With Egyptian Lead, 'Limbo' Breaks the Refugee Movie Mold

In this image made from video provided by Focus Features, Amir El-Masry, left, stars as "Omar" and Vikash Bhai stars as "Farhad" in director Ben Sharrock's Limbo. (Focus Features via AP)
In this image made from video provided by Focus Features, Amir El-Masry, left, stars as "Omar" and Vikash Bhai stars as "Farhad" in director Ben Sharrock's Limbo. (Focus Features via AP)
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With Egyptian Lead, 'Limbo' Breaks the Refugee Movie Mold

In this image made from video provided by Focus Features, Amir El-Masry, left, stars as "Omar" and Vikash Bhai stars as "Farhad" in director Ben Sharrock's Limbo. (Focus Features via AP)
In this image made from video provided by Focus Features, Amir El-Masry, left, stars as "Omar" and Vikash Bhai stars as "Farhad" in director Ben Sharrock's Limbo. (Focus Features via AP)

Egyptian actor Amir El-Masry was reluctant to read the script of “Limbo.”

He was concerned the film, about refugees waiting on a remote Scottish island for residency, would involve established tropes about a Western savior coming to the rescue.

Instead, it made him reach for the phone and call his agent.

“I was like, ‘I was wrong, you know, it isn’t just any old kind of story about the refugee crisis.’”

El-Masry rejoiced that his character, Omar, “is in the forefront of the narrative and there isn’t a Western character leading him on and letting him forget about his past,” which was exactly as writer-director Ben Sharrock had intended.

“Limbo” is based on Sharrock’s own experience of studying and living in Arab countries, visiting refugee camps, and rooted in the fact that asylum-seekers are often sent to remote areas of northern European countries while they wait to hear their fate.

He believed the audience could relate directly to the characters, without a Western character acting as the guide.

El-Masry’s Omar is grouped together with other immigrants in a house on a cul-de-sac. The only thing they have in common is they are all stranded in a strange land.

And while he’s left Syria, it’s clear Omar is still dreaming of the people, places and smells of home. If it was safe, he would be there.

Born in Cairo and raised in London, El-Masry has seen the warm response to the movie on the film festival circuit, showing in Cannes, Toronto, San Sebastian and Zurich.

He feels audiences are connecting to the idea of identity and being in an unfamiliar place away from friends and family.

Co-star Vikash Bhai thinks that the pandemic has also created parallels, even though it was shot in 2018.

“More than ever, you’d be able to relate to that kind of experience, of being in limbo, of not knowing where you stand, what’s coming next.”

El-Masry also feels the film is “a beautiful reflection of life in general,” balancing comedy and drama.

“All the mishaps end up being very, very funny for want of a better word” he says, adding that British and Arabic cultures tend to laugh at misfortunes. “That’s something that’s quite relatable in that sense.”

El-Masry studied Syrian dialect, met with groups of single male refugees and spent two months on a quest to master the oud musical instrument for a scene in the movie (it takes seven years in the real world) — bringing a film extra to tears with his performance.

The film itself was shot on the Uist islands, in the Outer Hebrides, the first feature to be made there.

Sharrock admits that battling the area's gale force winds, rising tides and changeable weather was almost impossible, although worth it for the result.

While the scenery can look both bleak and breathtaking, there is optimism and hope — especially in the form of Farhad, Omar’s Afghan roommate played by Bhai, who has the patience and positivity to sustain him in this strange purgatory.

It helps that Farhad also has a chicken named after Freddie Mercury.

“For the emotional stuff, we had one chicken. And then for all the stunts, it was the other one,” Bhai said.

“I’ve never really hung out with a chicken before, but he was super chill, man. He’d just snuggle up and be very comfortable.”

The movie also stars Sidse Babett Knudsen, Ola Orebiyi and Kwabena Ansah.

“Limbo” was a nominee for outstanding British film of the year at the BAFTAs, although the honor went to “Promising Young Woman.” It opens in US theaters on Friday.



What Netflix’s Acquisition of Warner Bros. Means for the Movies

FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
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What Netflix’s Acquisition of Warner Bros. Means for the Movies

FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo

Netflix’s deal to acquire Warner Bros., one of Hollywood’s oldest movie studios, poses seismic shifts to the entertainment industry and the future of moviegoing. 

As one of the remaining “big five” studios, the 102-year-old Warner Bros. is an essential part of movie theater business. 

The studio currently boasts three of the top five earning films domestically, including “A Minecraft Movie,” in first place, “Superman” and “Sinners,” as well as the Oscar frontrunner, “One Battle After Another.” 

There are more questions than answers about how ownership from a streaming giant would change things for Warner Bros. It’s not even clear if it will pass antitrust scrutiny, or, if it does, what the details will look like. 

Here are some things to know, and lingering questions, in the wake of the news. 

Will Warner Bros. continue releasing movies in theaters? Yes, but it might change as well. For starters, it’ll be at least 12 to 18 months before the deal officially goes through and moviegoers can expect essentially business as usual until then. Netflix co-CEO Ted Sarandos said Friday that they will “continue to support” a “life cycle that starts in the movie theater” for Warner Bros. movies. But he also commented that he doesn’t think that “long exclusive windows” are consumer friendly. 

With the rise of streaming, and especially in the pandemic era, studios experimented with different theatrical windows. For many years, a 90-day theatrical window was standard, but now it’s closer to 45 days and often a film-by-film decision. 

Netflix and movie theaters Netflix does release some films theatrically, but not usually more than a few weeks before they hit streaming. Sometimes that’s to qualify for awards eligibility, sometimes it’s a gesture to top filmmakers. This year those releases included Guillermo del Toro’s “Frankenstein,” Kathryn Bigelow’s “A House of Dynamite” and Noah Baumbach’s “Jay Kelly.” 

Major chains like AMC and Regal had refused to program Netflix releases until 2022, when enthusiasm for the “Knives Out” movie “Glass Onion” helped break the stalemate. 

Earlier this year, “KPop Demon Hunters” unofficially topped the box office charts, earning nearly $20 million from a one-weekend run in theaters two full months after it debuted on the streamer. 

Netflix also owns and operates several movie theaters, including the Paris Theater in New York and the Egyptian Theatre in Los Angeles. 

Upcoming Warner Bros. movies The studio has a diverse slate of films expected in 2026, with high profile titles including the Margot Robbie-led “Wuthering Heights” in February, “Supergirl” in June, “Practical Magic 2” in September, Alejandro Iñárritu’s untitled Tom Cruise movie in October and Denis Villeneuve’s “Dune: Part Three” in December. 

Movies planned for 2027 include sequels to “Superman,” “A Minecraft Movie” and “The Batman.” 

Earlier this year the company said its target was 12 to 14 releases annually across its four main labels, Warner Bros. Pictures, DC Studios, New Line Cinema and Warner Bros. animation. 

What does it mean for movie theaters? So much of this depends on the details, but Cinema United president and CEO Michael O’Leary said hours before the news broke that it posed “an unprecedented threat to the global exhibition business.” 

He added: “Regulators must look closely at the specifics of this proposed transaction and understand the negative impact it will have on consumers, exhibition and the entertainment industry.” 

Theatrical exhibition has not fully recovered since the pandemic. Before 2020, the annual domestic box office regularly surpassed $11 billion. Since then it has only surpassed $9 billion once, in 2023, driven largely by “Barbie,” a Warner Bros. release. 

How will top filmmakers react? It’s too early to tell, but Warner Bros. has always prided itself on being one of the premier homes for top filmmakers, this year releasing films from Paul Thomas Anderson, Ryan Coogler and James Gunn. Other longstanding relationships include Villeneuve, who has “Dune: Part Three” coming next year, Clint Eastwood and Todd Phillips. Much likely depends on whether robust theatrical releases will be honored — many of these filmmakers are vocal champions of the theatrical experience and may not stick around if it shifts. 

The studio’s controversial decision to release films simultaneously in theaters and on HBO Max in 2021 during the pandemic led to a rift with Christopher Nolan, who after making eight major films with the company, including the “Dark Knight” trilogy, partnered with Universal to make his next two films, “Oppenheimer” and next year’s “The Odyssey.” 

Will HBO Max and Netflix become one service? That’s also unclear. If the two platforms remain separate subscriptions, there may be “bundling” options, as with Disney and Hulu. Netflix on Friday said that the addition of HBO and HBO Max programming will give its members “even more high-quality titles from which to choose” and “optimize its plans for consumers.” 

The Warner Bros. library of films includes classics like “Casablanca” and “Citizen Kane” as well as the “Harry Potter” movies. 


‘Fallout’ Expands ‘Everything’ for Show’s Second Season 

Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)
Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)
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‘Fallout’ Expands ‘Everything’ for Show’s Second Season 

Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)
Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)

Hit television series "Fallout" ups the stakes as it returns to screens for a sophomore season, its stars and makers say.

"You can play it two ways," actor Walton Goggins said as he premiered the new season in London on Tuesday. "You can play it safe, rely on what happened in season one, or you can go for broke. And we went for broke."

Based on the popular video game franchise of the same name, the live-action series centers on three main characters; former vault dweller Lucy (Ella Purnell), Maximus, a member of the Brotherhood of Steel (Aaron Moten) and Cooper Howard/The Ghoul (Goggins), a former movie star and mutated bounty hunter.

The new season picks up where the season one left off, with Lucy looking for her father Hank (Kyle MacLachlan), and pairing up with The Ghoul on a post-apocalyptic adventure through the Mojave Desert to New Vegas.

The show's executive producer, Jonathan Nolan, said audiences could expect "more of everything." "More madness, more humor, more violence. We just try to outdo ourselves," he said.

The second season also shows a new side to Lucy as her optimistic attitude clashes with The Ghoul's nihilistic worldview on their way to Sin City, said Purnell.

"She's in the wasteland now and she has to survive. You can't always do that by being nice," Purnell said. "I don't want to spoil it, but we'll see what happens to that moral compass."

The new season introduces Justin Theroux in the role of Robert House, the ruler of the New Vegas strip, and a major character in the franchise.

"It's a bit intimidating," said Theroux. "The players of this game and the fans of the show are really sort of the shareholders, so you don't want to disappoint them. But I worked very hard to hopefully not do that."

Also joining the cast are actors Macaulay Culkin and Kumail Nanjiani, as well as a host of new creatures, brought to life by puppeteers.

The eight-episode second season of "Fallout" starts streaming on Prime Video on December 17, with a new episode released weekly.


Asterix in Germany: France’s Irrepressible Gaul to Conquer Neighbor

This photograph taken on June 2, 2021 shows a closed ride at the Asterix amusement park in Plailly, outskirts of Paris, one week before its reopening. (AFP)
This photograph taken on June 2, 2021 shows a closed ride at the Asterix amusement park in Plailly, outskirts of Paris, one week before its reopening. (AFP)
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Asterix in Germany: France’s Irrepressible Gaul to Conquer Neighbor

This photograph taken on June 2, 2021 shows a closed ride at the Asterix amusement park in Plailly, outskirts of Paris, one week before its reopening. (AFP)
This photograph taken on June 2, 2021 shows a closed ride at the Asterix amusement park in Plailly, outskirts of Paris, one week before its reopening. (AFP)

A theme park based on the beloved French comic strip series Asterix is to open in Germany, the first time the adventures of the pugnacious Gaul are to be the focus of an attraction outside France, its operator said on Tuesday.

An existing theme park called Belantis outside the east German city of Leipzig is to morph into an Asterix theme park by 2030-2031, operator Compagnie des Alpes said.

The new attraction will be a twin of the vast Parc Asterix outside Paris, one of France's premier tourist attractions which opened in 1989.

The change at the park in Germany will take place gradually, with the first area dedicated to Idefix -- the dog of Asterix's burly sidekick Obelix -- opening as early as March 2026, the French group said.

In terms of the numbers sold of Asterix comic books -- originally written and illustrated by the duo of Rene Goscinny and Albert Uderzo -- Germany is the second largest market, just behind France.

Compagnie des Alpes said that "this park has the potential to eventually welcome nearly 900,000 visitors per year".

The second most visited amusement park in France after Disneyland Paris, Parc Asterix welcomed 2.9 million visitors during the 2024-2025 season. It is currently ranked 8th most visited in Europe.

With the book franchise showing no sign of slowing after the deaths of Goscinny in 1977 and Uderzo in 2020, the latest Asterix cartoon adventure released in October was published in 19 languages and across 25 countries set in ancient Portugal.

"Asterix in Lusitania" was the 41st instalment in the legendary series, taking him to the far reaches of the Roman Empire, in an adventure now created by author Fabcaro and illustrator Didier Conrad.