Popular Netflix Series Sparks New Debate over S.Korea’s Military Conscription

A still image shows a scene of Netflix series entitled “D.P.” in this handout picture taken on October 19, 2020, provided by Netflix Korea. (Netflix Korea/Handout via Reuters)
A still image shows a scene of Netflix series entitled “D.P.” in this handout picture taken on October 19, 2020, provided by Netflix Korea. (Netflix Korea/Handout via Reuters)
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Popular Netflix Series Sparks New Debate over S.Korea’s Military Conscription

A still image shows a scene of Netflix series entitled “D.P.” in this handout picture taken on October 19, 2020, provided by Netflix Korea. (Netflix Korea/Handout via Reuters)
A still image shows a scene of Netflix series entitled “D.P.” in this handout picture taken on October 19, 2020, provided by Netflix Korea. (Netflix Korea/Handout via Reuters)

A hit Netflix series is reigniting a debate in South Korea over the country’s massive military, its history of abuse scandals, and the mandatory conscription that fills its ranks with young men.

“D.P.”, short for Deserter Pursuit, has been among the top Netflix shows in South Korea since it premiered at the end of August.

The series follows military police assigned to capture deserters, shining a light on daily life for many conscripts, including mental and physical abuse from other soldiers.

Director Han Jun-hee said he sought to tell a humanizing story about how the system makes deserters both victims and criminals, as well as the toll it takes on those forced to do the hunting.

“‘D.P’ is a story of tracing a deserter, but at the same time, it is a paradoxical story of looking for someone’s unfortunate son, brother, or lover,” Han told Reuters in an email.

Asked about the popularity of the show, a defense ministry spokesman said that the military environment has changed and that the ministry has tried to stamp out abuse and harsh treatment.

Last week the military announced that even before the series came out, it had planned to do away with the system of having rank-and-file soldiers track down AWOL comrades. That change will go into effect in July 2022.

South Korea maintains an active duty military of 550,000, with 2.7 million troops in reserves, amid decades of tensions with North Korea. All men must serve for up to 21 months, depending on the military branch.

South Korea’s military criminal law punishes desertion by up to 10 years in prison.

The Defense Ministry says abuse and desertion among conscripts are down, largely because of a 2019 decision to allow enlisted soldiers to use cellphones in their barracks.

The ministry declined to confirm the exact number of deserters, but South Korean media reported that 55 cases were reported last year, down from 78 in 2019. Military deaths by suicide also dropped from 27 to 15 in the same period.

Heated debate
The series landed as the country debates the future of conscription and the potential for abuse, particularly as young men facing dim economic prospects have complained of losing time to military service that they could have spent on studies or work.

In 2018 a Supreme Court ruling for the first time found that conscientious objection is a valid reason to forgo military service. Parliament last year passed a bill allowing K-Pop stars to postpone their military service to when they are 30.

The military has been rocked by multiple sexual abuse scandals this year, prompting lawmakers to pass a law that sex abuse and violent crime in the military will be handled by civilian courts.

Reaction to the series among former conscripts has been mixed, with some saying it mirrored their experiences, others saying its depictions of abuse are overblown, and some avoiding the show altogether to prevent traumatic memories from resurfacing.

“There is a scene in D.P. where they throw combat boots (at the soldier). I went through a lot of similar harassments,” said Ma Joon-bin, who described his time between 2013 and 2014 as the “dark ages.” “Now that I look back I feel it was unfair, but back then it was so common.”

Lee Jun-tae, 24, who served from 2017 to 2019, said he had never experienced or heard of any of his friends suffering abuse during their service.

“There was no harsh treatment during my time,” he said.

Last week the presidential favorite for the ruling party, Lee Jae-myung, called the stories in the series a “barbaric history” of South Korea. Hong Joon-pyo, an opposition party candidate, has said he endured cruelty as a soldier and pledged to consider moving to voluntary military service.

Ending conscription won’t solve all the problems if broader military culture doesn’t change as well, said pop culture critic Kim Hern-sik, who served as a D.P.

“As long as there is military service, whether mandatory or voluntary conscription system, problems are inevitable one way or another,” Kim said.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."