Prolific Actor and Director Norman Lloyd Dies at Age 106

American actor, producer and director Norman Lloyd. (Reuters)
American actor, producer and director Norman Lloyd. (Reuters)
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Prolific Actor and Director Norman Lloyd Dies at Age 106

American actor, producer and director Norman Lloyd. (Reuters)
American actor, producer and director Norman Lloyd. (Reuters)

American actor, producer and director Norman Lloyd, whose career of more than 80 years included collaborations with legends such as Charlie Chaplin and Orson Welles, has died at the age of 106, Variety and Deadline Hollywood reported on Tuesday.

Variety said Lloyd’s friend and fellow producer Dean Hargrove confirmed the death, saying Lloyd died on Tuesday at his home in Los Angeles. Deadline Hollywood said he died in his sleep.

Reuters could not independently confirm the news.

Lloyd had a long run as cancer-stricken Dr. Auschlander on the television hospital drama “St. Elsewhere” in the 1980s.

His last movie appearance as an actor was in the 2015 raunchy comedy “Trainwreck,” starring Amy Schumer and directed by Judd Apatow.

“(Lloyd) lit up the set every moment he was on it,” Apatow wrote in Vanity Fair at the time.

Lloyd’s movie work also included Martin Scorsese’s “The Age of Innocence” in 1993 and playing the headmaster opposite Robin Williams in the 1989 film “Dead Poets Society.”

In the 2007 documentary “Who Is Norman Lloyd,” television producer Tom Fontana, who worked with him on “St. Elsewhere,” described Lloyd as a combination of Peter Pan and Father Time.

He was a walking history of entertainment. With his erudite manner, he loved to entertain audiences with stories of his regular tennis matches with Chaplin, his friendships with Gregory Peck and Alfred Hitchcock, working with French director Jean Renoir and actress Ingrid Bergman and giving Stanley Kubrick one of his first film jobs.

Lloyd went so far back that he appears in the earliest surviving footage of American television - a segment of “The Streets of New York” from 1939. It was his first screen credit.

He did not give up tennis until suffering a fall at age 100 and was still driving at 99. Lloyd and wife Peggy had two children and were married for 75 years until her death in 2011 at age 98.

Lloyd was born Norman Perlmutter on Nov. 8, 1914, in Jersey City, New Jersey, and grew up in the New York borough of Brooklyn. His mother took him to Broadway plays and instilled a love of acting that he began pursuing as a boy in local shows. He was still a teenager when he dropped out of New York University to pursue entertainment full time.

He made his Broadway debut in 1935 and the next year appeared in a staging of “The Crime,” which was directed by Elia Kazan and also included Peggy Craven, who he would marry.

Lloyd joined the Mercury Theatre, founded by Welles and John Houseman, in time for its 1937 debut, “Caesar,” an update of Shakespeare’s “Julius Caesar” with an anti-fascist tone as Adolf Hitler pushed the world to war.

Welles took Lloyd and the rest of the troupe to Hollywood with plans for a movie based on the novel “Heart of Darkness.” When the project fell apart, Lloyd returned to New York. That angered Welles and no doubt cost Lloyd a chance at being in Welles’ next project, the revered “Citizen Kane.”

Instead, Lloyd went to work with Hitchcock, which led to his 1942 film debut in “Saboteur,” in which his Nazi spy, the title character, dies in a memorable scene - falling from the Statue of Liberty’s upraised arm.

That role led to a long relationship with Hitchcock, including playing a mental patient in “Spellbound” with Peck and working as executive producer and director of the popular television show “Alfred Hitchcock Presents” in the 1950s and ‘60s.

Hitchcock hired Lloyd despite studio concerns about his connections to left-wing New York theater and Hollywood at a time when such connections led to entertainers ending up on the anti-communist blacklist.

Lloyd first got to know Chaplin on the tennis court in the 1940s and played a key role in “Limelight,” Chaplin’s 1952 film about a washed-up comedian and a suicidal dancer, which also featured Buster Keaton.

In the 1950s Lloyd directed a five-part television series, “Mr. Lincoln” about President Abraham Lincoln - a project on which he gave a young Stanley Kubrick his first substantial movie work.

After some fallow years, Lloyd’s career revived in the 1980s with “St. Elsewhere” and recurring television roles in “Wiseguy,” “Murder, She Wrote” and “The Practice.” In 2010 he had a spot on the sitcom “Modern Family.”



It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
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It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)

Mixed reviews didn’t dissuade mass audiences from buying tickets to the “The Super Mario Galaxy Movie,” which scored the biggest opening of the year for a Hollywood movie. The Illumination and Nintendo co-production earned $130.9 million over the weekend and a massive $190.1 million in its first five days in North American theaters, according to studio estimates Sunday.

Universal Pictures released the sequel globally on Wednesday, capitalizing on kids’ spring break vacations in the week leading up to the Easter holiday. With an estimated $182.4 million from 80 overseas markets, the film is looking at an astronomical $372.5 million debut — the latest hit for the PG rating. Mexico is leading the international bunch with $29.1 million from 5,136 screens, followed by the UK and Ireland with $19.7 million.

The animated sequel is the industry’s biggest debut since “Avatar: Fire and Ash” launched over Christmas. The Chinese movie “Pegasus 3,” which was not a Motion Picture Association release, has the slight edge for the 2026 global record, however.

It’s also a dip from the first film, which opened to $204 million domestically during the same five-day time frame in 2023 ($147 of that was from Friday, Saturday and Sunday). “The Super Mario Bros. Movie” went on to be the second biggest movie of 2023, with over $1.3 billion in box office receipts.

“The Super Mario Galaxy Movie,” which features returning voice actors Chris Pratt, Jack Black, Anya Taylor-Joy and Charlie Day, had a massive footprint in the US and Canada, where it played in 4,252 theaters, including 421 IMAX and 1,345 premium large format screens. It also cost around $110 million to make, not including marketing and promotion expenses. But it arrived on a wave of less-than-stellar reviews. Its Rotten Tomatoes score is currently sitting at a lousy 40%. Ticket buyers were more enthusiastic, however.

The family audience gave the movie five out of five stars according to PostTrak exit polls, while general audiences gave it four stars and an A- on CinemsScore. Audiences skewed male (61%) overall, although when it came to families attending there were slightly more moms (52%) than dads.

Last year, the first weekend in April hosted the launch of another video game blockbuster, “A Minecraft Movie,” which had a bigger three-day debut ($162.8 million) but didn’t have a “Project Hail Mary” in a strong second place, meaning the weekend overall is still up around 5%.

As expected, “The Super Mario Galaxy Movie” ended the two-week reign of the Ryan Gosling-led sci-fi hit “Project Hail Mary,” which landed in second its third weekend in theaters where it added $29.8 million, bringing its domestic total to $216.3 million.

Third place went to A24’s provocative new movie “The Drama,” starring Zendaya and Robert Pattinson, which made an estimated $14.4 million from 3,087 theaters. The film’s stars have been on a massive and charming press blitz to promote their R-rated movie about an engaged couple grappling with an unnerving revelation, which cost a reported $28 million to produce. The reveal has drummed up a fair amount of cultural discourse. While reviews have been more positive than not (82% on Rotten Tomatoes), it got a less promising B CinemaScore.

“Hoppers” and “Reminders of Him” rounded out the top five.


Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
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Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)

Yup, she wore something blue.

Zendaya, surprising precisely nobody on the planet, showed up in dazzling blue at Thursday’s New York premiere of “The Drama,” after teasing the bridal theme for weeks by wearing something old, then something new, then something borrowed.

Her strapless Schiaparelli Haute Couture ball gown, accompanied by sapphire earrings, completed the sartorial series just in time for the opening of her movie — a film that has attracted considerable controversy and mixed reviews. Zendaya and Robert Pattinson play a couple whose wedding plans go seriously awry following a dark revelation.

The high-fashion appearances have also echoed the bridal theme of Zendaya’s own life, with unconfirmed speculation flying — fed in part by rings she’s been wearing — that she’s already married to partner Tom Holland.

The actor and her stylist, Law Roach, saved the most spectacular outfit for last. Schiaparelli posted on its own Instagram that the gown, which took some 8,000 hours of work, was made of blue and black raw silk “feathers” in satin stitch embroidery, and contained 27 shades of blue.

“Something old” came in Los Angeles on March 17, where Zendaya wore the same white, off-the-shoulder Vivienne Westwood Bridal gown that she’d worn to the 2015 Oscars.

She transitioned to “something new” at the March 24 Paris premiere — a white custom Louis Vuitton gown with a huge black bow and train.

“Something borrowed” came two days later in Rome, a black Armani Privé dress previously worn by Cate Blanchett, with a plunging neckline framed with stones.

Finally on Thursday, Zendaya completed the circle. “SomethingBlue,” posted Roach.

In case nobody had noticed.


Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)
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Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)

US movie legend John Travolta will present his directorial debut "Propeller One-Way Night Coach", about a young boy's journey in the "golden age of aviation", at the Cannes Film Festival in May, organizers said Thursday.

The film, to make its world premiere, is adapted from the 72-year-old star's own 1997 book, inspired by his lifelong passion for aviation, the festival said.

Among the three Travolta films showcased at the Festival de Cannes in the past was "Pulp Fiction" (1994), famed for the actor's two-fingered swipe in its cult dance scene.

"The unforgettable Vince Vega of Pulp Fiction returns to the Croisette for an event as unexpected as it is exciting: his very first film as a director," the festival said.

Travolta wrote the book for his son Jett, who suffered from epileptic seizures and died in 2009 at the age of 16.

The film follows a young airplane enthusiast Jeff and his mother embarking on a one-way journey to Hollywood.

"The story unfolds as a nostalgic journey set in the golden age of aviation," the festival said.

"The journey unfolds in moments both magical and unexpected, charting the course for the boy's future," the statement said, adding that one of the flight attendants is played by the star's only daughter, Ella Bleu, 25.

The actor, who grew up not far from LaGuardia Airport near New York, is a professional pilot and began flying when he was 15.

"Travolta is certified to fly Boeing 707s, 737s, and 747s, Bombardier's Global Express and was the first private pilot to fly an Airbus A380," the festival said.

Travolta has become a pop culture icon, celebrated for his roles in films such as Saturday Night Fever (1977), Grease (1978), and Hairspray (2007).

"Propeller One-Way Night Coach" will make its global debut on Apple TV in May.