With Egyptian Lead, 'Limbo' Breaks the Refugee Movie Mold

In this image made from video provided by Focus Features, Amir El-Masry, left, stars as "Omar" and Vikash Bhai stars as "Farhad" in director Ben Sharrock's Limbo. (Focus Features via AP)
In this image made from video provided by Focus Features, Amir El-Masry, left, stars as "Omar" and Vikash Bhai stars as "Farhad" in director Ben Sharrock's Limbo. (Focus Features via AP)
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With Egyptian Lead, 'Limbo' Breaks the Refugee Movie Mold

In this image made from video provided by Focus Features, Amir El-Masry, left, stars as "Omar" and Vikash Bhai stars as "Farhad" in director Ben Sharrock's Limbo. (Focus Features via AP)
In this image made from video provided by Focus Features, Amir El-Masry, left, stars as "Omar" and Vikash Bhai stars as "Farhad" in director Ben Sharrock's Limbo. (Focus Features via AP)

Egyptian actor Amir El-Masry was reluctant to read the script of “Limbo.”

He was concerned the film, about refugees waiting on a remote Scottish island for residency, would involve established tropes about a Western savior coming to the rescue.

Instead, it made him reach for the phone and call his agent.

“I was like, ‘I was wrong, you know, it isn’t just any old kind of story about the refugee crisis.’”

El-Masry rejoiced that his character, Omar, “is in the forefront of the narrative and there isn’t a Western character leading him on and letting him forget about his past,” which was exactly as writer-director Ben Sharrock had intended.

“Limbo” is based on Sharrock’s own experience of studying and living in Arab countries, visiting refugee camps, and rooted in the fact that asylum-seekers are often sent to remote areas of northern European countries while they wait to hear their fate.

He believed the audience could relate directly to the characters, without a Western character acting as the guide.

El-Masry’s Omar is grouped together with other immigrants in a house on a cul-de-sac. The only thing they have in common is they are all stranded in a strange land.

And while he’s left Syria, it’s clear Omar is still dreaming of the people, places and smells of home. If it was safe, he would be there.

Born in Cairo and raised in London, El-Masry has seen the warm response to the movie on the film festival circuit, showing in Cannes, Toronto, San Sebastian and Zurich.

He feels audiences are connecting to the idea of identity and being in an unfamiliar place away from friends and family.

Co-star Vikash Bhai thinks that the pandemic has also created parallels, even though it was shot in 2018.

“More than ever, you’d be able to relate to that kind of experience, of being in limbo, of not knowing where you stand, what’s coming next.”

El-Masry also feels the film is “a beautiful reflection of life in general,” balancing comedy and drama.

“All the mishaps end up being very, very funny for want of a better word” he says, adding that British and Arabic cultures tend to laugh at misfortunes. “That’s something that’s quite relatable in that sense.”

El-Masry studied Syrian dialect, met with groups of single male refugees and spent two months on a quest to master the oud musical instrument for a scene in the movie (it takes seven years in the real world) — bringing a film extra to tears with his performance.

The film itself was shot on the Uist islands, in the Outer Hebrides, the first feature to be made there.

Sharrock admits that battling the area's gale force winds, rising tides and changeable weather was almost impossible, although worth it for the result.

While the scenery can look both bleak and breathtaking, there is optimism and hope — especially in the form of Farhad, Omar’s Afghan roommate played by Bhai, who has the patience and positivity to sustain him in this strange purgatory.

It helps that Farhad also has a chicken named after Freddie Mercury.

“For the emotional stuff, we had one chicken. And then for all the stunts, it was the other one,” Bhai said.

“I’ve never really hung out with a chicken before, but he was super chill, man. He’d just snuggle up and be very comfortable.”

The movie also stars Sidse Babett Knudsen, Ola Orebiyi and Kwabena Ansah.

“Limbo” was a nominee for outstanding British film of the year at the BAFTAs, although the honor went to “Promising Young Woman.” It opens in US theaters on Friday.



‘Tinker Tailor’ Filmmaker John Irvin Dies at 86

British filmmaker John Irvin. (AFP)
British filmmaker John Irvin. (AFP)
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‘Tinker Tailor’ Filmmaker John Irvin Dies at 86

British filmmaker John Irvin. (AFP)
British filmmaker John Irvin. (AFP)

British filmmaker John Irvin, best known for adapting John Le Carre's espionage classic "Tinker Tailor Soldier Spy" for television, has died aged 86, his producer Claire Evans told UK media Wednesday.

Irvin, who also directed a string of 1980s action movies including "The Dogs of War", "Raw Deal" and "Hamburger Hill", enjoyed a five-decade career that spanned TV, documentaries and cinema.

He died "peacefully at home" on August 11, surrounded by his family, Evans confirmed to The Guardian.

The pair worked together on the 2016 film "Mandela's Gun", which explored the South African ex-president's experience as a guerrilla fighter for the African National Congress.

Irvin, born in northern England in 1940, won two BAFTAs and an Emmy nomination for his 1979 BBC adaptation of Le Carre's spy novel, which cast Alec Guinness as the shy, monkish hero George Smiley.

Its success opened the doors to Hollywood, with Irvin making a number of action-packed movies and other films featuring a host of star names in the decade that followed.

They included Christopher Walken and Tom Berenger in "The Dogs of War", Fred Astaire in horror film "Ghost Story", Arnold Schwarzenegger in "Raw Deal" and Patrick Swayze and Liam Neeson in crime thriller "Next of Kin".

He is survived by three children and two grandchildren, according to reports.


A Viking Longship in ‘The Odyssey’? It’s a Case of History Meets Hollywood

The Draken Harald Harfagre, the ship used in the movie "The Odyssey", is docked outside Oslo Opera in the Norwegian capital on August 14, 2026. (AFP)
The Draken Harald Harfagre, the ship used in the movie "The Odyssey", is docked outside Oslo Opera in the Norwegian capital on August 14, 2026. (AFP)
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A Viking Longship in ‘The Odyssey’? It’s a Case of History Meets Hollywood

The Draken Harald Harfagre, the ship used in the movie "The Odyssey", is docked outside Oslo Opera in the Norwegian capital on August 14, 2026. (AFP)
The Draken Harald Harfagre, the ship used in the movie "The Odyssey", is docked outside Oslo Opera in the Norwegian capital on August 14, 2026. (AFP)

The eras of "The Odyssey" and the Vikings happened about 2,000 years apart -- so how did a Viking longship end up with a starring role in this year's blockbuster movie?

Look to director Christopher Nolan, and his obsession with bringing spectacle to life with real props, real scenes.

But also credit a team of Norwegian shipwrights and sailors who built a vessel that speaks to both history and Hollywood.

With its tar-soaked rigging, creaking oak deck and 50 spruce oars, Draken Harald Harfagre is the largest modern replica of a Viking ship.

It mattered little that it had to drop its Scandinavian roots for Greek mythology -- the anachronism blended into the service of Nolan's brand of realism.

For the film, though, Draken had to be stripped of the dragon figurehead at its bow -- typical of the Viking era, from the 8th to 11th centuries -- as it sailed for the cameras in Greek, Italian and Scottish waters.

"We found a Viking ship that had been built exactly according to those ancient specifications. And it was very much the whole shape and the rig that we needed to do a Bronze Age ship," Nolan told US television last month.

"We took the crew, and we put their crew all in our costumes. They became part of the movie crew, as it were. And Odysseus' guys, the actors, joined in with them, and they figured out how to raise the sail, how to rig it, how to row, all of this stuff."

For months, the longship's crew of seasoned sailors rubbed shoulders with Hollywood star Matt Damon, who plays Odysseus on-screen, and a host of professional actors.

- 'Doing the real thing' -

"There was one day where one of the actors who was sitting in front of me got seasick and threw up over the rail. It blew back on me," recalled sailor Trammell Hudson.

"I thought that would be my big scene, because the IMAX camera was very focused on him and me in the background dodging the debris. But I didn't see that particular scene in the film," he told AFP when the Draken and its crew made a recent visit to Oslo.

Based on Homer's epic, Nolan's film retraces the hero Odysseus in a perilous journey to his home on the island of Ithaca after the Trojan War in the 12th century BCE.

Rather than recreating a ship with computer-generated images, Nolan wanted a real one, capable of sailing on the open sea with flesh-and-blood men aboard.

"Most of the scenes would be completely different if it wasn't for us being there, doing the real thing with the real ship and the real crew in the real ocean and real weather," said Emanuel Persson, expedition director for Draken.

"I think the viewers can actually feel the genuine materials. I don't know if you can really smell the tar, but you can tell it's really genuine handicraft instead of being a digital creation," he said.

- All hands on deck -

On board, everyone played their part.

"Matt Damon was very nice and very good. Never complained. Every one of the actors was out for a long time and it was very cold and sometimes rough," recalled the longship captain, Bjorn Ahlander.

"No complaints, nothing, never. So that was fantastic to see."

With such a mixed crew on board, it wasn't always easy to row in perfect sync.

"It's very important that the hundred rowers coordinate because the oars are quite long and they will tangle with each other," Trammell Hudson stressed.

He recalled being thrown "a meter-and-a-half into the air", along with his rowing partner, when the blade of their oar hit a wave head-on.

The sweet memories from the shoot are in sharp contrast to those from neighboring Sweden.

Like Penelope waiting for Odysseus, the owners of another Viking ship used in the film had their patience tested: after the ship incurred damage during a shoot, they had to wait a year for compensation.


ByteDance Signs AI Copyright Pact with Hollywood Trade Group

The ByteDance logo is seen in this illustration taken February 8, 2025. (Reuters)
The ByteDance logo is seen in this illustration taken February 8, 2025. (Reuters)
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ByteDance Signs AI Copyright Pact with Hollywood Trade Group

The ByteDance logo is seen in this illustration taken February 8, 2025. (Reuters)
The ByteDance logo is seen in this illustration taken February 8, 2025. (Reuters)

ByteDance ‌and the Motion Picture Association on Monday signed an agreement to strengthen copyright safeguards on the Chinese company's AI video and image-generation models, months after the Hollywood trade group challenged its handling of ‌intellectual property.

The ‌deal, which covers ‌ByteDance's ⁠Seedance video and Seedream ⁠image-generation models, follows a cease-and-desist letter the MPA sent in February over these tools.

Disney and other studios in ⁠February raised concerns the ‌AI ‌tools could generate content featuring copyrighted ‌characters and celebrity likenesses ‌without authorization.

ByteDance said newer versions of the models include stronger intellectual-property protections.

Models ‌are offered through services including TikTok, CapCut and Dreamina.

The ⁠MPA's challenge came amid concerns that Seedance could generate content featuring copyrighted film and television characters without permission.

Both sides said they will continue collaborating on safeguards for copyrighted content as AI technology evolves.