NBC Drops 2022 Golden Globes; Tom Cruise Returns Trophies

Actor Tom Cruise attends the 47th Annual Golden Globe Awards on January 20, 1990 at the Beverly Hilton Hotel in Beverly Hills, California. (Getty Images)
Actor Tom Cruise attends the 47th Annual Golden Globe Awards on January 20, 1990 at the Beverly Hilton Hotel in Beverly Hills, California. (Getty Images)
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NBC Drops 2022 Golden Globes; Tom Cruise Returns Trophies

Actor Tom Cruise attends the 47th Annual Golden Globe Awards on January 20, 1990 at the Beverly Hilton Hotel in Beverly Hills, California. (Getty Images)
Actor Tom Cruise attends the 47th Annual Golden Globe Awards on January 20, 1990 at the Beverly Hilton Hotel in Beverly Hills, California. (Getty Images)

US television network NBC on Monday dropped its broadcast of the Golden Globes ceremony in 2022 after a Hollywood backlash over the ethics of the group that hands out the annual awards for film and television and its lack of diversity.

Tom Cruise joined a revolt led by streaming platforms and studios, returning the three Golden Globe statuettes he won for his roles in “Jerry Maguire,” “Magnolia” and “Born on the Fourth of July,” Variety and Deadline Hollywood reported.

NBC’s decision came even after the Hollywood Foreign Press Association (HFPA), which hands out the awards, agreed to recruit more Black members and make other changes over the next 18 months. The network had initially welcomed the plan but later said it would wait to see if the reforms worked.

HFPA members have also been accused of making sexist and racist remarks and soliciting favors from celebrities and studios.

“Change of this magnitude takes time and work, and we feel strongly that the HFPA needs time to do it right. As such, NBC will not air the 2022 Golden Globes,” NBC said in a statement.

“Assuming the organization executes on its plan, we are hopeful we will be in a position to air the show in January 2023,” NBC added.

After NBC's announcement, the HFPA said implementing “transformational change” remained an urgent priority “regardless of the next air date of the Golden Globes.”

In a statement, the HFPA reiterated its planned reforms and gave a detailed timetable. It said that by August 2021, it would hire a new chief executive, add 20 new members, approve a new code of conduct and provide diversity and sexual harassment training among other steps.

The annual Golden Globes ceremony, attended by A-list stars and industry executives, has become one of the biggest Hollywood awards shows in the run-up to the Oscars. But it has been under close scrutiny following an investigation published in February by the Los Angeles Times that showed the group of 87 journalists had no Black members.

On Saturday, Scarlett Johansson joined critics including Netflix, Amazon Studios, WarnerMedia and dozens of Hollywood's top publicity companies, who said they would no longer work with the HFPA unless it made far-reaching changes.

“For far too long, demands for perks, special favors and unprofessional requests have been made to our teams and to others across the industry,” WarnerMedia said.

Johansson urged her fellow actors to “take a step back from the HFPA” and Golden Globe events. In a statement, she said that in the past “this has often meant facing sexist questions and remarks by certain HFPA members that bordered on sexual harassment.”



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.