Damascus Bids Farewell to Director Hatem Ali

A general view of the funeral procession for Syrian director Hatem Ali in Damascus, Syria, on January 1. (EPA)
A general view of the funeral procession for Syrian director Hatem Ali in Damascus, Syria, on January 1. (EPA)
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Damascus Bids Farewell to Director Hatem Ali

A general view of the funeral procession for Syrian director Hatem Ali in Damascus, Syria, on January 1. (EPA)
A general view of the funeral procession for Syrian director Hatem Ali in Damascus, Syria, on January 1. (EPA)

Damascus bid farewell to Hatem Ali, one of the city’s most prominent directors, on Friday. The funeral procession was held after his casket’s arrival from Cairo, where he had died of a heart attack on Tuesday.

The Syrian capitals’ Al-Hassan Mosque was filled with mourners, some holding up his picture. As soon as his casket was taken out of the mosque, the crowd began to applaud, cry out in prayer and chant his name.

Dozens of cars took part in the funeral motorcade that passed through the streets of Damascus before he was buried in the Bab el-Saghir Cemetery.

Syrian and Arab social media was brimming with messages of mourning over director, who had worked on many of the past two decades’ most renowned television series.

His sudden death inside his hotel room in Cairo came as a shock, especially since he had not been showing any signs of illness before his heart attack.

A rare sight since the Syrian conflict began, the Syrian people, loyalists and opponents of the regime, were unanimous in celebrating his journey and legacy. He was mourned by dozens of artists outside of Syria, some of whom are vocal activists opposed to the regime, and others who remained inside the county.

The Syrian Artists Syndicate only announced Ali’s death on Tuesday, highlighting some of his works without formally mourning him, a move that was widely criticized on social media.

The director’s membership, alongside that of around 200 other Syrian artists, was revoked in the summer of 2015 under the pretext that they had not paid their membership fees, which the syndicate had said it would only accept to receive from the artists in person. This was not an option for many of the artists who had left the country during the conflict.

At the time, many artists and activists drew a link between the artists’ expulsion from the syndicate and their political positions, as they were either openly opposed to the regime or had abstained from declaring their support for it.

Born in 1962, Ali began his career as an actor, working with director Haitham Haqqi on the series Circle of Fire in 1988. He moved to directing television series in the mid-1990s, during which he worked on many feature TV films.

He has directed a number of series, some of the most notable include Maraya, Four Seasons, Al Zeer Salem, Salaheddine Al Ayyubi, Al Taghribiyya Al Filistiniyya, King Farouk, and Omar.

Cairo-based prominent Syrian actor and opposition figure, Jamal Sulieman, who had collaborated with Ali on several projects, mourned his death on Facebook.

“Your sudden departure was a grave shock and left in grief not only your family, friends and all of those who enjoyed working with you during your career, but people throughout the Arab world,” he wrote.



Gl-icked? Movie Theaters Pin Hopes on Big 'Wicked,' 'Gladiator' Weekend

'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
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Gl-icked? Movie Theaters Pin Hopes on Big 'Wicked,' 'Gladiator' Weekend

'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP

US movie theaters are hoping the lightning-in-a-bottle magic of last year's "Barbenheimer" phenomenon can strike again this weekend, with the simultaneous release of two of 2024's most hyped films: "Wicked" and "Gladiator II."
"Wicked" is the movie adaptation of the hit Broadway musical, starring pop sensation Ariana Grande, while "Gladiator II" marks Ridley Scott's return to ancient Rome, 24 years after his epic original won the best picture Oscar.
Whether audiences will embrace the tongue-in-cheek "Glicked" (or "Wickiator") memes being hopefully circulated by marketing departments -- or even dress up in witch hats and togas -- remains to be seen.
But cinema lobbies and shopping malls across the country are being daubed in the pink-and-green shades of the "Wicked" witches, and kitted out with cardboard miniature Colosseums, ahead of a period that analysts say will be crucial for the industry, AFP said.
"I am certain that this is going to be the biggest Thanksgiving the industry has ever seen," said Jordan Hohman, an executive at Phoenix Theatres.
"Wicked" alone is "the biggest opening film in terms of advance sale tickets" in the US chain's 24-year history, currently pacing 63 percent ahead of "Barbie," added president Cory Jacobson.
While rival Hollywood studios have traditionally been wary of launching two major films on the same weekend, the record-breaking summer of 2023 showed it can be mutually beneficial -- with the right movies.
Like "Barbie" and "Oppenheimer," the female-skewing "Wicked" and male-focussed "Gladiator II" are "oriented to different audiences," said analyst David A. Gross, of Franchise Entertainment Research.
"Wicked" has inspired promotional tie-ins like a makeup line and a cupcake kit, while "Gladiator" ads have been ubiquitous during NFL telecasts.
"There is zero issue in terms of stepping on each other's feet," said Gross.
Still, matching the heady heights of "Barbie" and "Oppenheimer" will be a tough ask. Those films took $245 million combined on their opening weekend in North America alone.
"Barbenheimer was an example of two films massively over-performing... an unexpected best-case scenario," cautioned Daniel Lora, senior VP of content strategy for Boxoffice Media.
But part of the industry's current bullishness comes from another massive film, Disney's "Moana 2," which will join "Wicked" and "Gladiator II" in multiplexes just a week later.
"I don't think this is a two-picture experience. I think it's a three-picture experience," said Jacobson.
Marketing blitz
Should the next few weeks live up to hopes, it will come at a much-needed time for Hollywood.
Despite a profitable summer featuring hit sequels like "Inside Out 2" and "Deadpool & Wolverine," 2024 has been a mixed bag for an industry still dreaming of a return to pre-pandemic numbers.
The first five months of the year were hampered by a thin release schedule, stemming from the production delays caused by Hollywood strikes and Covid.
The fall has also been a disappointment, with box office dud "Joker: Folie A Deux" foremost among a series of flops and middling releases.
But the early signs for this weekend look promising.
"Gladiator II" opened in dozens of other countries last week, taking a whopping $87 million overseas. Paramount will be hoping for similar numbers in the US this weekend.
"Wicked," from Universal, the studio behind "Oppenheimer," is predicted to take north of $100 million this weekend in North America alone.
Both movies have benefited from long, expensive marketing campaigns.
At a major Las Vegas movie theater convention in April, Paramount began their annual presentation with an executive riding into the Caesars Palace arena on a chariot flanked by Roman soldiers.
Universal's presentation ended with thousands of plastic flowers held aloft by audience members to create a giant green-and-pink "Wicked" themed electronic lightshow.
Eight months later, both studios will learn if those strategies have converted into ticket sales.
"When something really catches fire, and it's not just a marketing campaign flogging it, honestly it can just take off and go higher than anybody can predict," said Gross.
"So let's see what happens."