Morocco's Abdulkader Al Shawi Writes a Story for Himself

Morocco's Abdulkader Al Shawi Writes a Story for Himself
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Morocco's Abdulkader Al Shawi Writes a Story for Himself

Morocco's Abdulkader Al Shawi Writes a Story for Himself

Le Fennec Publications has released a new book by Moroccan writer Abdulkader Al Shawi. The book is, as described by the writer, a self-visualization entitled “Al Tayhaa.”

On the book's back cover, Al Shawi wrote: “My guide in this book is clear. I mean I wrote it without planning or organization. There weren't any precedencies that made me chose. My incentives are so foggy. I know that the reader won't blame me if I told him that I wrote this story to myself to narrate its writing isolation. Therefore, in the final pages, I found myself totally convinced with what I wrote in the first pages – with the introduction I didn't write. The conclusion of this conviction is, and I am quoting Manuel Alberca here: ‘This is me, and not me. I resemble to myself but I am not me. But, be careful, because I might be me.’”

Commenting on the book, critic and translator Ibrahim Al Khatib noted that it is not a narrative or critical text, or a political analysis, but a “recurrence of a writing record recalling past memories, approaching the lives of some writers and examining their ups and downs, along with exploring the backgrounds of many positions and meetings. It also investigates the contexts of some of the writer's published books, or looks into the emotional resonance of various trips he had embarked on.”

“The book features a foreword, which, according to the writer, is not an introduction. But it reviews the background of writing about the past, in which the writer wonders about the connection between writing and lying and honesty, and its association with the time of writing, which is now,” added Al Khatib.

“The book features independent paragraphs with no titles or punctuations that separate their spaces. Their order is not chronological, as indicated by the dispersed dates and the non-organization of the narrated facts.”

Al Khatib noticed that the book, with its diverse material, is a “back and forth trip in the life of Abdulkader Al Shawi and its major events, that extend from his childhood in Bab Taza, his education in Tétouan then in Rabat, before starting his career in Casablanca, his pursuit of politics and writing.” It also takes “a look at the writer's relationships record, and the list of his friendships known for their geographical richness, whether in Morocco or abroad.” The book can be described as a “sequel or a narrative addition to his memories and readings.”

Al Shawi was jailed for 15 years, between 1974 and 1989, because of his political activity, before serving as the Moroccan ambassador to Chile. He wrote and published his first poetic texts, stories and literary articles in Moroccan and Arabic magazines and newspapers in 1968. Then, he published many works about literary and intellectual studies, in addition to many narrative works he debuted in 1986 with “Kan wa Akhawataha,” followed by “Dalil Al Onfowan” (1989), “Bab Taza” (1994), “Al Saha al Sharafiya” (1999), “Dalil al Mada” (2003), “Man Qal Ana” (2006), “Boustan al Sayida” (2018) and “Marabe' al Salwan” (2020).



Saudi Culture Ministry Launches 5th Edition of National Cultural Awards

Saudi Culture Ministry Launches 5th Edition of National Cultural Awards
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Saudi Culture Ministry Launches 5th Edition of National Cultural Awards

Saudi Culture Ministry Launches 5th Edition of National Cultural Awards

The Saudi Ministry of Culture has launched the fifth edition of the National Cultural Awards, reaffirming its ongoing commitment to recognizing and honoring outstanding achievements in the Kingdom’s cultural sector.

Nominations for cultural sector awards will soon open to the public and the cultural community. Submissions will be accepted via the dedicated online platform. This will be followed by evaluation and judging processes later begins, culminating in the announcement of winners at the final ceremony.

According to the ministry, this annual initiative celebrates creative excellence and contributions across a wide range of cultural disciplines. Through a growing portfolio of awards, the program highlights both individual and institutional efforts that have helped shape and elevate the national cultural landscape.

For the 2025 edition, two new award categories have been introduced: the Handicrafts Award and the Cultural Media Award. The Handicrafts Award coincides with the ministry’s designation of 2025 as the Year of Handicrafts, spotlighting impactful contributions to traditional crafts, whether in production techniques or cultural knowledge. This category includes one international award that honors initiatives that improve livelihoods and create job opportunities, according to SPA.

The Cultural Media Award recognizes significant work by individuals or organizations in developing cultural discourse and showcasing the cultural sector through various media formats, including print, audio, and digital platforms. It also considers contributions such as literary reviews, cultural reporting, and consistent engagement with cultural events and movements.

These additions join a distinguished set of existing awards: five major prizes reviewed by specialized committees, alongside 11 others across a total of 16 cultural sub-sectors. Together, they reflect the ministry’s commitment to fostering creative talent and honoring cultural heritage.

The National Cultural Awards reflect the ministry’s commitment to supporting cultural production and honoring those enriching the Kingdom’s artistic and creative heritage.