In a New Series, TCM Takes a Look at ‘Problematic’ Classics

This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)
This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)
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In a New Series, TCM Takes a Look at ‘Problematic’ Classics

This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)
This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)

Loving classic films can be a fraught pastime. Just consider the cultural firestorm over “Gone With the Wind” this past summer. No one knows this better than the film lovers at Turner Classic Movies who daily are confronted with the complicated reality that many of old Hollywood’s most celebrated films are also often a kitchen sink of stereotypes. This summer, amid the Black Lives Matter protests, the channel’s programmers and hosts decided to do something about it.

The result is a new series, “Reframed Classics,” which promises wide-ranging discussions about 18 culturally significant films from the 1920s through the 1960s that also have problematic aspects, from “Breakfast at Tiffany’s” and Mickey Rooney’s performance as Mr. Yunioshi to Fred Astaire’s blackface routine in “Swing Time.” It kicks off Thursday with none other than “Gone With the Wind.”

“We know millions of people love these films,” said TCM host Jacqueline Stewart, who is participating in many of the conversations. “We’re not saying this is how you should feel about ‘Pyscho’ or this is how you should feel about ‘Gone with the Wind.’ We’re just trying to model ways of having longer and deeper conversations and not just cutting it off to ‘I love this movie. I hate this movie.’ There’s so much space in between.”

Stewart, a University of Chicago professor who in 2019 became the channel’s first African American host, has spent her career studying classic films, particularly those in the silent era, and Black audiences. She knows first-hand the tension of loving films that also contain racial stereotypes.

“I grew up in a family of people who loved classic films. Now, how can you love these films if you know that there’s going to be a maid or mammy that shows up?” Stewart said. “Well, I grew up around people who could still love the movie. You appreciate some parts of it. You critique other parts of it. That’s something that one can do and it actually can enrich your experience of the film.”

While TCM audiences will know her as the host of Silent Sunday Nights, this past summer she was given a bigger spotlight when she was selected to introduce “Gone With the Wind” on HBO Max to provide proper context after its controversial removal from the streaming service. She remembers drafting her remarks for that while also concocting this series.

“I continue to feel a sense of urgency around these topics,” she said. “It was really important for the group to come together to think about how we can work with each other and work with our fans to deepen the conversations about these films.”

TCM hosts Ben Mankiewicz, Dave Karger, Alicia Malone and Eddie Muller will also be part of many conversations. The films that they’ve selected aren’t under the radar novelties either. As Stewart said, “they’re the classics of the classics.”

The series, which runs every Thursday through March 25, will also show “Guess Who’s Coming to Dinner,” “Gunga Din,” “The Searchers,” “My Fair Lady,” “Stagecoach,” “Woman of the Year” and “The Children’s Hour.”

During the “My Fair Lady” conversation on March 25, they talk about why the film adaptation has a less feminist ending than the stage play, and Henry Higgins’ physical and psychological abuse of Eliza Dolittle. Not feeding her and stuffing marbles in her mouth are played for cute laughs in the film. Is it a commentary on misogyny or just plain misogyny?

And on the “Guess Who’s Coming to Dinner” night, airing March 11, Stewart discusses the complex legacy of Sidney Poitier.

“His career is so important for the ways that white Americans really started to have more sympathy and understanding of Black people. But at the same time, there are aspects of his films that are clearly oriented primarily to white audiences,” Stewart said. “That opens up all kinds of complications for Black viewers who felt that he wasn’t a representative of the race as a whole.”

Companies have lately taken to adding disclaimers before shows and films depicting outdated or stereotypical characters and themes. And in some instances, films have just been made unavailable. Disney has said that it’s 1946 film “Song of the South” will never be on Disney+. The classic film podcast “You Must Remember This” has an excellent series about the controversial movie and how it came to be.

The goal of “Reframed Classics” is to help give audiences the tools to discuss films from a different era and not just dismiss or cancel them. And Stewart, for her part, doesn’t believe that you can simply remove problematic films from the culture.

“I think there’s something to be learned from any work of art,” Stewart said. “They’re all historical artifacts that tell us a lot about the industry in which they were made, the cultures that they were speaking to.”



‘Star Wars’, ‘Batman’ and Bond Items for Sale at Propstore Film Auction

 A screen-matched "Move Along" Sandtrooper Helmet from 'Star Wars: A New Hope' is displayed, at Propstore in Chenies, Britain, September 30, 2024. (Reuters)
A screen-matched "Move Along" Sandtrooper Helmet from 'Star Wars: A New Hope' is displayed, at Propstore in Chenies, Britain, September 30, 2024. (Reuters)
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‘Star Wars’, ‘Batman’ and Bond Items for Sale at Propstore Film Auction

 A screen-matched "Move Along" Sandtrooper Helmet from 'Star Wars: A New Hope' is displayed, at Propstore in Chenies, Britain, September 30, 2024. (Reuters)
A screen-matched "Move Along" Sandtrooper Helmet from 'Star Wars: A New Hope' is displayed, at Propstore in Chenies, Britain, September 30, 2024. (Reuters)

From Yoda's cane to Clint Eastwood's duster coat in "The Good, the Bad and the Ugly", hundreds of items will go under the hammer next month in a sale of movie and television memorabilia.

Entertainment memorabilia auctioneer Propstore is selling more than 1,800 items at its annual live auction, which this year runs from Nov. 14 to 17, and which it estimates could fetch more than 10 million pounds ($13.1 million).

Items worn or used by some of Hollywood's biggest names are up for grabs, with plenty of lots from some of cinema's biggest franchises including the James Bond and Harry Potter films.

Leading the sale is a Sandtrooper helmet from the "Move Along" scene in "Star Wars: A New Hope", which has a price estimate of 250,000 pounds to 500,000 pounds ($326,900 to$654,000).

"It's an incredibly rare artifact," Propstore founder and Chief Executive Stephen Lane told Reuters.

The Yoda cane being sold was used in both "The Empire Strikes Back" and "Return of the Jedi", Propstore said.

An array of costumes are being sold, including Michael Keaton's Batsuit from "Batman Returns", a suit worn by Daniel Craig in Bond film "Skyfall" and the 2015 resizing jacket Michael J. Fox's character Marty McFly wore in "Back to the Future Part II".

Eastwood's duster coat from "The Good, the Bad and the Ugly" is also among the lots.

"The duster is a synonymous attire for most Western films," Lane said. "This is deemed to be one of the best Western films, perhaps of all time and Clint Eastwood costume pieces from those films virtually never, ever turn up," Lane said.

Other highlights include Russell Crowe's Maximus arena helmet and mask from "Gladiator", the ghostface mask worn by Henry Winkler as principal Arthur Himbry in "Scream" and a dress worn by Elizabeth Taylor in "Cleopatra".