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Philippine Artist Fights Waste by Using Recycled Trash in Paintings

FILE PHOTO: Filipino artist Gilbert Angeles works on a painting using expired paint and shredded plastic wrappers, at his studio in Plaridel, Bulacan province, Philippines, February 8, 2021. Picture taken February 8, 2021. REUTERS/Eloisa Lopez/File Photo
FILE PHOTO: Filipino artist Gilbert Angeles works on a painting using expired paint and shredded plastic wrappers, at his studio in Plaridel, Bulacan province, Philippines, February 8, 2021. Picture taken February 8, 2021. REUTERS/Eloisa Lopez/File Photo
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Philippine Artist Fights Waste by Using Recycled Trash in Paintings

FILE PHOTO: Filipino artist Gilbert Angeles works on a painting using expired paint and shredded plastic wrappers, at his studio in Plaridel, Bulacan province, Philippines, February 8, 2021. Picture taken February 8, 2021. REUTERS/Eloisa Lopez/File Photo
FILE PHOTO: Filipino artist Gilbert Angeles works on a painting using expired paint and shredded plastic wrappers, at his studio in Plaridel, Bulacan province, Philippines, February 8, 2021. Picture taken February 8, 2021. REUTERS/Eloisa Lopez/File Photo

When Filipino artist Gilbert Angeles found out that his country was one of the world’s biggest contributors of plastic trash in the ocean he felt compelled to take action.

Angeles decided the best way to show how discarded waste could be given a new life in a different medium was to incorporate materials ranging from shredded plastic to old paint and leftover construction wood in his paintings.

Since 2019, he has made over two dozen paintings of this kind.

“I make these artworks to raise awareness so we can fight against the trash in our area, to make us more responsible in how we dispose of our trash, and to make us aware of where our trash goes,” said the 49-year-old.

The artist sources the materials from around his Manila neighborhood or through donations from contacts he has made since launching his environmental campaign.

Angeles remembers being spurred on to take up the project after seeing a news report about the Philippines being one of the top contributors of plastic waste.

The Philippines, Indonesia, Thailand, Vietnam and China account for around 60% of the world’s marine plastic, or 8 million tonnes annually, according to a 2017 report from the Ocean Conservancy and the McKinsey Center for Business and Environment, according to Reuters.

Angeles’ artwork has since been shown in galleries, with paintings selling for around $600 to $3,000, depending on the size. Part of the proceeds goes to his environmental group, Green Artz, which encourages artists to use recycled waste in their work.

“I love the fact that it gives us hope,” said Linda Pecoraro, general manager of Conrad Hotel, where Angeles’ work is being exhibited.

“It’s got beautiful colors and recycled plastic, repurposing things that damage our environment and making them beautiful.”

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Varieties

Albatross Couple Shares Egg Duty in Captivating Low-drama Reality Show

Conservation rangers Sharyn Broni, left, and Colin Facer weigh an albatross at Taiaroa Head, New Zealand on June 18, 2024. (Michael Hayward/New Zealand Department of Conservation via AP)
Conservation rangers Sharyn Broni, left, and Colin Facer weigh an albatross at Taiaroa Head, New Zealand on June 18, 2024. (Michael Hayward/New Zealand Department of Conservation via AP)
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Albatross Couple Shares Egg Duty in Captivating Low-drama Reality Show

Conservation rangers Sharyn Broni, left, and Colin Facer weigh an albatross at Taiaroa Head, New Zealand on June 18, 2024. (Michael Hayward/New Zealand Department of Conservation via AP)
Conservation rangers Sharyn Broni, left, and Colin Facer weigh an albatross at Taiaroa Head, New Zealand on June 18, 2024. (Michael Hayward/New Zealand Department of Conservation via AP)

It’s a reality show about a loving couple waiting to welcome their new arrival, watched by thousands of ardent fans. But the stars of Royal Cam, now in its 10th season, aren’t socialites or hopefuls in love but northern royal albatrosses — majestic New Zealand seabirds with 10-foot (3-meter) wingspans.
The 24-hour livestream of the birds’ breeding season at Taiaroa Head — a rugged headland on New Zealand’s South Island — was established to raise awareness of the vulnerable species, numbers of which have grown slowly over decades of painstaking conservation measures, The Associated Press reported.
Millions have watched the stream since it began in 2016.
“Before that, it was very difficult to follow an albatross’ life cycle because they’re only on land 15% of the time,” said Sharyn Broni, a Department of Conservation ranger who has worked with the birds for nearly three decades. “You’d have to travel a long way to see one.”
But Royal Cam's popularity exploded during the coronavirus pandemic. On a busy comments page hosted by New Zealand’s Department of Conservation, devoted fans track the birds’ locations on an app, discuss significant moments and even create art inspired by the albatross.
Drama-free reality TV The show's premise is simple: Each season, conservation rangers select an albatross couple as that year’s stars. A camera on the remote headland follows the chosen birds as they lay and incubate an egg, before their chick hatches around February, grows to adult size, and finally takes flight.
Unlike human reality shows, drama is rare: Royal albatrosses usually mate for life. Rangers selecting the birds to follow each “season” avoid anything controversial: no first-time parents and no aggressive or grumpy personalities.
This year’s stars are RLK, a 12-year-old male, and GLG, a 14-year-old female, who have raised two chicks before. Their names are derived from the colors on bands that rangers attach to their legs.
“They’re a youngish pair, but not so young that they don’t know what they’re doing,” Broni said.
Action unfolds slowly, which for many fans is the joy of it. Clouds drift by, ships pass in the distance and the sun sets in glowing pinks and peaches. During January, incubation season, an albatross sits on an egg.
But regular watchers anticipate certain moments: About once every 10 days, the second bird in the pair returns from feeding at sea to relieve the parent looking after the nest. Other fan highlights include albatross crash landings, mating dances and the appearances of rangers or the feathered stars of previous seasons.
Fans become friends France Pillière, an artist who lives in Montreal, has never visited New Zealand. But during the pandemic she discovered Royal Cam, fell in love with the “mysterious” creatures, and became a daily viewer.
“You see the birds and all their adventures and their lives, struggling to raise their chicks,” she said.
Pillière stayed, too, for the global community of posters. Unlike much of the internet, the nearly 75,000 comments on the Royal Cam viewing page are uniformly encouraging and educational.
“We care about these people,” Pillière said of her fellow posters. “If one is on a flight to New Zealand, everyone is waiting to hear their comments.”
A conservation success story under threat The past two breeding seasons were the birds’ most successful ever, with 33 chicks each year. There are more than 60 breeding pairs at the colony — conservation measures began in 1937 with one pair.
Progress is unhurried because the northern royal albatross lives long and slowly; after their first flight, chicks stay at sea for 4 to 10 years — traveling up to 118,000 miles a year — then spend about three years choosing a mate. They live until around 40.
The New Zealand mainland colony — one of four sites — is home to 1% of the 17,000 birds worldwide. While breeding measures have proved a success, Broni said, the birds are more threatened than before by plastic pollution, fisheries and warming seas.
Pillière said the death of a chick from ingesting plastic in 2023 had prompted her to drastically reduce her household’s plastic use. The royal albatross has also crept into her work as a sculptor of animals.