New York Cinemas Reopen, Brightening Outlook for Theaters

Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)
Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)
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New York Cinemas Reopen, Brightening Outlook for Theaters

Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)
Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)

After growing cobwebs for nearly a year, movie theaters in New York City reopen Friday, returning film titles to Manhattan marquees that had for the last 12 months instead read messages like “Wear a mask” and “We’ll be back soon.”

Shortly after noon at the Angelika Film Center on Houston Street, Holly Stillman was already feeling emotional coming out of the first New York showing of Lee Isaac Chung’s tender family drama “Minari.” “My mask is drenched,” she said.

But she was equally overwhelmed by being back in a cinema. Though Stillman feared the experience would be too restrictive because of COVID-19 protocols, she instead found it euphoric.

“It was just you and the movie screen,” said Stillman. “It was wonderful to smell the popcorn as soon as I got into the theater — even though I don’t eat popcorn.”

Less than half of movie theaters are open nationwide, but reopenings are quickening. Theaters in many other areas reopened last summer around the release of Christopher Nolan’s “Tenet,” but that attempted comeback fizzled. Throughout, theaters remained shut in the five boroughs. For a year almost to the date, one of the world’s foremost movie capitals stayed dark.

For a theatrical business that has been punished by the pandemic, the resumption of moviegoing in New York — is a crucial first step in revival.

“It’s a symbolic moment,” said Michael Barker, co-president of the New York-based Sony Pictures Classics, which on Friday released the Oscar contenders “The Father” and “The Truffle Hunters” in Manhattan theaters. “It says that there is hope for the theatrical world to reactivate itself.”

Cinemas in the city are currently operating at only 25% capacity, with a maximum of 50 per each auditorium. As in other places, mask wearing is mandatory, seats are blocked out and air filters have been upgraded.

Many theaters were caught off guard when Gov. Andrew Cuomo said cinemas could, under those conditions, reopen. Some of the city’s prominent theaters, including the Film Forum, the Alamo Drafthouse, the Metrograph and Regal Cinemas were targeting openings in the coming weeks. Some needed more time to prepare. After sitting dormant all winter, the Cinema Village in Manhattan two weeks earlier burst a pipe, flooding the lobby — one last bit of bad luck in a grueling year.

“This was the worst horror movie. I don’t think any Hollywood director could have dreamed it up,” said Nicolas Nicolaou, owner of the Cinema Village and theaters in Queens and New York. “We didn’t realize we’d be 100% shutdown for this long.”

New York, along with Los Angeles (where theaters are still closed), is one of the top movie markets. For smaller films, it’s a vital epicenter of word-of-mouth. For blockbusters, it’s a lucrative necessity. Without New York or Los Angeles open, Hollywood studios have pushed most of their larger productions until more theaters are open, or they’ve steered films to streaming

“The New York opening is very significant to the theater business in New York, in the nation and in the globe,” says John Fithian, president of the National Association of Theater Owners. “We in the movie theater business live off of movies that play all around the country and all around the world. We keep seeing those movies leave the theatrical release schedule to move to later dates because there just haven’t been enough markets. New York is the most important of those markets.”

Lately, with President Biden’s prediction that every adult can be vaccinated by the end of May, the outlook for theaters has been brightening for the first time in a long time. Last weekend, “Tom & Jerry” overperformed at the box office with $14.1 million in ticket sales, even while it streamed on HBO Max. Though Universal Pictures pushed the “Fast & Furious” sequel “F9” from late May to late June, other movies have moved up on the calendar, reversing the postponement tide.

Sony Pictures said it will release “Peter Rabbit 2: The Runaway” in May. Paramount Pictures’ “A Quiet Place II” moved into the May 28 date vacated by “F9.” The Walt Disney Co.’s “Black Widow” currently remains slated for May 7. Adding to the optimism: Southern California theaters are expected to reopen over the next few weeks.



‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
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‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)

With a combined $270 million in worldwide ticket sales, “Wicked” and “Gladiator II” breathed fresh life into a box office that has struggled lately, leading to one of the busiest moviegoing weekends of the year.

Jon M. Chu’s lavish big-budget musical “Wicked,” starring Ariana Grande and Cynthia Erivo, debuted with $114 million domestically and $164.2 million globally for Universal Pictures, according to studio estimates Sunday. That made it the third-biggest opening weekend of the year, behind only “Deadpool & Wolverine” and “Inside Out 2.” It’s also a record for a Broadway musical adaptation.

Ridley Scott’s “Gladiator II,” a sequel to his 2000 best picture-winning original, launched with $55.5 million in ticket sales. With a price tag of around $250 million to produce it, “Gladiator II” was a big bet by Paramount Pictures to return to the Coliseum with a largely new cast, led by Denzel Washington and Paul Mescal. While it opened with a touch less than the $60 million predicted in domestic ticket sales, “Gladiator II” has performed well overseas. It added $50.5 million internationally.

Going into the weekend, box office was down about 11% from last year and some 25% from pre-pandemic times. That meant this week's two headline films led a much-needed resurgence for theaters. With “Moana 2” releasing Wednesday, Hollywood might be looking at historic sales over the Thanksgiving holiday.

“This weekend’s two strong openers are invigorating a box office that fell apart after a good summer,” said David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

The collision of the two movies led to some echoes of the “Barbenheimer” effect of last year, when “Barbie" and “Oppenheimer” launched simultaneously. The nickname this time, “Glicked,” wasn’t quite as catchy and the cultural imprint was also notably less. Few people sought out a double feature this time. The domestic grosses in 2023 – $162 million for “Barbie” and $82 million for “Oppenheimer” – were also higher.

But the counter-programming effect was still potent for “Wicked” and “Gladiator II,” which likewise split broadly along gender lines. And it was again the female-leaning release – “Wicked,” like “Barbie” before it – that easily won the weekend. About 72% of ticket buyers for “Wicked” were female, while 61% of those seeing “Gladiator II” were male.

And while “Barbenheimer” benefitted enormously from meme-spread word-of-mouth, both “Wicked” and “Gladiator II” leaned on all-out marketing blitzes.

Both movies pulled out all the stops in global advertising campaigns that spanned everything from “Wicked” Mattel dolls (some of which led to an awkward recall) to an Airbnb cross-promotion with the actual Colosseum in Rome. For “Gladiator II,” Paramount even took the unusual step of simultaneously running a one-minute trailer on more than 4,000 TV networks, radio station and digital platforms.

Though “Wicked” will face some direct competition from “Moana 2,” it would seem to be better set up for a long and lucrative run in theaters. Even at 2 hours and 40 minutes, the film has had mostly stellar reviews. Audiences gave it an “A” on CinemaScore. The reception for “Wicked” has been strong enough that Oscar prognosticators expect it to be a contender for best picture at the Academy Awards, among other categories.

Producers, perhaps sensing a hit, also took the step of splitting “Wicked” in two. Part two, already filmed, is due out next November. Each “Wicked” installation cost around $150 million to make.

“Gladiator II” has also enjoyed good reviews, particularly for Washington's charismatic performance. Audience scores, though, were weaker, with ticket buyers giving it a “B” on CinemaScore. “Gladiator II” will make up for some of that, however, with robust international sales. It launched in many overseas markets a week ago, earning $87 million before landing in North America.