عربي English Türkçe اردو فارسى
Logo
Latest News
Entertainment

New this Week: ‘Cinderella,’ Imagine Dragons, Selena Gomez

This combination of photos shows promotional art for the Hulu original series "Only Murders in the Building," premiering Aug. 31, left, the Amazon original movie "Cinderella" premiering Sept. 3, center, and the Netflix film "Worth," premiering Sept. 3. (Hulu/Amazon/Netflix via AP)
This combination of photos shows promotional art for the Hulu original series "Only Murders in the Building," premiering Aug. 31, left, the Amazon original movie "Cinderella" premiering Sept. 3, center, and the Netflix film "Worth," premiering Sept. 3. (Hulu/Amazon/Netflix via AP)
TT
20
TT

New this Week: ‘Cinderella,’ Imagine Dragons, Selena Gomez

This combination of photos shows promotional art for the Hulu original series "Only Murders in the Building," premiering Aug. 31, left, the Amazon original movie "Cinderella" premiering Sept. 3, center, and the Netflix film "Worth," premiering Sept. 3. (Hulu/Amazon/Netflix via AP)
This combination of photos shows promotional art for the Hulu original series "Only Murders in the Building," premiering Aug. 31, left, the Amazon original movie "Cinderella" premiering Sept. 3, center, and the Netflix film "Worth," premiering Sept. 3. (Hulu/Amazon/Netflix via AP)

The Associated Press’ journalists prepared a collection of entertainment arriving on TV, streaming services and music platforms this week.

MOVIES

— Michael Keaton leads the new Netflix film “Worth,” available starting Sept. 3, about the lawyer tasked with putting a dollar value lives of those killed in the Sept. 11 attacks. Based on a true story, Keaton’s character is forced to reevaluate his priorities after meeting a widower played by Stanley Tucci. The cast also includes Amy Ryan and Tate Donovan. Also on Netflix starting Sept. 1 are “Blade Runner: The Final Cut,” “Clear and Present Danger,” “Labyrinth” and “Mars Attacks!”

— “Pose” star Billy Porter plays a non-binary Fairy Godparent named Fab G in the latest version of “Cinderella,” streaming Sept. 3 on Amazon Prime Video. Pop star Camilla Cabello stars as the glass slipper-loser and Idina Menzel plays the Stepmother. Naturally, both are providing original songs for the soundtrack. It’s a stacked cast, too, with Minnie Driver as the Queen, Pierce Brosnan as the King, and James Corden and John Mulaney as the mice/footmen. And it was written and directed by Kay Cannon, who wrote the “Pitch Perfect” movies. Also on Prime, “Apollo 13,” “Sleepless in Seattle” “The Last of the Mohicans” and “The Social Network” are available starting Sept. 1.

ADVERTISEMENT

— The Criterion Channel is hosting a series of quintessential New York films starting Sept. 1 from Charlie Chaplin’s “The Immigrant,” from 1917 through Noah Baumbach’s “Frances Ha,” from 2012. It is a murderer’s row of great films across the century. There are ’60s classics like “The Apartment” and “West Side Story” and ’70s greats like “Sisters” and “The Panic in Needle Park.” There are 1980s essentials like “After Hours,” “Moonstruck,” “Do the Right Thing” and “Stranger Than Paradise,” leading up to indie classics from the 1990s and beyond with “Metropolitan,” “Paris Is Burning,” “The Squid and the Whale” and “Margaret.” It might accidentally take up your whole month.

— AP Film Writer Lindsey Bahr

MUSIC

— Imagine Dragons are releasing their fifth studio album on Sept. 3 called “Mercury — Act 1” with Rick Rubin producing. One song, “Wrecked,” was inspired by singer Dan Reynolds’ late sister-in-law, Alisha Durtschi Reynolds, who died following a cancer battle. Another, “Follow You,” is a love song written by Reynolds after re-marrying his wife following a separation. And there’s one of the edgiest tracks yet from the band — “Cutthroat,” an anthem about killing the critic inside of you.

ADVERTISEMENT

— If you’re looking for something harder, look no further than Iron Maiden, whose 17th studio album “Senjutsu” drops Sept. 3 and is their first in six years. Though just 10 tracks, each one is long — one song, “The Parchment,” clocks in at over 12 minutes — so “Senjutsu” will be a double CD, just as their last, “The Book of Souls.” This time, taking a nod to the East, the band’s mascot, Eddie, sports a samurai sword on the cover. The first single, “The Writing on the Wall,” is a metal banger with layers of guitar and wailing solos. It paints a bleak picture of life: “Now we are victorious, we’ve become our slaves/A land of hope and glory, building graveyards for the brave.”

— AP Entertainment Writer Mark Kennedy.

TELEVISION

— Steve Martin, Martin Short and Selena Gomez are the odd-triplet stars of Hulu’s “Only Murders in the Building” and enticement enough to check out the comedy-mystery. The premise: A trio of true-crime addicts and neighbors in a posh Manhattan apartment building team up to solve the gory death of a fellow tenant. As they document their sleuthing for a podcast, long-dormant secrets come to light and a killer gets perilously closer. The 10-episode series debuts Tuesday.

— Billie Eilish and the city of LA star in a Disney+ special described as a cinematic concert experience. Eilish will perform her new album, “Happier than Ever,” in “Happier than Ever: A Love Letter to Los Angeles,” debuting Sept. 3. Her performance at the Hollywood Bowl is joined with animation to take viewers on a promised “dreamlike journey” thorough Eilish’s home and its landmarks. The Los Angeles Philharmonic and conductor Gustavo Dudamel, Brazilian guitarist Romero Lubambo and singer-songwriter Finneas, Eilish’s brother, are among those making guest appearances.

— After a pandemic-forced production break, Showtime’s “Billions” returns for the second half of season five on Sunday (9 p.m. EDT). There’s shifting alliances as the power struggle continues between hedge fund manager Bobby Axelrod (Damian Lewis) and his prosecutor-nemesis Chuck Rhoades (Paul Giamatti). Among those along for the undoubtedly bumpy, five-episode ride, ahead of the announced season six: Corey Stoll as billionaire Mike Prince and Janeane Garofalo as Winslow, who owns a legit cannabis enterprise.

Most Viewed

 
Entertainment

This Summer at the Movies, Superheroes, from ‘Superman’ to ‘Fantastic Four,’ Return

This image released by Warner Bros.Pictures shows David Corenswet in a scene from "Superman." (Warner Bros. Pictures via AP)
This image released by Warner Bros.Pictures shows David Corenswet in a scene from "Superman." (Warner Bros. Pictures via AP)
TT
20
TT

This Summer at the Movies, Superheroes, from ‘Superman’ to ‘Fantastic Four,’ Return

This image released by Warner Bros.Pictures shows David Corenswet in a scene from "Superman." (Warner Bros. Pictures via AP)
This image released by Warner Bros.Pictures shows David Corenswet in a scene from "Superman." (Warner Bros. Pictures via AP)

Superman already has a lot on his broad shoulders. It seems unfair to add the fate of Hollywood to his worries.

But that’s the kind of pressure that comes with being one of the biggest stars in the comic book universe, who is getting a grand reintroduction at a tumultuous time. Thankfully he’s not doing it alone — Marvel Studios is also returning to theaters in a big way with two movies this summer, “Thunderbolts” and “The Fantastic Four: First Steps.”

Five years after the COVID-19 pandemic brought movie business to a halt, and two years after the strikes, the industry has yet to fully recover. Critics may have complained of superhero fatigue, but after several summers of depleted offerings, it’s clear that they're a vital part of the mix — especially when they're good.

The $4 billion summer of “Barbenheimer” may be most remembered for those two movies, but it didn’t get to that number without the “Guardians of the Galaxy” and “Spider-Man” movies, the second- and third-highest grossing of the season.

The filmmakers behind some of the summer's biggest movies spoke to The Associated Press about what to expect in 2025.

Summer Movie Math

Summer begins early in Hollywood, on the first weekend in May. Kids might still be in school, and pools might still be closed, but that kickoff can make or break that pivotal 123-day corridor that has historically accounted for around 40% of the annual box office. Last year was the first in many that didn’t launch with a Marvel movie and it showed — the business limped along for weeks until Disney came to the rescue with “Inside Out 2” and “Deadpool & Wolverine.”

This year, the powerful studio is back in that familiar spot with “Thunderbolts,” which brings together misfits and antiheroes like Yelena Belova (Florence Pugh), Red Guardian (David Harbour) and Bucky Barnes (Sebastian Stan).

“It’s a fun twist on what a movie like this could be,” said director Jake Schreier. “There are some places we’re gonna go that are different from what you would normally expect.”

He added: “It’s trying to be a movie about something and the moment we’re in — not in a political sense, but just where everybody’s at and what everyone’s been going through.”

The Memorial Day weekend could also be a behemoth a few weeks later with the live action “Lilo & Stitch” and “Mission: Impossible – The Final Reckoning” storming theaters. With a new “Jurassic World,” a live-action “How to Train Your Dragon” and a Formula One movie also on the schedule through June and July, the summer 2025 season has the potential to be the biggest in the post-COVID era.

Before the pandemic, all but one summer since 2007 broke the $4 billion mark. Since 2020, only one has: 2023, led by “Barbie.”

Saving Superman (and the DC Universe)

After three “Guardians” movies, James Gunn knows enough to know that he doesn’t have much control over whether people buy tickets for his movies. His job is to make something good, entertaining and “worthy” of the audience.

But that’s also possibly underplaying the pressure of taking on Superman and overseeing a unified DC universe that kicks off with “Superman” on July 11. He considers it the first true superhero movie he’s ever made.

“It’s a personal journey for Superman that’s entirely new,” Gunn said. “It is, first and foremost, about what does Superman learn about himself. But it’s also about the robots and the flying dogs and all that stuff. It’s taking a very real person and putting them in the middle of this outrageous situation and outrageous world and playing with that. I think it’s a lot of fun because of that.”

The film introduces a new actor to the role of Superman/Clark Kent in David Corenswet, who stars alongside Rachel Brosnahan as Lois Lane and Nicholas Hoult as Lex Luthor. Gunn said to expect different things from both.

“It was a lot of fun making a Lex that is actually going to kill Superman,” he said. “He’s pretty scary.”

The film is also “seeding the rest of the DCU,” Gunn said. “If it works as a movie in a basic way, that’s what we need to happen, that’s what I care about.”

Superman as a brand has always trailed Batman at the box office. None of the Zack Snyder films crossed $1 billion, not accounting for inflation, while both Christopher Nolan “Dark Knight” sequels did. But Gunn isn't thinking a lot about that.

“I just want to make a decent movie that makes a little money,” Gunn said.

Marvel’s First Family

Superman’s not the only legacy brand getting a splashy reintroduction this summer. A new Fantastic Four crew, assembled for the first time under umbrella of the Marvel Cinematic Universe and Kevin Feige, is heading to theaters July 25.

“Fantastic Four is a comic I’ve loved since I was a kid,” said director Matt Shakman. “They are the legendary heroes of the '60s that the Marvel silver age was built on.”

Created by Stan Lee and Jack Kirby, The Fantastic Four is among Marvel’s longest-running comics series. But it has not had the most distinguished history on film, including two with Chris Evans and one with Michael B. Jordan.

“The Fantastic Four: First Steps” is set in a retro-futuristic 1960s New York, where Pedro Pascal’s Reed Richards is “basically Steve Jobs meets Einstein who’s creating technology that’s changing the world” and Vanessa Kirby’s Sue Storm is “essentially the secretary-general of the UN,” Shakman said.

A television veteran with directing credits on shows like “WandaVision” and “It’s Always Sunny in Philadelphia,” Shakman said he wants to do right by the characters, and audience.

“It’s working on an incredibly large scale in terms of world building, but it’s also no different from all of the great comedies and dramas that I’ve done,” Shakman said. “In the end, it comes down to character, it comes down to relationships, it comes down to heart and humor.”

Plus, he feels a responsibility to the idea of the big summer movie.

“It was the joy of my childhood. ... A lot of it has to do with building worlds and entering into a place of wonder,” he said. “That’s what I felt when I saw ‘Indiana Jones’ when I was a kid and it’s what I hope people feel when they see ‘Fantastic Four’ this summer.”

Why summer 2025 might be a big year for movies

Studios know that superheroes alone don’t make a robust theatrical marketplace and there are plenty of other options on the menu including franchises, event movies and independents: There are family pics (“Smurfs,” “Elio,” “The Bad Guys 2”); action and adventures (“Ballerina,” “The Karate Kid: Legends”); horrors, thrillers and slashers (“28 Years Later,” “I Know What You Did Last Summer,” “M3GAN 2.0”); romances (“Materialists,” “Jane Austen Wrecked My Life”); dramas (“Sorry, Baby,” “The Life of Chuck”); a new Wes Anderson movie (“The Phoenician Scheme”); and comedies (“Freakier Friday,” “Bride Hard,” “The Naked Gun”) — though one of the most anticipated, “Happy Gilmore 2,” will be on Netflix.

“The frequency of movies, the cadence, the sheer number of them and the perceived quality and excitement surrounding this lineup is like almost like never before,” said Paul Dergarabedian, senior media analyst for Comscore. “Draw me a blueprint of a perfect summer lineup: 2025 is it.”

One of the biggest movies of the season may be “Jurassic World Rebirth,” the seventh movie in a $6 billion franchise. Even its poorly received predecessor made $1 billion. This time they enlisted a new filmmaker, self-proclaimed “Jurassic Park” superfan Gareth Edwards, and the original’s screenwriter for a new adventure with Scarlett Johansson, Mahershala Ali and Jonathan Bailey.

“People say, like, do you feel pressure and the most pressure I feel is from myself as a fan and to Steven Spielberg, to not disappoint him,” Edwards said. “Weirdly what’s great about doing a ‘Jurassic’ movie is that everybody knows deep down that like half the reason they’re in this business is because of that film and Steven’s work.”

It’s fitting, in a way, that 2025 marks the 50th anniversary of what’s considered the first summer blockbuster: “Jaws.”

Edwards said he was born into that world of big summer blockbusters that shaped his early love of movies. Directing one, he said, “is kind of the dream. You get the chance to swing for the fences.”

And the unstable economy might work in the industry’s favor, at least when it comes to moviegoing. Even with increased ticket prices, theatrical movies remain the most affordable entertainment outside of the home and attendance tends to increase during recession years. The annual domestic box office crossed $10 billion for the first time in 2009.

More recently, the week the tariffs were announced, “A Minecraft Movie” doubled its opening weekend projections, and all of those ticket buyers saw trailers and posters for everything to come. It was, Dergarabedian noted, one of the only positive financial stories that week.

“Top Gun: Maverick” filmmaker Joseph Kosinski knows a few things about launching a pricey big screen spectacle into a turbulent marketplace. But he's feeling good about the summer and “F1’s” place within it. Warner Bros. will release “F1” on June 27.

“This is the summer where all this product that we’ve all been working on for the last few years is finally coming into the marketplace, so I’m very optimistic,” Kosinski said. “By the end of this summer, hopefully people aren’t talking about being in a funk anymore and it feels like we got our mojo back and we’re off to the races.”