Ancient Mesopotamian Marshes Threatened by Iraqi Sewage

Dozens of rotting fish float on the surface of Iraqi marshes in the southern district of Chibayish in Dhi Qar province Asaad. AFP
Dozens of rotting fish float on the surface of Iraqi marshes in the southern district of Chibayish in Dhi Qar province Asaad. AFP
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Ancient Mesopotamian Marshes Threatened by Iraqi Sewage

Dozens of rotting fish float on the surface of Iraqi marshes in the southern district of Chibayish in Dhi Qar province Asaad. AFP
Dozens of rotting fish float on the surface of Iraqi marshes in the southern district of Chibayish in Dhi Qar province Asaad. AFP

In southern Iraq, putrid water gushes out of sewerage pipes into the country's storied marshes, threatening the already fragile UNESCO world heritage site.

In a country where the state lacks the capacity to guarantee basic services, 70 percent of Iraq's industrial waste is dumped directly into rivers or the sea, according to data compiled by the United Nations and academics.

The marshland, reputed to be the home of the biblical Garden of Eden, previously faced destruction at the hands of dictator Saddam Hussein and is now jeopardized by poor wastewater management and climate change.

Jassim al-Assadi, head of the non-governmental organization Nature Iraq, told AFP the black wastewater poured into the marshes carries "pollution and heavy metals that directly threaten the flora and fauna of the marshes.”

Once an engineer at Iraq's water resources ministry, Assadi left that job to dedicate himself to saving the marshes.

The pollutants also "indirectly impact humans via the buffalo", fixtures of the marshes and known for the "guemar" cheese produced from their milk, he said.

According to Nader Mohssen, a fisherman and farmer born in the marshland's Chibayish district, "the buffalo are forced to go several kilometers into the marshes to be able to drink something other than polluted water.”

And "around the sewerage pipes, most of the fish die,” he added, gesturing to dozens of rotting fish floating on the marsh water surface.

Pollution is only the latest threat to one of the world's largest inland delta systems.

The rich ecosystem, nestled between the Tigris and Euphrates rivers, barely survived the wrath of Saddam, who ordered the marsh be drained in 1991 as punishment for communities protecting insurgents.

The drainage reduced the marshland by half of its 1991 area of 15,000 square kilometers.

A few years ago, Mohssen and other marshland residents -- several thousand families straddling three provinces in the rural, tribal south and struggling to make ends meet -- believed they would see their home flourish again.

Once the canals and earthen dykes built by Saddam's regime were destroyed, the water returned, and with it more than 200 species of birds and dozens of types of wildlife, some on the verge of extinction elsewhere.

Tourists too -- mainly Iraqis -- began flocking to the region again to take boat tours and lunch on grilled fish.

But today, the overwhelming stench emanating from the wastewater pipes keeps people away.

Local authorities say they are not entirely to blame for the lack of proper wastewater management.

They say residents are at fault for making illegal connections to the rainwater drainage systems because they are not connected to the sewerage system, while the federal government does not provide the necessary funds to the provincial council to build wastewater treatment plants.

"Such wastewater management units would cost around $69 million," Haydar Razzaq, head of the Dhi Qar province's wastewater department, told AFP.

He added that work on some units had begun, but, as often happens in Iraq, construction halted abruptly and never resumed.

For Assadi, who recently worked with European and American experts on the issue, the solution is simple and natural: use plants to clean up the marshes, in a technique called phytotechnology.
But his requests to authorities have so far fallen on deaf ears.

He underscored that when UNESCO inscribed the marshes on its World Heritage List in 2016, Iraq pledged to preserve the ecosystem and provide functional services to the marshland communities.

But today, as the UN classifies Iraq "as the fifth most vulnerable country in the world" to climate change, the rehabilitation of the marshes is no longer a question of heritage preservation, but one of survival.

The UN Environment Program (UNEP) warned in 2019 that "climate change in Iraq is expected to reduce annual rainfall, which will lead to a surge in dust storms, a reduction in agricultural productivity and increased water scarcity.”

With each scorching summer, the country draws closer to this reality.

In 2015, every Iraqi had 2,100 cubic meters of water available per year, UNEP says, adding that by 2025, this figure will have fallen to 1,750, threatening the long-term stability of agriculture and industry in the country, as well as endangering the health of its 40 million people.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”