Charles and Diana's 'Wedding of The Century'

FILE - This is a July 29, 1981 file photo of the carriage carrying the Prince and Princess of Wales on its way from St. Paul's Cathedral to Buckingham Palace after the royal wedding in London. (AP Photo/File)
FILE - This is a July 29, 1981 file photo of the carriage carrying the Prince and Princess of Wales on its way from St. Paul's Cathedral to Buckingham Palace after the royal wedding in London. (AP Photo/File)
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Charles and Diana's 'Wedding of The Century'

FILE - This is a July 29, 1981 file photo of the carriage carrying the Prince and Princess of Wales on its way from St. Paul's Cathedral to Buckingham Palace after the royal wedding in London. (AP Photo/File)
FILE - This is a July 29, 1981 file photo of the carriage carrying the Prince and Princess of Wales on its way from St. Paul's Cathedral to Buckingham Palace after the royal wedding in London. (AP Photo/File)

Their fairy-tale marriage 40 years ago this month was dubbed the "wedding of the century".

But for Prince Charles and Lady Diana Spencer it would all end in tears, recriminations and tragedy, with the after-effects still being felt by the British royals today.

Presidents and prime ministers as well as the crowned heads of Europe and beyond streamed into St Paul's Cathedral in London on July 29, 1981 for the ceremony, which was watched on television by 750 million people around the world.

Here is an account of the wedding based on AFP reporting of the time.

- Love and fanfare -
The marriage of Charles, a bachelor of 32, and his 20-year-old blushing bride was a heady mix of "love and protocol", wrote AFP special correspondent Michel Leclercq on the day.

The famous kiss from the balcony of Buckingham Palace which was splashed on front pages around the world the next day took place against a backdrop of British fanfare, with horse-drawn carriages and trumpets.

People around the globe watched from their armchairs as Lady Diana stepped out of the glass carriage which had brought her to St Paul's Cathedral.

As she arrived on the arm of her father Earl Spencer, the woman who was about to become the Princess of Wales revealed the day's best-kept secret: her spectacular wedding gown.

- The dress -
She climbed the steps of St Paul's in her ivory taffeta dress, a 7.5-metre (22-foot) train cascading behind her, and a diamond tiara on her head.

"When she appeared wearing ivory, hidden under a multitude of pleats, frills, mother of pearl sequins and crinoline, a formidable roar rose from the crowd," AFP wrote.

Trailed by her bridesmaids, she walked slowly down the aisle past the 2,500 handpicked guests to the sound of trumpets to join Prince Charles, who wore a Royal Navy commander's full dress uniform.

- Nerves -
As the world looked on, the royal couple were clearly feeling the pressure.

Under the dome of St Paul's and in thunderous silence, the future king's voice trembled as he murmured "I will".

The bride also stumbled while reading the marriage vows, despite smiles of encouragement from Charles.

"As she repeated the ritual wording Lady Diana betrayed nervousness and inverted the prince's names," AFP wrote.

Diana also timidly said, "I will". It had been agreed in advance that she would not vow to obey her husband, in a break with tradition that in those days still raised some eyebrows.

Prince Charles then laid the gold ring on her left hand and at 12:20 pm precisely, AFP wrote: "Prince Charles and Lady Diana Spencer are married."

New Zealand soprano Kiri Te Kanawa then sang Handel's "Let the Bright Seraphim" as part of a concert that was beamed to the crowd outside.

- Tears -
Britain's Queen Mother, 81 at the time, wiped away a tear, while Charles' mother Queen Elizabeth II, dressed in a turquoise dress and matching hat, had "moist eyes" on several occasions throughout the service, AFP wrote.

With Britain doing what its media commented it does best -- putting on a state occasion -- it was very much a British affair.

"The British press did not devote a line to the make-up of Princess Grace of Monaco, the suit of French President Francois Mitterrand or the pale pink suit worn by Nancy Reagan (the US First Lady)," AFP wrote.

- 'Furtive kiss' -
Britain had a national holiday and around 600,000 people gathered in the streets, some having camped out all night, waving Union Jack flags as they witnessed the two newly-weds crossing London on the three-kilometer (two-mile) route from the church in their open-topped state carriage.

The assembled crowds then cheered the famous kiss on the balcony of Buckingham Palace.

The "furtive kiss" symbolized "a marriage where the spontaneity of love managed to win over tradition", AFP wrote, somewhat wishfully, as things would turn out.

- Britain parties -
Britain danced to the tune of the wedding which was accompanied by the biggest security operation since World War II, with the British mainland still in the grip of an Irish Republican Army (IRA) bombing campaign.

Hair salons were advertising the "Diana cut" and admirers bought commemorative mugs and plates bearing a photograph of the royal couple along with other royal gadgets.

After the major fanfare, the couple attended a more intimate reception at the Palace where Diana was photographed kissing her youngest bridesmaid, a five-year-old, before departing on honeymoon on the royal yacht Britannia to cruise the Mediterranean.

- Fairy tale turns sour -
In his sermon, the Archbishop of Canterbury Robert Runcie called the wedding a "fairy tale".

But it lasted less than five years during which an "heir and spare", princes William and Harry, were born.

After that, the marriage gradually turned acrimonious, with stories of infidelity, embarrassing leaked telephone conversations and Diana's bulimia and suicide attempts.

The royal couple separated in 1992 followed by their divorce in 1996.

Diana's death in 1997 in a car crash in Paris caused deep distress and rocked the monarchy.

The queen, whose distance and reserve marked her out from her subjects, was accused of heartlessness.

In a civil ceremony on April 9, 2005, Charles married his new wife, Camilla Parker Bowles, who had emerged as the real love of his life and to whom he reportedly gave a bracelet engraved with the initials of their nicknames for each other -- Fred and Gladys -- the night before his wedding to Diana.

While Diana would have become queen upon Charles' accession to the throne, Camilla will merely be queen consort.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.