Review: ‘Human Factor’ Gets Personal about Middle East Peace

President Bill Clinton, center, looks on as Israeli PM Yitzhak Rabin, left, and PLO leader Yasser Arafat shake hands in the White House after signing the Mideast accord in Washington on Sept. 28, 1995. (AP)
President Bill Clinton, center, looks on as Israeli PM Yitzhak Rabin, left, and PLO leader Yasser Arafat shake hands in the White House after signing the Mideast accord in Washington on Sept. 28, 1995. (AP)
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Review: ‘Human Factor’ Gets Personal about Middle East Peace

President Bill Clinton, center, looks on as Israeli PM Yitzhak Rabin, left, and PLO leader Yasser Arafat shake hands in the White House after signing the Mideast accord in Washington on Sept. 28, 1995. (AP)
President Bill Clinton, center, looks on as Israeli PM Yitzhak Rabin, left, and PLO leader Yasser Arafat shake hands in the White House after signing the Mideast accord in Washington on Sept. 28, 1995. (AP)

Ready for a documentary about three decades of agonizing fits and starts of the Middle East peace process, from the perspective of US negotiators? You’re probably thinking that doesn’t sound too enticing right about now.

But there’s a reason “The Human Factor,” by Israeli filmmaker Dror Moreh, escapes what would seem a likely fate of being interesting only to policy wonks and those with a direct stake in the issue, and it has something to do with the title, wrote The Associated Press. It’s a reference to a line from Dennis Ross, the best-known negotiator of the bunch.

“You can’t ignore the human factor,” he says at the beginning. “Someone who has a human touch treats someone else with respect. Someone who has a human touch doesn’t think they’re going to outsmart anybody.”

The film goes on to prove the point, threading a delicate line between giving us necessary facts and sounding like a dry history lesson. But the value is in the small, and yes, human details -- like the fact that Palestinian leader Yasser Arafat took it upon himself to cut Ross’ chicken for him when they ate together. Or the incongruous sight of Arafat’s entourage watching “The Golden Girls” on TV.

The film is full of such humanizing touches, not just about Arafat but about Israeli leaders and American ones, too. Like Bill Clinton, depicted here as a man on a career-defining mission to achieve a peace deal. One small but stunning anecdote: As the Monica Lewinsky scandal is breaking, casting a cloud over Clinton’s presidency, Ross looks over at his boss’ notepad during a crucial meeting. Clinton is writing: “Focus on your job. Focus on your job.”

The film traces the long slog of peace efforts through archival footage and interviews with key negotiators: Ross, who played a huge role for more than a decade, working for presidents from Reagan to Obama; Martin Indyk, twice the US ambassador to Israel; and negotiators Gamal Helal, Aaron David Miller and Daniel Kurtzer.

Through these men, especially Ross, we get a close-up view of world leaders and how they behaved behind closed doors. There’s a fascinating description of a meal in the small dining room off the Oval Office between Clinton, Arafat, Israeli Prime Minister Benjamin Netanyahu and King Hussein of Jordan. Ross describes an offended Hussein admonishing Netanyahu as if he were a wayward schoolboy: “You don’t have the maturity to be a leader,” he tells him, according to Ross. “You have to grow up and become a leader.” There’s silence in the room.

At another point, Ross describes Clinton exclaiming about Netanyahu: “Who does he think the superpower is?”

This is, of course, after the death of Prime Minister Yitzhak Rabin at the hands of a Jewish extremist in 1995, as he pursued peace. The film effectively portrays the grudging respect that had slowly formed between Rabin and Arafat, from a moment when shaking hands was a painful gesture to a time when Arafat would casually drape his arm across Rabin’s back.

For this viewer, the most “human” factor of the film comes with the shock over Rabin’s death, especially from Ross himself. The negotiator recounts that he’d been taking one of his children home from a doctor’s visit when he was paged by Secretary of State Warren Christopher.

Once the news sunk, Ross’ wife had to explain to their children why Dad was crying. “They’d never seen me cry before,” he says. And, speaking to the camera today, the tears return. “It’s obviously still a moment I really can’t talk about,” he says.

Ross would, of course, stay on the job, trying to broker peace between Arafat and Netanyahu, or Arafat and Prime Minister Ehud Barak. Clinton was determined, but that wasn’t enough. The high-stakes 2000 Camp David summit fails to produce an agreement, and we see Clinton in his last days in office in January 2001, in a call with Arafat, who calls him a “great man.”

“No, I’m not,” Ross quotes Clinton as saying. “I’m a failure.”

The film does not, of course, conclusively answer its primary question: What went wrong?

But there’s a hint. It is Miller who raises most directly one of the most serious issues: Was the United States ever really equipped to be an “honest broker”? Was real peace ever possible when the Americans were essentially, as Miller puts it in retrospect, acting as Israel’s lawyers?

“I don’t think I am free from prejudgments,” he says. And he asks: “Did we have Palestinian lawyers?”



Singer Julio Iglesias Accused of ‘Human Trafficking’ by Former Staff

Spanish singer Julio Iglesias sings during the Telethon television program in Paris on December 6, 2003. (AFP)
Spanish singer Julio Iglesias sings during the Telethon television program in Paris on December 6, 2003. (AFP)
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Singer Julio Iglesias Accused of ‘Human Trafficking’ by Former Staff

Spanish singer Julio Iglesias sings during the Telethon television program in Paris on December 6, 2003. (AFP)
Spanish singer Julio Iglesias sings during the Telethon television program in Paris on December 6, 2003. (AFP)

A criminal complaint filed by two former employees of veteran Spanish singer Julio Iglesias accuses him of "human trafficking" and "forced labor", according to advocacy groups supporting the women.

The women allege they suffered sexual and other forms of abuse while working at Iglesias's properties in the Dominican Republic and the Bahamas in 2021, Women's Link Worldwide and Amnesty International said late Tuesday.

The organizations said a complaint filed with Spanish prosecutors on January 5 outlined alleged acts that could be considered "a crime of human trafficking for the purpose of forced labor" and "crimes against sexual freedom".

Iglesias subjected them to "sexual harassment, regularly checked their mobile phones, restricted their ability to leave the home where they worked, and required them to work up to 16 hours a day without days off," according to testimony collected by the two groups.

One of the women, a Dominican identified as Rebeca, who was 22 at the time of the alleged incidents, said she spoke out to seek justice and set an example for other employees of the singer.

"I want to tell them to be strong, to raise their voices, to remember he is not invincible," she said, according to a statement by Women's Link.

The allegations were first detailed in an investigation published Tuesday by US television network Univision and Spanish newspaper elDiario.es.

Spain's Equality Minister, Ana Redondo, has called for "a full investigation" into the allegations.

Iglesias, 82, is one of the most successful Latin artists of all time. Best known for his romantic ballads, he enjoyed huge success during the 1970s and 1980s and has recorded with US artists including Diana Ross, Stevie Wonder and Willie Nelson.

Iglesias has not publicly responded to the allegations.


K-Pop Heartthrobs BTS to Kick Off World Tour in April

Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)
Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)
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K-Pop Heartthrobs BTS to Kick Off World Tour in April

Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)
Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)

K-pop megastars BTS will kick off their first world tour in four years in April, their label said on Wednesday, part of a hotly-anticipated comeback following a hiatus for the South Koreans whose music has become a global phenomenon.

BTS -- known for funky and fun hits like "Dynamite" and "Butter" -- hold the record as the most-streamed group on Spotify and are the first K-pop act to have topped both the Billboard 200 and the Billboard Artist 100 charts in the United States.

But the Bulletproof Boy Scouts -- as their name means in Korean -- haven't toured or released music since 2022 as they underwent the national military service required of all South Korean men under the age of 30.

Now that all seven members have completed their military service the band's label announced on New Year's Day they would release a new album in March before heading on tour the following month.

Spanning 34 cities with 79 performances, it will be the largest-ever single tour by a K-pop group in terms of total shows and the "widest regional reach for a South Korean artist," according to the band's agency, HYBE.

The world tour will kick off in South Korea's Goyang on April 9, with two additional concerts in the city before moving on to neighboring Japan.

They will then head to the United States and Europe, with the tour ending in March 2027 in Manila.

The band's label said that more cities will be announced, including additional stops in Japan and the Middle East.

Their new album -- as yet unnamed -- will be their first since the anthology "Proof", which became South Korea's bestselling record of 2022.

- 'Right kidney is waving' -

BTS's famously loyal fanbase -- known as ARMY -- reacted with elation at news of the world tour.

One fan wrote in response to the news on Facebook that to buy a ticket their "Right kidney is waving".

"Army hunger games are about to start," another wrote, drawing a comparison between fans trying to get tickets and a series of popular young adult novels in which contestants fight to the death.

BTS is big business in South Korea -- before their military service, they generated more than 5.5 trillion won ($3.7 billion) for the country per year, according to Seoul's Korea Culture and Tourism Institute.

The figure is equivalent to roughly 0.2 percent of South Korea's total GDP.

HYBE's shares traded higher at Wednesday's market open on news of their world tour, rising around three percent.

And investment bank IBK Securities on Wednesday projected the firm's operating profits this year would soar tenfold compared to 2025.


Nicolas Cage Film Stopped Amid Nazi Flag Concerns

Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 
Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 
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Nicolas Cage Film Stopped Amid Nazi Flag Concerns

Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 
Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 

The East London council shut down the production of an upcoming war film starring Nicolas Cage due to concerns over Nazi iconography, according to British METRO website.

The American Oscar-winning actor, 62, is due to star in Fortitude, a historical spy action-adventure film directed by Simon West.

Set during the Second World War, the film tells the true story of Operation Fortitude, which was undertaken by the Allied Forces in 1944 to deceive Nazi Germany leaders and mislead Nazi Intelligence.

British Intelligence operatives utilized unprecedented strategic operations such as double agents, fake armies, and military equipment to mislead the Nazis about the nature and timing of D-Day, the storming of Normandy.

Filming began in London on September 8, 2025, with other cast members including Matthew Goode, Ed Skrein, Alice Eve, Michael Sheen, and Ben Kingsley.

However, the crew encountered a hurdle when plans to shoot at Waltham Forest Town Hall fell through.

Set dressing would have included draping flags emblazoned with the swastika over the building.

While a filming permit was not formally granted and the council did not collect a fee for such, Waltham Forest Council initially signed off on the project under the conditions that residents would be consulted and “Nazi-era flags and symbols were not publicly visible.”

But production was “abruptly” brought forward to September, having originally been planned for October, meaning there was not enough time for consultation with locals.