and during the rise of the civil rights movement and the escalation of the Vietnam War.

Wells, playing a cheerful brunette Midwestern farm girl, appeared in the series wearing short shorts, midriff tops and pigtails. Louise, playing a buxom red-headed sensation akin to Marilyn Monroe, wore slinky, form-fitting dresses. The two inspired what became an enduring pop culture question for men: “Ginger or Mary Ann?”

Wells said that question was the most common topic mentioned to her by fans. “Mostly they’ll pick a favorite, Ginger or Mary Ann. For some reason, they feel they have to make a choice,” Wells told Forbes magazine in 2016.

Wells had effusive praise for Denver and her other cast mates but was not especially close to Louise, who distanced herself from the Ginger character and declined to appear in various “Gilligan’s Island” reboots with her former co-stars.

“We had nothing against each other,” Wells told the Los Angeles Times in 2014. “We didn’t have much in common.”

“Gilligan’s Island” was canceled by network executives despite respectable ratings, then became ubiquitous in syndicated reruns.

“A misconception is that we must be wealthy, rolling in the dough, because we got residuals. We didn’t really get a dime,” Wells told Forbes.

Wells said she was paid $750 a week, adding, “Sherwood Schwartz, our producer, reportedly made $90 million on the reruns alone.”

Like some of her co-stars, she suffered from typecasting in Hollywood in the years after the series ended, appearing in TV guest spots and stage work before taking roles in B-movies.

In light of the show’s steady popularity in the 1970s, three made-for-TV movies were made with progressively far-fetched plots involving Soviet satellites and visiting basketball players: “Rescue from Gilligan’s Island” (1978), “The Castaways on Gilligan’s Island” (1979) and “The Harlem Globetrotters on Gilligan’s Island” (1981).

Wells also lent her voice to the animated “Gilligan’s Planet” (1982) in which the castaways become stranded on a far-away planet.

Wells also capitalized on her fame by writing, “Mary Ann’s Gilligan’s Island Cookbook,” and later, for the 50th anniversary of the series in 2014, the book, “What Would Mary Ann Do? A Guide to Life.”

Wells was born on Oct. 18, 1938, in Reno, and studied theater at the University of Washington, and headed to Hollywood after her beauty pageant success.

She embraced her pop culture status but said there was more to her than just being Mary Ann.

“I’m deeper, smarter, more ambitious, funnier. I think if you meet me for 15 minutes, there is nothing you won’t know: what you see is what you get,” she told Forbes.



Is Risk-Averse Hollywood Running Scared of Cannes Critics?

 A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
TT

Is Risk-Averse Hollywood Running Scared of Cannes Critics?

 A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)

Star Wars, Indiana Jones and Top Gun have all premiered at the Cannes Film Festival in the last decade. But in 2026, not a single Hollywood blockbuster is programmed there, raising questions about why US studios are ghosting the event.

The world's biggest film festival, which kicks off on Tuesday, has long relied on Hollywood to provide a dose of mass-market entertainment alongside the sometimes edgy independent cinema that forms the core of its program.

Mega-stars such as Tom Cruise or Harrison Ford help draw attention to the same red carpets walked by auteur directors and the casts of obscure art-house productions -- all in the name of supporting the fragile cinema industry.

Although Cannes director Thierry Fremaux made platforming American productions a priority when he took over 25 years ago, he was left having to explain their absence when he unveiled the line-up of films in April.

"Outside of studio filmmaking, independent cinema -- cinema made somewhere other than Los Angeles -- continues to exist," Fremaux said.

There are two independent American films in the main competition: "Paper Tiger" by James Gray, starring Adam Driver and Scarlett Johansson.

But Hollywood big beasts Universal, Disney, Warner, Sony and Paramount, as well as streaming giants Netflix and Amazon, have decided to pass.

It was a similar story at the Berlin film festival in February where director Tricia Tuttle was left with a blockbuster-free schedule.

- 'Nervousness' -

Tuttle blamed low risk-appetite and commercial pressures -- rather than another sign of America's estrangement from Europe under US President Donald Trump.

"There's a nervousness in a very difficult marketplace: nervousness about reviews coming out long before release and about controlling the way films of that scale are launched because there's so much at stake," she told The Hollywood Reporter in January.

She cited the dreadful critical reception for "Joker: Folie a Deux" which premiered at the Venice Film Festival in 2024 before bombing at the box office.

"We've seen more reticence since," Tuttle told the publication.

In a more confident, profitable environment, or when Hollywood is churning out films more regularly, a commercial dud might be easily absorbed.

Nowadays, it spells major trouble for budget-conscious executives.

- Tough critics -

J. Sperling Reich, a Los Angeles-based film critic and Cannes veteran, said Hollywood studios make fewer Cannes-compatible films. They prefer to control their launch schedules, rather than having them dictated by a festival.

"They're essentially flying in talent, trying to figure out a publicity narrative... two, three, sometimes four months early (before launch), and then they expose that film to the world's toughest critics," he told AFP.

"If it doesn't fly in Cannes, it's going to be tough to recover from that," he explained.

The most recent blockbusters, Michael Jackson biopic "Michael" and the "The Devil Wears Prada 2", organized their own tightly controlled promotional events, boosted by influencers and social media.

Reich cited Christopher Nolan's upcoming ancient Greek action movie "Odyssey" and Steven Spielberg's science-fiction thriller "Disclosure Day" as possible Cannes films.

"But the reality is those films don't need Cannes," he said.

- Coming together -

Others are skeptical that 2026 signals a permanent rupture between Hollywood and European festivals.

Indeed, if the bad reviews for the "Joker: Folie a Deux" in Venice in 2024 are to blame, then why was the Italian festival so packed with big-budget American films just last September?

Eric Marti, who heads the box office specialist Comscore in France, said studios have always had a transactional approach to Cannes.

"It's a tremendous showcase, as it's one of the most watched events, but they also have a very well-oiled promotional machine. If the Cannes dates and their launches line up, the two come together," he said.

Hollywood was not "totally absent", he added.

The festival has added a "Fast and Furious" special screening in the first days to mark the 25th year of the Universal-owned franchise, with the original stars Vin Diesel, Michelle Rodriguez and Jordana Brewster flying in.

Hollywood may simply be sitting out Cannes in 2026, only to rev back into action next year.


Dua Lipa Sues Samsung for $15 Million for Allegedly Using Her Image to Sell TVs

Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
TT

Dua Lipa Sues Samsung for $15 Million for Allegedly Using Her Image to Sell TVs

Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)

British pop star Dua Lipa has filed a lawsuit against Samsung Electronics seeking at least $15 million in damages, accusing the South Korean tech giant of using her image without permission to market its television sets.

The lawsuit alleges that Samsung featured a copyrighted image of the pop star on the front of cardboard boxes containing televisions for retail sale, ‌enabling the company ‌to benefit from what seemed like her ‌endorsement ⁠of the product.

The ⁠image alleged to have been used on the TV boxes is titled “Dua Lipa - Backstage at Austin City Limits, 2024," and Lipa is the owner of all rights, title and interest in the image, the lawsuit said.

The suit was filed on Friday in the California federal court.

A spokesperson ⁠for Samsung Electronics declined to comment, saying ‌it was unable to comment ‌on pending litigation, while Dua Lipa's lawyers did not immediately respond ‌to a request for comment on the case.

Besides copyright ‌and trademark infringement, Dua Lipa has accused Samsung Electronics of breaching publicity rights.

Lipa's lawyers have attached screenshots of social media postings and comments in the filing claiming that the pop star's image on ‌the front of the boxes pushed potential customers to purchase the product.

One of these ⁠screenshots ⁠shows a fan commenting that they would get the TV "just because Dua is on it."

The "Levitating" singer became aware of Samsung's alleged infringement in June last year and demanded that Samsung stop using her image, but the electronics manufacturer repeatedly refused to do so, her lawyers said.

Samsung’s alleged unauthorized use of Dua Lipa's image has "caused and continues to cause dilution" of the pop star's "brand identity and commercial goodwill by falsely conveying to the consuming public that she approves of and endorses" the products in question, they added.


New Beatles Fan Experience Set to Open in London in 2027

The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)
The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)
TT

New Beatles Fan Experience Set to Open in London in 2027

The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)
The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)

The Beatles are headed back to one of the band's most famous sites with a new fan experience in London.

Apple Corps Ltd, the company founded by the Fab Four, announced Monday that it will open a new seven-floor fan experience at the company's early headquarters. The building is the place where the band's “Let It Be” album was recorded and its rooftop was the site of the Beatles' last public performance on Jan. 30, 1969.

The attraction at 3 Saville Road in central London will allow fans access to the rooftop, studios and extensive Beatles archives.

“It was such a trip to get back to 3 Savile Row recently and have a look around. There are so many special memories within the walls, not to mention the rooftop. The team have put together some really impressive plans and I’m excited for people to see it when it’s ready,” Paul McCartney said in a statement announcing the attraction.

“Wow, it's like coming home,” Ringo Starr said in a statement.

An opening date for the attraction has not yet been announced.

Interest in the Beatles remains high, with four biopics in production. Peter Jackson's 2021 documentary series, “The Beatles: Get Back,” relied heavily on footage filmed during the “Let It Be” recording sessions and of the farewell rooftop performance.

In 2023, artificial intelligence helped create the final Beatles recording, the song “Now and Then,” which relied on recordings by the original Beatles.