French Luxury Brand Saint Laurent Goes Fur-Free

The end of fur at Saint Laurent. ALAIN JOCARD AFP/File
The end of fur at Saint Laurent. ALAIN JOCARD AFP/File
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French Luxury Brand Saint Laurent Goes Fur-Free

The end of fur at Saint Laurent. ALAIN JOCARD AFP/File
The end of fur at Saint Laurent. ALAIN JOCARD AFP/File

French high-end fashion brand Saint Laurent will stop using fur in its collections from next year, its parent company Kering said on Friday, joining a growing list of global companies.

Kering brand Brioni will also forsake fur, the company said, making all the fashion group's houses fur-free.

Animal rights groups have long lobbied the global fashion industry to give up fur and several, including Versace, Chanel and Michael Kors, had already stopped using it, said AFP.

People for the Ethical Treatment of Animals (PETA) took the lead in protesting against Saint Laurent, demonstrating outside its store in the fashionable Avenue Montaigne in Paris this year after supermodel Kate Moss appeared in an advertising campaign for the brand wearing a fox coat.

"There is nothing glamorous about fur," PETA told Saint Laurent.

Within the Kering group, Gucci was the first to drop fur in 2017, followed by Balenciaga, Bottega Veneta et Alexander McQueen.

"The world has changed, along with our clients, and luxury naturally needs to adapt to that," Kering CEO François-Henri Pinault said in a statement.

Kering would be entirely fur-free from the Fall 2022 collections.

On Friday, among the fur items still available in Saint Laurent's webstore were a rabbit coat priced at 5,500 euros ($6,450), a sleeveless fox vest for the same price, and a pair of mink mules for 995 euros.

"We believe that killing animals not to eat them but only for their fur doesn't correspond to modern luxury which must be ethical, in sync with its times and the questions of our societies," Marie-Claire Daveu, head of sustainable development at Kering, told AFP.

LVMH, the world's largest luxury group and Kering rival, meanwhile told AFP that it continued to allow its brands to meet customer demand for fur products.

These were being made "in the most ethical and responsible way possible", LVMH said, adding that it had banned all fur from endangered species.

According to PETA, 85 percent of fur sold in the world originates from animals who live their entire lives in captivity, often in conditions "of misery" and "extreme suffering".

They are usually killed by poison gas, electrocution or beaten to death with clubs, it said.

The international fur trade is estimated to be worth several tens of billions of dollars annually, employing around one million people worldwide.



Dolce & Gabbana Evoke the Dolce Vita during Milan Fashion Week

A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER
A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER
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Dolce & Gabbana Evoke the Dolce Vita during Milan Fashion Week

A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER
A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER

To bling, or not to bling is the eternal question at Dolce & Gabbana — and the designing duo had it both ways Saturday during the Milan Fashion Week menswear preview for the next cold weather season.
The elegant show invitation in winter-neutral Burgundy — suggested an understated collection and the runway silhouette was loose and effortless. Emblazoned with the word paparazzi, there was also a hint of look-at-me flash.
Evoking the Dolce Vita Domenico Dolce and Stefano Gabbana's collection for Fall/Winter 2025 evoked the Dolce Vita of easy men’s dressing with two moods: pulled-together daytime casual and red (or make that burgundy) carpet/evening formalwear.
Denim jeans provided the clean canvas for statement outerwear: star-sized faux fur jackets, a leather bomber-trench combo and a long leopard coat. Knitwear with loose cargo pants were easy to wear, functional and contemporary. Except for a bright sequined jacket, the colors palette was timelessly and reassuringly neutral.
The essence of the daywear was distilled in a dark tank top worn with loose tweed trousers and matching cap, and a tech-bro gray T-shirt secured with double-belted trousers.
For evening or formal events, elegant suiting incorporating cummerbunds, tasseled silk scarves and wide lapels were accented with crystal brooches, all the better to glisten as two risers of paparazzi snapped from the runway.
Trend Watch Watch for high-neck faux fur dickies, fastened with silken ribbons for extra warmth and luxury. Bow ties and brooches finishing suits — because why choose? Low-soled sneakers and mid-calf biker boots finish the looks. Capacious soft bags in high-end leathers suggest someplace to go. Key fobs on belt loops, reminders of home.
Paparazzi on the Inside, Fans on the Outside Risers of flashing paparazzi set the mood inside the designers’ Metropol theater.
Outside, Lucien Laviscount sprung like a gazelle over barriers and crossed tram tracks in front of the theater to greet cheering fans after the show. The “Emily in Paris” actor wore an elegant double-breasted pinstripe suit with gold neck chains, worthy of his stylish businessman character Alfie, as he signed autographs and snapped selfies.
Just as obliging but not quite as adventurous as the track-crossing Laviscount, South Korean actor Jung Hai-in, wearing a burgundy ensemble, and Thai actor Hirunkit Changkham, in black-and-white diagonally stripped knitwear and Bermuda shorts, also waved to screaming admirers before being driven away.
Front row guests also included James McAvoy, Levi Dylan and Rocco Ritchie.