London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
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London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi

Movies from 77 countries will screen at the 2021 London Film Festival, as Britain’s leading cinema showcase welcomes mass audiences back to movie theaters after a pandemic-disrupted year.

The festival program, announced Tuesday, includes 158 features, down from 225 during its last pre-pandemic edition in 2019. The 2020 festival was a curtailed collection of 58 films, most screened online.

This year, mask-wearing, full-capacity audiences will be able to attend gala screenings at London’s riverside Southbank Centre, with many of the premieres screened simultaneously at movie theaters across the UK.

About 37% of the features are directed by women — not yet parity, but up from a quarter four years ago and “heading in the right direction,” The Associated Press quoted festival director Tricia Tuttle as saying.

The festival opens Oct. 6 with the world premiere of “The Harder They Fall” — a Western from British director Jeymes Samuel with a Black-led cast — and closes Oct. 17 with the European premiere of Joel Coen’s “The Tragedy of Macbeth,” starring Denzel Washington and Frances McDormand as Shakespeare’s murderous Scottish royals.

The lineup includes 21 world premieres alongside prize-winners and headline-grabbers from the Cannes and Venice film festivals, including Jane Campion’s Montana-set Western “The Power of the Dog” and Edgar Wright’s swinging-60s horror romp “Last Night in Soho,” both of which premiered in Venice this month.

Also on the schedule are French director Julia Ducournau’s techno-sexual thriller “Titane” — winner of Cannes' top prize, the Palme d'Or — Paul Verhoeven’s lesbian nun drama “Benedetta” and Wes Anderson’s whimsical “The French Dispatch,” both of which also premiered at the French Riviera festival.

The London festival will also feature Maggie Gyllenhaal’s Elena Ferrante adaptation “The Lost Daughter”; Reinaldo Marcus Green’s “King Richard,” which stars Will Smith as the father of Venus and Serena Williams; Kenneth Branagh’s homage to his home town, “Belfast”; Jacques Audiard’s “Paris, 13th District” and Todd Haynes’ music documentary “The Velvet Underground.”

Another highlight is Chilean director Pablo Larrain’s “Spencer” — a film whose first publicity shot of Kristin Stewart as Princess Diana was enough to set off a frenzy of anticipation.

“I don’t think there’s a film fan alive who doesn’t want to see this film after that still was released,” Tuttle said.
Embracing television as well as cinema, the festival is also screening the first two episodes of the third series of media-dynasty drama “Succession.”

Festival organizers are still unsure how the coronavirus pandemic will affect plans for red-carpet premieres and parties. Four-fifths of British adults are fully vaccinated, and there are few restrictions on social life. But infections remain high, and are expected to climb further now that children are back at school.

Tuttle says a few films in the lineup deal explicitly with the pandemic, including Matthew Heineman’s documentary “The First Wave” and “7 Days,” a coronavirus romcom about a couple locked down together after a disastrous first date.

“We were wary of going too heavily into the pandemic,” Tuttle said. “We’ve just chosen films that charmed us or felt too urgent not to include in the program.”



Sunday's Golden Globes to Launch Hollywood's Awards Festivities

FILE - Event signage appears above the red carpet at the 77th annual Golden Globe Awards, Sunday, Jan. 5, 2020, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP, File)
FILE - Event signage appears above the red carpet at the 77th annual Golden Globe Awards, Sunday, Jan. 5, 2020, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP, File)
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Sunday's Golden Globes to Launch Hollywood's Awards Festivities

FILE - Event signage appears above the red carpet at the 77th annual Golden Globe Awards, Sunday, Jan. 5, 2020, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP, File)
FILE - Event signage appears above the red carpet at the 77th annual Golden Globe Awards, Sunday, Jan. 5, 2020, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP, File)

Hollywood will kick off its 2025 awards festivities on Sunday at the annual Golden Globes ceremony where films such as "Wicked,The Brutalist" and "Emilia Perez" compete for trophies and attention ahead of the Oscars.
Timothee Chalamet, Selena Gomez, Ariana Grande and Angelina Jolie are among the stars in the running for acting honors at the red-carpet ceremony that will be hosted for the first time by comedian Nikki Glaser. The show will be broadcast live on CBS and stream on Paramount+, Reuters reported.
Spanish-language musical "Emilia Perez" and post-World War Two epic "The Brutalist" lead the night's movie nominees.
"The Brutalist" stars Adrien Brody as a Holocaust survivor who flees to the United States to chase the American dream. The 3-1/2 hour tale is considered a frontrunner for the night's top prize, best film drama.
Competitors include "Conclave," about the selection of a pope, and two movies starring Chalamet - Bob Dylan biopic "A Complete Unknown" and sci-fi epic "Dune - Part II."
Unlike the Oscars, musical and comedy films compete in a separate category at the Globes. Nominees in that field include box office smash "Wicked" and dark romantic comedy "Anora."
Winning a Globe can help films in the run-up to the Academy Awards in March. If a movie or actor takes home a Globe, "it increases the likelihood a member of the film academy will check out that project," said Scott Feinberg, executive editor for awards at The Hollywood Reporter.
Feinberg predicted "The Brutalist" or "Conclave" would earn the drama prize at the Globes. The musical or comedy category is harder to gauge, he said, because the nominees are so different from one another.
"Emilia Perez," a musical thriller, tells the story of a Mexican drug lord who transitions from a man to a woman. "Wicked," a prequel to "The Wizard of Oz," was adapted from a popular Broadway stage show.
"Anora," about a sex worker who marries the son of a Russian oligarch, is more of a traditional comedy while "The Substance" starring Demi Moore as a fading celebrity seeking a fountain of youth, is essentially a horror movie, Feinberg said.
"That (category) is just all over the place," Feinberg said.
Winners of the Globes are chosen by 334 entertainment journalists from 85 countries, compared with roughly 9,000 voters who select the Academy Awards. The Globes voting body was expanded in recent years and organizers instituted reforms after being criticized for ethical lapses and a lack of diversity.
In TV categories, restaurant tale "The Bear" leads the Globes nominees, followed by mystery comedy "Only Murders in the Building" and historical epic "Shogun."