Actress Dawn Wells, Castaway Mary Ann on TV's 'Gilligan's Island,' Dies from COVID-19

Dawn Wells. (Reuters)
Dawn Wells. (Reuters)
TT

Actress Dawn Wells, Castaway Mary Ann on TV's 'Gilligan's Island,' Dies from COVID-19

Dawn Wells. (Reuters)
Dawn Wells. (Reuters)

Dawn Wells, who parlayed her girl-next-door charm and wholesome beauty into enduring TV fame as the sweet-natured desert island castaway Mary Ann on the classic 1960s sitcom “Gilligan’s Island,” died on Wednesday at age 82, her publicist said.

Wells, who won the title of Miss Nevada in 1959 and competed in the Miss America contest, died from complications of COVID-19, publicist Harlan Boll said in a statement.

Born in the gambling city of Reno, Wells played Kansas farm girl Mary Ann Summers, one of seven castaways stranded after their boat, the S.S. Minnow, became battered in a storm during what was supposed to be a three-hour tour from Hawaii. Wells beat out actresses including Raquel Welch for her role.

“Gilligan’s Island” ran for three seasons (1964–1967) with a cast that also included Bob Denver as the zany Gilligan, Alan Hale Jr. as “The Skipper,” Jim Backus as millionaire Thurston Howell III, Natalie Schafer as his posh wife, Russell Johnson as “The Professor,” and Tina Louise as movie star Ginger.

The death of Wells leaves Louise, 86, the sole survivor of these cast members.

The 98 episodes invariably involved their efforts in vain to get off the island, even as a parade of guest stars dropped in and had no trouble getting out. The show drew the wrath of critics but its innocent fun caught on with viewers at a time of tumult in America after the assassination of a president and during the rise of the civil rights movement and the escalation of the Vietnam War.

Wells, playing a cheerful brunette Midwestern farm girl, appeared in the series wearing short shorts, midriff tops and pigtails. Louise, playing a buxom red-headed sensation akin to Marilyn Monroe, wore slinky, form-fitting dresses. The two inspired what became an enduring pop culture question for men: “Ginger or Mary Ann?”

Wells said that question was the most common topic mentioned to her by fans. “Mostly they’ll pick a favorite, Ginger or Mary Ann. For some reason, they feel they have to make a choice,” Wells told Forbes magazine in 2016.

Wells had effusive praise for Denver and her other cast mates but was not especially close to Louise, who distanced herself from the Ginger character and declined to appear in various “Gilligan’s Island” reboots with her former co-stars.

“We had nothing against each other,” Wells told the Los Angeles Times in 2014. “We didn’t have much in common.”

“Gilligan’s Island” was canceled by network executives despite respectable ratings, then became ubiquitous in syndicated reruns.

“A misconception is that we must be wealthy, rolling in the dough, because we got residuals. We didn’t really get a dime,” Wells told Forbes.

Wells said she was paid $750 a week, adding, “Sherwood Schwartz, our producer, reportedly made $90 million on the reruns alone.”

Like some of her co-stars, she suffered from typecasting in Hollywood in the years after the series ended, appearing in TV guest spots and stage work before taking roles in B-movies.

In light of the show’s steady popularity in the 1970s, three made-for-TV movies were made with progressively far-fetched plots involving Soviet satellites and visiting basketball players: “Rescue from Gilligan’s Island” (1978), “The Castaways on Gilligan’s Island” (1979) and “The Harlem Globetrotters on Gilligan’s Island” (1981).

Wells also lent her voice to the animated “Gilligan’s Planet” (1982) in which the castaways become stranded on a far-away planet.

Wells also capitalized on her fame by writing, “Mary Ann’s Gilligan’s Island Cookbook,” and later, for the 50th anniversary of the series in 2014, the book, “What Would Mary Ann Do? A Guide to Life.”

Wells was born on Oct. 18, 1938, in Reno, and studied theater at the University of Washington, and headed to Hollywood after her beauty pageant success.

She embraced her pop culture status but said there was more to her than just being Mary Ann.

“I’m deeper, smarter, more ambitious, funnier. I think if you meet me for 15 minutes, there is nothing you won’t know: what you see is what you get,” she told Forbes.



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
TT

Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
TT

Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
TT

Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."