In a New Series, TCM Takes a Look at ‘Problematic’ Classics

This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)
This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)
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In a New Series, TCM Takes a Look at ‘Problematic’ Classics

This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)
This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)

Loving classic films can be a fraught pastime. Just consider the cultural firestorm over “Gone With the Wind” this past summer. No one knows this better than the film lovers at Turner Classic Movies who daily are confronted with the complicated reality that many of old Hollywood’s most celebrated films are also often a kitchen sink of stereotypes. This summer, amid the Black Lives Matter protests, the channel’s programmers and hosts decided to do something about it.

The result is a new series, “Reframed Classics,” which promises wide-ranging discussions about 18 culturally significant films from the 1920s through the 1960s that also have problematic aspects, from “Breakfast at Tiffany’s” and Mickey Rooney’s performance as Mr. Yunioshi to Fred Astaire’s blackface routine in “Swing Time.” It kicks off Thursday with none other than “Gone With the Wind.”

“We know millions of people love these films,” said TCM host Jacqueline Stewart, who is participating in many of the conversations. “We’re not saying this is how you should feel about ‘Pyscho’ or this is how you should feel about ‘Gone with the Wind.’ We’re just trying to model ways of having longer and deeper conversations and not just cutting it off to ‘I love this movie. I hate this movie.’ There’s so much space in between.”

Stewart, a University of Chicago professor who in 2019 became the channel’s first African American host, has spent her career studying classic films, particularly those in the silent era, and Black audiences. She knows first-hand the tension of loving films that also contain racial stereotypes.

“I grew up in a family of people who loved classic films. Now, how can you love these films if you know that there’s going to be a maid or mammy that shows up?” Stewart said. “Well, I grew up around people who could still love the movie. You appreciate some parts of it. You critique other parts of it. That’s something that one can do and it actually can enrich your experience of the film.”

While TCM audiences will know her as the host of Silent Sunday Nights, this past summer she was given a bigger spotlight when she was selected to introduce “Gone With the Wind” on HBO Max to provide proper context after its controversial removal from the streaming service. She remembers drafting her remarks for that while also concocting this series.

“I continue to feel a sense of urgency around these topics,” she said. “It was really important for the group to come together to think about how we can work with each other and work with our fans to deepen the conversations about these films.”

TCM hosts Ben Mankiewicz, Dave Karger, Alicia Malone and Eddie Muller will also be part of many conversations. The films that they’ve selected aren’t under the radar novelties either. As Stewart said, “they’re the classics of the classics.”

The series, which runs every Thursday through March 25, will also show “Guess Who’s Coming to Dinner,” “Gunga Din,” “The Searchers,” “My Fair Lady,” “Stagecoach,” “Woman of the Year” and “The Children’s Hour.”

During the “My Fair Lady” conversation on March 25, they talk about why the film adaptation has a less feminist ending than the stage play, and Henry Higgins’ physical and psychological abuse of Eliza Dolittle. Not feeding her and stuffing marbles in her mouth are played for cute laughs in the film. Is it a commentary on misogyny or just plain misogyny?

And on the “Guess Who’s Coming to Dinner” night, airing March 11, Stewart discusses the complex legacy of Sidney Poitier.

“His career is so important for the ways that white Americans really started to have more sympathy and understanding of Black people. But at the same time, there are aspects of his films that are clearly oriented primarily to white audiences,” Stewart said. “That opens up all kinds of complications for Black viewers who felt that he wasn’t a representative of the race as a whole.”

Companies have lately taken to adding disclaimers before shows and films depicting outdated or stereotypical characters and themes. And in some instances, films have just been made unavailable. Disney has said that it’s 1946 film “Song of the South” will never be on Disney+. The classic film podcast “You Must Remember This” has an excellent series about the controversial movie and how it came to be.

The goal of “Reframed Classics” is to help give audiences the tools to discuss films from a different era and not just dismiss or cancel them. And Stewart, for her part, doesn’t believe that you can simply remove problematic films from the culture.

“I think there’s something to be learned from any work of art,” Stewart said. “They’re all historical artifacts that tell us a lot about the industry in which they were made, the cultures that they were speaking to.”



Simone Biles to Join Snoop Dogg as Guest Mentor for an Episode on NBC's 'The Voice'

Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)
Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)
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Simone Biles to Join Snoop Dogg as Guest Mentor for an Episode on NBC's 'The Voice'

Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)
Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)

Snoop Dogg and Simone Biles turned their Olympic bond from this summer’s Paris Games into a new challenge: The superstar tandem will team up on NBC’s “The Voice.”
Biles will join Snoop for an episode on the reality competition television series, airing Monday. As a coach on the show, the rap star enlisted Biles as a mentor in the playoff round to help advise five vocalists who are vying for a spot in the live shows.
For Snoop and Biles, their pairing was a superb match for the sports and music icons — who carried their effortless chemistry from the Olympics to the TV set of “The Voice.”
“We were able to riff off each other and give the artists the best insight going into the next round,” Biles told The Associated Press in a recent interview with Snoop after both finished filming the episode in Los Angeles.
“It was pretty easy, simple,” added Biles, the most decorated gymnast of all-time who won four medals — three of them gold — at the recent Olympics. “We’re both very mellow. But if we need to bring that energy up, then we can. For us, it was about instilling confidence going into the next week.”
Biles might be famous for her athletic prowess, but she was able to relate to the music contestants — from one competitor to another.
“These are the learning steps: Learn, process, go back in and work,” she said. “They all have the vocal talent. It’s about harnessing that, knowing when to bring it out and which songs to sing and which genre you fit in. And what you want your legacy to be. This is truly a special show as well as the judging. They don’t get to see the physical appearance first. It’s all off of ears, listening and putting their craft together as well.”
Despite having different career paths, Snoop and Biles share a mutual respect for each other’s ability to shine on the biggest stages.
“We have such diverse careers. But the things that we dealt with, they’re dealing with now,” said Snoop, the ultra-smooth entertainer who took on a starring role as a special correspondent in NBC’s record-breaking coverage. He’s a coach on “The Voice” along with Michael Bublé, Reba McEntire and Gwen Stefani, with each attempting to discover and coach the next singing phenomenon.
Snoop said they felt the need to instill wisdom and confidence in each participant.
“We have the best experience and knowledge to give to these performers,” he said. “She’s a performer. I’m a performer. We’ve performed under extreme conditions. We always do our best. But sometimes things happen behind closed doors that you don’t know about. So, we’re able to speak to those things and give them real reassurance.”
During the Olympics, Biles and Snoop had a few viral moments. Both caught up with each other to cheer on Sydney McLaughlin-Levrone during her 400-meter hurdles race; he gifted Biles’ father, Ronald Biles, with a Death Row Records gold necklace for his 75th birthday; and he was spotted dancing in the crowd during the women's gymnastics qualifying round as Biles and her teammate Jordan Chiles joined in.
While on set, Biles was often all smiles while watching Snoop in his charismatic element.
“I knew Snoop would stay true and authentic to himself here on ‘The Voice.’” she said. “It’s nice that you don’t have to fit a mold. There’s a space for everyone.”
Snoop said it made sense for both to work together on the episode.
“This is family. It feels good,” Snoop said. “(Biles) can do anything she wants to do. She picks and chooses what she wants to do.