‘Qatt XR’ Project Aims to Bring Saudi Asiri Heritage to Digital Era

The “Qatt XR” project aims to document and preserve the Saudi cultural and natural heritage by using digital photography, 3D simulations, location information, and open access solutions. (SPA)
The “Qatt XR” project aims to document and preserve the Saudi cultural and natural heritage by using digital photography, 3D simulations, location information, and open access solutions. (SPA)
TT

‘Qatt XR’ Project Aims to Bring Saudi Asiri Heritage to Digital Era

The “Qatt XR” project aims to document and preserve the Saudi cultural and natural heritage by using digital photography, 3D simulations, location information, and open access solutions. (SPA)
The “Qatt XR” project aims to document and preserve the Saudi cultural and natural heritage by using digital photography, 3D simulations, location information, and open access solutions. (SPA)

The al-Qatt al-Asiri, an art used to embellish walls of houses in Asir province in southwestern Saudi Arabia has jumped from the physical to the virtual world. The “Qatt XR” project that focuses on the art of Qatt al-Asiri aims to document and preserve the Saudi cultural and natural heritage by using digital photography, 3D simulations, location information, and open access solutions.

“The project’s idea came after the UNESCO added the Qatt al-Asiri on its Intangible Cultural Heritage List, which prompted us to think how we can make this art reach the largest audience around the world. The project aims to provide data, and 3D models for regional institutions, museums, researchers and fans,” Dr. Haifaa al-Hababi, member in the project, told Asharq Al-Awsat.

Contributors of the Qatt al-Asiri project include Areej al-Wabel, Haifa al-Hababi, Leila al-Babtain, and Abdullah Mshantat. Qatt al-Asiri was selected by the King Abdulaziz Center for World Culture-Ithra among the five best projects partaking in the Creative Solutions Program.

“Creating digital models of the Qatt al-Asiri could help introduce it to younger generations, and make it easier to use, given its complexity and the expertise it requires. Digitizing this art has become more important after the pandemic, which proved to the world the importance of digitization for access and reach,” she explained.

During the interview, Hababi highlighted the experiences of museums and historic landmarks that went digital to survive the pandemic and its restrictions, noting that Virtual Reality (VR) has become a trend.

“It’s one of the most sophisticated experiences that we can offer to promote our heritage, and we still have a lot to give using this technique,” she added.

The King Abdulaziz Center for World Culture-Ithra selected this project from the “Creation of Efficient Digital Content” category. The center plans to financially support, develop, and commercialize the qualified projects, which have shown a remarkable diversity in the traditional Saudi designs.

The Creative Solutions Program, which incubates creative projects, has been designed to build a generation of creators, support the growth of creative economy in the country, along with focusing on using modern technologies, such as Artificial Intelligence (AI), touch control, and VR and AR (augmented reality).

The Qatt al-Asiri project was selected alongside five other projects out of 26 that participated in the first phase of the program. The candidates made presentations of creative products, and spent weeks attending courses, workshops and meetings with experts in this field.

In its third phase, the program plans an international virtual training camp that provides individual instructions and keeps up with the progress made in the projects, in addition to providing concentrated support and cooperation to promote each project within three months, commercializing the product and financially supporting each project with up to 75,000 SAR.



Indian Artisans Tackle Waste with Creative Upcycling

In this photograph taken on September 17, 2024, a person with disability, recycles plastic waste as part of the Avacayam employment program by the Society for Child Development, in New Delhi. (Photo by Sajjad HUSSAIN / AFP)
In this photograph taken on September 17, 2024, a person with disability, recycles plastic waste as part of the Avacayam employment program by the Society for Child Development, in New Delhi. (Photo by Sajjad HUSSAIN / AFP)
TT

Indian Artisans Tackle Waste with Creative Upcycling

In this photograph taken on September 17, 2024, a person with disability, recycles plastic waste as part of the Avacayam employment program by the Society for Child Development, in New Delhi. (Photo by Sajjad HUSSAIN / AFP)
In this photograph taken on September 17, 2024, a person with disability, recycles plastic waste as part of the Avacayam employment program by the Society for Child Development, in New Delhi. (Photo by Sajjad HUSSAIN / AFP)

The world's most populous nation India has a waste problem to match, but one group hopes their efforts can inspire change in one of the top polluters of plastic.

At a bustling workshop north of the capital New Delhi, artisan Ram Babu turns a discarded cigarette packet into a papier mache candle, AFP reported.

Babu, a 28-year-old amputee, is among scores of people with disabilities who have been trained to turn "trash to cash" and do their bit for the environment.

"It feels good to work despite my challenging situation," beamed Babu, as he deftly covered the packet with clay, using sprinkles of water.

Life held little hope for Babu after he lost his right hand and leg in a train accident in 2005.

But he found courage again when he stumbled upon the Avacayam employment program, run by the Society for Child Development, a New Delhi-based charity.

The word "Avacayam" comes from Sanskrit, and roughly translates to "gathering flowers".

Avacayam participants turn orange and yellow flowers that were offered in temples and later gathered up into incense sticks and colored powder used widely in festivals.

They also transform fallen idols of Hindu gods and goddesses -- often left piled under sacred trees -- into sacred powder for temple rituals.

"I have been working for more than 14 years now. My life has found a new direction and purpose," said Babu, who earns 10,000 rupees ($120) a month.

Others like Babu make decorative items, bags and pouches out of recycled waste, which is collected every day at their sprawling center.

Plastic bottles are also reused to make a variety of craft products.

The group's efforts scrape the surface.

In India, municipal governments with limited resources often struggle to manage mountains of waste, with towering piles of foul-smelling rubbish littering the edge of New Delhi.

India generates more than 65 million tons of waste in a year, according to a report by The Energy and Resources Institute, a New Delhi-based research group, but only around a fifth is processed and treated.

A study in Nature published this month named India as the largest plastic pollution emitter, producing nearly one-fifth of global plastic emissions.

Global experts -- including the multi-nation "High Ambition Coalition" -- argue the focus must not only be on waste treatment, but urgently required control measures on plastic production itself.

Charity groups such as Avacayam say they set an example, doing what they can.

"We collect waste and trash from offices, homes and factories," said Madhumita Puri, the founder of the Society for Child Development.

"Then we recycle them to make beautiful things which can be enjoyed again."

Puri said the work also helps people with disabilities live a life of dignity.

Abdul Sheikh, whose legs were stunted by polio, had little means of employment until Puri's charity knocked at his door.

"I learnt that day that we should never lose hope in the face of adversities," said Sheikh, 30, who makes decorative papier mache items.

"Now I don't have to depend on others for anything. I don't have legs but today I am standing on my feet."