Theaters Look to Bond and Black Widow to Spark 2021 Moviegoing

FILE PHOTO: Shoppers walk past an advertisement for the upcoming James Bond film "NO TIME TO DIE" whose release has been delayed due to the coronavirus disease (COVID-19) pandemic, at the Christiana Mall in Newark, Delaware US November 19, 2020. REUTERS/Mark Makela
FILE PHOTO: Shoppers walk past an advertisement for the upcoming James Bond film "NO TIME TO DIE" whose release has been delayed due to the coronavirus disease (COVID-19) pandemic, at the Christiana Mall in Newark, Delaware US November 19, 2020. REUTERS/Mark Makela
TT
20

Theaters Look to Bond and Black Widow to Spark 2021 Moviegoing

FILE PHOTO: Shoppers walk past an advertisement for the upcoming James Bond film "NO TIME TO DIE" whose release has been delayed due to the coronavirus disease (COVID-19) pandemic, at the Christiana Mall in Newark, Delaware US November 19, 2020. REUTERS/Mark Makela
FILE PHOTO: Shoppers walk past an advertisement for the upcoming James Bond film "NO TIME TO DIE" whose release has been delayed due to the coronavirus disease (COVID-19) pandemic, at the Christiana Mall in Newark, Delaware US November 19, 2020. REUTERS/Mark Makela

Movie theater operators, after a year of dismal ticket sales during the pandemic, are hoping a lineup of superheroes, fighter pilots and cinema’s most famous spy will help them stage a comeback in 2021.

Roughly two-thirds of theaters remain shut in the United States and Canada, normally the world’s largest film market. Box office receipts in 2020 plunged 80% from a year earlier.

But theater owners and industry analysts see reason for optimism as COVID-19 vaccines roll out and James Bond, Black Widow and other heroes star in new blockbusters set to begin lighting up screens in the spring.

“I think we’ll see a lot of improvements throughout 2021, but I do think it will take some time to get there,” said Shawn Robbins, chief analyst with BoxOfficePro.com. “It won’t be an overnight return to normal by any means.”

The timing of any rebound is uncertain, as debut dates could change. Hollywood executives have repeatedly shuffled their schedules as they try to judge when the pandemic will fade. Initial excitement over vaccines has been tempered by slow distribution. And audiences will have more choices to stream at home, Reuters reported.

Currently, studios plan to send theaters a heavy lineup of big-budget movies that were yanked from the 2020 schedule.

James Bond thriller “No Time to Die,” from MGM and Comcast Corp’s Universal Pictures, is scheduled for April. “Black Widow,” from Walt Disney Co’s Marvel Studios, and Universal’s new “Fast & Furious” installment are set for May.

Anticipated summer movies include “Top Gun: Maverick” from ViacomCBS Inc’s Paramount Pictures, Universal’s animated “Minions: The Rise of Gru,” and Marvel’s “Shang-Chi and the Legend of the Ten Rings.”

The theater business was buoyed by the turnout for “Wonder Woman 1984” over the Christmas holiday. While far short of a normal action movie debut, ticket sales for the movie from AT&T Inc’s Warner Bros. came in higher than expected, even though US audiences could stream the film at home on HBO Max.

Warner Bros. plans the same dual-release strategy in 2021 for 17 films, including a “Dune” remake and “Godzilla vs. Kong.”

The performance of “Wonder Woman 1984” demonstrated an appetite for the big screen, B. Riley analyst Eric Wold said in a research note.

“This helps support the thesis that when consumers are allowed back to theaters with attractive content, they will once again become moviegoers,” said Wold, who follows major chains including AMC Entertainment and Cinemark.

B&B Theaters, which operates in nine states, sold out some of its “Wonder Woman 1984” showtimes on Christmas Day, executives said. But they offered only 25% to 50% of seats, depending on the state, to ensure social distancing.

“We’re seeing week after week our attendance go up,” said executive vice president Bobbie Bagby Ford. But she added she did not expect the industry to hit “any semblance of normal” until vaccinations expand and attendance limits can be lifted.

“It’s probably going to be the holidays of 2021 before I see us back to full swing,” she said.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
TT
20

Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.