Prolific Actor and Director Norman Lloyd Dies at Age 106

American actor, producer and director Norman Lloyd. (Reuters)
American actor, producer and director Norman Lloyd. (Reuters)
TT

Prolific Actor and Director Norman Lloyd Dies at Age 106

American actor, producer and director Norman Lloyd. (Reuters)
American actor, producer and director Norman Lloyd. (Reuters)

American actor, producer and director Norman Lloyd, whose career of more than 80 years included collaborations with legends such as Charlie Chaplin and Orson Welles, has died at the age of 106, Variety and Deadline Hollywood reported on Tuesday.

Variety said Lloyd’s friend and fellow producer Dean Hargrove confirmed the death, saying Lloyd died on Tuesday at his home in Los Angeles. Deadline Hollywood said he died in his sleep.

Reuters could not independently confirm the news.

Lloyd had a long run as cancer-stricken Dr. Auschlander on the television hospital drama “St. Elsewhere” in the 1980s.

His last movie appearance as an actor was in the 2015 raunchy comedy “Trainwreck,” starring Amy Schumer and directed by Judd Apatow.

“(Lloyd) lit up the set every moment he was on it,” Apatow wrote in Vanity Fair at the time.

Lloyd’s movie work also included Martin Scorsese’s “The Age of Innocence” in 1993 and playing the headmaster opposite Robin Williams in the 1989 film “Dead Poets Society.”

In the 2007 documentary “Who Is Norman Lloyd,” television producer Tom Fontana, who worked with him on “St. Elsewhere,” described Lloyd as a combination of Peter Pan and Father Time.

He was a walking history of entertainment. With his erudite manner, he loved to entertain audiences with stories of his regular tennis matches with Chaplin, his friendships with Gregory Peck and Alfred Hitchcock, working with French director Jean Renoir and actress Ingrid Bergman and giving Stanley Kubrick one of his first film jobs.

Lloyd went so far back that he appears in the earliest surviving footage of American television - a segment of “The Streets of New York” from 1939. It was his first screen credit.

He did not give up tennis until suffering a fall at age 100 and was still driving at 99. Lloyd and wife Peggy had two children and were married for 75 years until her death in 2011 at age 98.

Lloyd was born Norman Perlmutter on Nov. 8, 1914, in Jersey City, New Jersey, and grew up in the New York borough of Brooklyn. His mother took him to Broadway plays and instilled a love of acting that he began pursuing as a boy in local shows. He was still a teenager when he dropped out of New York University to pursue entertainment full time.

He made his Broadway debut in 1935 and the next year appeared in a staging of “The Crime,” which was directed by Elia Kazan and also included Peggy Craven, who he would marry.

Lloyd joined the Mercury Theatre, founded by Welles and John Houseman, in time for its 1937 debut, “Caesar,” an update of Shakespeare’s “Julius Caesar” with an anti-fascist tone as Adolf Hitler pushed the world to war.

Welles took Lloyd and the rest of the troupe to Hollywood with plans for a movie based on the novel “Heart of Darkness.” When the project fell apart, Lloyd returned to New York. That angered Welles and no doubt cost Lloyd a chance at being in Welles’ next project, the revered “Citizen Kane.”

Instead, Lloyd went to work with Hitchcock, which led to his 1942 film debut in “Saboteur,” in which his Nazi spy, the title character, dies in a memorable scene - falling from the Statue of Liberty’s upraised arm.

That role led to a long relationship with Hitchcock, including playing a mental patient in “Spellbound” with Peck and working as executive producer and director of the popular television show “Alfred Hitchcock Presents” in the 1950s and ‘60s.

Hitchcock hired Lloyd despite studio concerns about his connections to left-wing New York theater and Hollywood at a time when such connections led to entertainers ending up on the anti-communist blacklist.

Lloyd first got to know Chaplin on the tennis court in the 1940s and played a key role in “Limelight,” Chaplin’s 1952 film about a washed-up comedian and a suicidal dancer, which also featured Buster Keaton.

In the 1950s Lloyd directed a five-part television series, “Mr. Lincoln” about President Abraham Lincoln - a project on which he gave a young Stanley Kubrick his first substantial movie work.

After some fallow years, Lloyd’s career revived in the 1980s with “St. Elsewhere” and recurring television roles in “Wiseguy,” “Murder, She Wrote” and “The Practice.” In 2010 he had a spot on the sitcom “Modern Family.”



Actor Anthony Head, Known for ‘Buffy the Vampire Slayer,’ Has Died at 72

Anthony Head arrives for the European premiere of 'The Iron Lady' on Wednesday, Jan. 4, 2012, in London. (AP)
Anthony Head arrives for the European premiere of 'The Iron Lady' on Wednesday, Jan. 4, 2012, in London. (AP)
TT

Actor Anthony Head, Known for ‘Buffy the Vampire Slayer,’ Has Died at 72

Anthony Head arrives for the European premiere of 'The Iron Lady' on Wednesday, Jan. 4, 2012, in London. (AP)
Anthony Head arrives for the European premiere of 'The Iron Lady' on Wednesday, Jan. 4, 2012, in London. (AP)

Anthony Head, the suave, smooth-voiced British actor known for roles in "Buffy the Vampire Slayer" and "Ted Lasso," has died, his family said Friday. He was 72.

Head’s daughters, actors Emily and Daisy Head, told the Press Association news agency that the actor passed away due to complications from pneumonia.

The performer became known to British TV audiences in the 1980s as one half of a will-they, won’t-they romantic couple in a series of ads for Nescafe instant coffee.

Head achieved US fame as librarian Rupert Giles, mentor to the title character in the cult-favorite supernatural series "Buffy the Vampire Slayer," which ran from 1997 to 2003.

He most recently played Rupert Mannion, the villainous ex-husband of Hannah Waddingham’s character Rebecca, in "Ted Lasso."

"Our grief is far greater than the hole he has left behind, but we know his legacy will live on, in the shows he was a part of, and in the audiences that love them," his daughters said. "How lucky we are to know we are able to watch him doing what he loved, even when he is no longer with us."


Taylor Swift’s ‘Toy Story 5’ Song Is a Return to Pop Country

 This image released by Pixar shows the characters Bullseye and Jessie, voiced by Joan Cusack, center, in a scene from "Toy Story 5." (Pixar-Disney via AP)
This image released by Pixar shows the characters Bullseye and Jessie, voiced by Joan Cusack, center, in a scene from "Toy Story 5." (Pixar-Disney via AP)
TT

Taylor Swift’s ‘Toy Story 5’ Song Is a Return to Pop Country

 This image released by Pixar shows the characters Bullseye and Jessie, voiced by Joan Cusack, center, in a scene from "Toy Story 5." (Pixar-Disney via AP)
This image released by Pixar shows the characters Bullseye and Jessie, voiced by Joan Cusack, center, in a scene from "Toy Story 5." (Pixar-Disney via AP)

Taylor Swift's new song for the Disney and Pixar's forthcoming “Toy Story 5” film is here. On Friday, Swift released “I Knew It, I Knew You,” a bit of a return to country music for the performer who first made a name for herself in the Nashville music scene before taking over the world.

Swift doesn't sing with a familiar twang on “I Knew It, I Knew You,” but no matter — the song features some elements inextricable from the country genre: Live instrumentation, plucky banjo and harmonica that opens the track.

Most view Swift's last official foray into the country music genre to be 2012's “Red,” though the album is much more of a crossover experiment. It would be more astute to label “Speak Now” as her last true-blue, full-length, country music release — and that was more than 15 years ago.

Additionally: “I Knew It, I Knew You” is also Swift's first original material since “The Life of a Showgirl” was released in October.

The song is also co-produced by Jack Antonoff, her former, frequent collaborator. Swift started working with Antonoff on 2014's “1989” through 2024's “The Tortured Poets Department.”

Notably, the pair started their long collaboration after Swift's country era, perhaps with the rare exception of “Betty” from her 2020 “Folklore” album.

“Writing this song felt like a musical departure and coming home at the same time. Creating something for Jessie was a new challenge and also felt like second nature all at once,” Swift wrote on social media Friday, referencing the beloved cowgirl character. “And being a ‘Toy Story’ kid from the age of 5 til now... is an adventure I plan to be on, to infinity and beyond.”

Last weekend, billboards with the initials “TS,” stylized like the “Toy Story” logo, appeared in Los Angeles, Chicago, Dallas, San Francisco, Toronto, Mexico City and London — fitting, as “TS” works both for the beloved franchise and the musician.

On Monday, Swift confirmed the song was forthcoming, writing on Instagram, “I’ve always dreamed of getting to write for these characters who I’ve adored since I was a 5-year-old kid watching the first Toy Story movie. I fell instantly in love with Toy Story 5 when I was lucky enough to see it in its early stages, and I wrote this song as soon as I got home from the screening. Sometimes you just know, right?”

She also shared that preorders for three CD single versions of the track were available on her site. They quickly sold out: One features the song as it appears in the film, another is an acoustic version and the last is a piano version.

“It’s incredible just how meaningful it’s been having Taylor write and perform this song. Her connection to Jessie and the immediate way she understood what the character was going through was undeniable,” “Toy Story 5” director and writer Andrew Stanton said in a press statement at the time. “The song is so deeply connected to ‘Toy Story.’ So much so that on first listen, it instantly felt like it had always belonged there, like a long-lost family member. It was kismet.”

Some fans online have begun speculating: Could this be an Oscar contender in the original song category?

Quite possibly, if it adheres to all relevant rules and regulations! For 2027 Academy Awards consideration, a feature film — and its song submissions — must have a qualifying theatrical release between Jan. 1 and Dec. 31 this year. “Toy Story 5” will be released in theaters worldwide on June 19, so it qualifies there.

It also depends on when “I Knew It, I Knew You” is placed in “Toy Story 5.” There's a new rule this year: If the song plays over the end credits, it must also overlap with the last 15 seconds of the film before the credits actually begin.

At any rate, if Swift's song is submitted — and if she were to win — she'd be just that much closer to an EGOT. She has 14 Grammys and an Emmy. An Oscar would mean she'd only need a Tony. Could Broadway be next?


Shakira to Perform at World Cup Opening Ceremony in Mexico

Colombian singer Shakira performs during a free concert at Copacabana beach in Rio de Janeiro, Brazil on May 2, 2026. (AFP)
Colombian singer Shakira performs during a free concert at Copacabana beach in Rio de Janeiro, Brazil on May 2, 2026. (AFP)
TT

Shakira to Perform at World Cup Opening Ceremony in Mexico

Colombian singer Shakira performs during a free concert at Copacabana beach in Rio de Janeiro, Brazil on May 2, 2026. (AFP)
Colombian singer Shakira performs during a free concert at Copacabana beach in Rio de Janeiro, Brazil on May 2, 2026. (AFP)

Colombian singer Shakira will perform the official World Cup song "Dai Dai" at the opening ceremony in Mexico, FIFA said on Friday.

Shakira will ‌be joined ‌by ⁠Burna Boy on ⁠Thursday at Estadio Azteca in Mexico City.

The opening ceremony will begin 90 minutes ⁠before kickoff between ‌Mexico ‌and South Africa.

Dai ‌Dai is an ‌Italian phrase meaning "let's go" or "come on."

The show will also ‌feature Colombian star J Balvin and South ⁠African ⁠singer Tyla.

Shakira is also set to perform at the first-ever World Cup final halftime show at MetLife Stadium in New Jersey.