Superfans Lie Low as China Cracks Down on 'False Idols'

Fans holding cameras wait for celebrities at Beijing’s Capital Airport Jade GAO AFP
Fans holding cameras wait for celebrities at Beijing’s Capital Airport Jade GAO AFP
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Superfans Lie Low as China Cracks Down on 'False Idols'

Fans holding cameras wait for celebrities at Beijing’s Capital Airport Jade GAO AFP
Fans holding cameras wait for celebrities at Beijing’s Capital Airport Jade GAO AFP

Beijing high schooler Chen Zhichu used to spend 30 minutes a day boosting actor Xiao Zhan online as one of a legion of superfans, before the practice fell foul of the government for promoting "unhealthy values".

State regulations last month banned "irrational star-chasing" -- online celebrity rankings, fundraising and other tools used by China's fandoms to get their idols trending on social media -- in the latest of a series of crackdowns across Chinese society.

Known for his androgynous good looks, Xiao earned legions of devoted, mostly female fans through his role in the 2019 fantasy drama The Untamed, and has over 29 million followers on Weibo alone.

"I used to upvote posts in his Weibo fan forum and buy products he promoted," Chen, 16, told AFP in a busy downtown shopping district.

"It was pretty exhausting trying to keep him trending at number one every day."

Fans power China's lucrative idol economy, previously forecast by state media to be worth 140 billion yuan ($21.6 billion) by 2022.

In a country where young people have few other means of influencing public life, full-time fan content creators -- dubbed "zhanjie" or "station sisters" -- can propel a star's rise from obscurity by creating viral images of them.

Critics say fan culture is an exploitative industry aimed at profiting from minors, built on artificially inflated social media engagement -- something the government wants to eliminate through the new regulations.

Authorities say the new rules are needed to curb excessive aspects of fan culture, including cyberbullying, stalking, doxxing and bitter online wars between fandoms.

But many fans say they derive pleasure from seeing their idols flourish and have found a sense of community from the shared online space.

- Morality crackdown -

Communist authorities are also worried about idols for another reason: their ability to mobilize fan armies at a moment's notice, often dominating social media for days.

"It's the beginnings of a mass movement and that is what the government doesn't want," said a social studies professor at a Chinese university who did not wish to be named.

Multiple crackdowns have swept the tech, education and showbiz sectors in recent months, as authorities increasingly target the rich and powerful in a push for greater socioeconomic equality.

But it is also partly to instill "healthy", government-sanctioned societal values in young people, so they are less influenced by wayward celebrities.

"Chinese youth lack other types of idols," said Fang Kecheng, communications professor at the Chinese University of Hong Kong. "It's very hard for them to have other means of civic participation (such as activism)."

China's broadcast regulator last month banned performers with "lapsed morals" and "incorrect political views", as well as what it termed "sissy men" -- an androgynous aesthetic popularized by Korean boybands, and imitated by male Chinese idols like Xiao.

Experts read the latter as a sign of Beijing's increasing discomfort with alternative forms of masculinity at a time of falling birth rates and rising nationalism, as films with macho, military heroes are promoted by the state.

- 'Necessary growth stage' -

For one idol-in-waiting in Shanghai, the crackdown on celebrity culture is a chance for an industry reset.

Regulation "is a growth stage that the industry needs to go through" 26-year-old Li Chengxi told AFP during rehearsals for a reality dance competition filming in Nantong, east China.

Li has been an avid dancer and actress since childhood.

After graduating from the elite Peking University, she tried to make it as an entertainer, starring in a few films and idol talent shows -- a genre now banned by broadcast regulators.

Still, she remains unfazed by the potential for state rules to cramp her progress.

"When huge waves break ashore, the gold left behind will shine even brighter," she said.

Chinese entertainers wanting mainstream success have little choice but to agree with the state, whose disapproval can ultimately sink their careers.

While Li has over 200,000 followers on social media, it's far from viral superstardom.

And for now, Chinese superfans are keeping a low profile both on and offline.

"After this round of clean-ups, there will still be fan activities, but maybe fewer than before," said one Beijing-based fan in her twenties surnamed Geng.

"Everyone's watching and waiting."



Irish Pop Group Westlife on 25 Years, New Music and Tour 

Westlife perform during the annual German film and television awards “Golden Camera” (“Die Goldene Kamera”) of German TV magazine “HoerZu” in Berlin, Germany, March 30, 2019. (Reuters) 
Westlife perform during the annual German film and television awards “Golden Camera” (“Die Goldene Kamera”) of German TV magazine “HoerZu” in Berlin, Germany, March 30, 2019. (Reuters) 
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Irish Pop Group Westlife on 25 Years, New Music and Tour 

Westlife perform during the annual German film and television awards “Golden Camera” (“Die Goldene Kamera”) of German TV magazine “HoerZu” in Berlin, Germany, March 30, 2019. (Reuters) 
Westlife perform during the annual German film and television awards “Golden Camera” (“Die Goldene Kamera”) of German TV magazine “HoerZu” in Berlin, Germany, March 30, 2019. (Reuters) 

Westlife celebrate 25 years with a new album and tour they say will take fans down memory lane as well as treat them to "the best show" the Irish pop group have ever done.

The boy band, formed in 1998 when its original five members were teenagers, has sold more than 55 million records and scored 14 UK No. 1 hits with songs such as "Swear It Again", "Flying Without Wings" and "Uptown Girl".

A foursome since 2004, members Shane Filan, Nicky Byrne, Kian Egan and Mark Feehily parted ways in 2012 before reuniting in 2018.

They released single "Chariot" last month, one of four new songs on upcoming album "25 - The Ultimate Collection", out in February. They also expanded their 2026 "Westlife 25: The Anniversary World Tour", which marks 25 years since their first world tour.

Feehily, who in recent years has suffered health-related issues, is not joining them on tour but features on the album.

In an interview with Reuters, Filan, Egan and Byrne spoke about the tour, recording with Feehily and looking back on 25 years.

Below are excerpts edited for length and clarity.

Q: What can fans expect from the tour?

Filan: “We want to put on our best show we've ever done ... probably picking the setlist is always the hardest part because every fan has a different memory for that song. But it'll be full of hits, obviously, but we're going to elevate it from a kind of visual aspect as well."

Q: What was it like working all together on the album?

Filan: “It was great to have Mark on there. Obviously, he can't tour with us at the moment, he's unable to, but it was very important obviously that he was on the songs and he's singing better than ever ... one of the songs coming out is some of his best vocals ... We can't wait to have him back obviously as well when he's ready."

Q: You recently performed at the Royal Albert Hall. What was that like?

Byrne: “It just felt like an event ... the Oscars meets a brilliant wedding and we were on fire ... And now it's like, ‘Wow, did that just happen?’ We're tired today, but by next Saturday we'll be going ‘Right lads, how do we do this again? Where could we go next?’ And the truth is, who knows? Can it be ... Madison Square Garden? Can it be the Sphere? There are no rules."

Q: How does the success you imagined in those early days compare to the reality?

Egan: “I don't think any of us would have ever been able to say to our young selves ‘This is what you're going to be doing when you're 45 ... We like to think we're normal guys ... yes, we're in this big pop act and we travel around the world ... but we go home and we live quite normal lives ... We’ll be back to taking the bins out tomorrow.”


'Wild at Heart' actress Diane Ladd Dies at 89

Actress Laura Dern (L) has announced the death of her mother, Oscar-nominated actress Diane Ladd (R). KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
Actress Laura Dern (L) has announced the death of her mother, Oscar-nominated actress Diane Ladd (R). KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
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'Wild at Heart' actress Diane Ladd Dies at 89

Actress Laura Dern (L) has announced the death of her mother, Oscar-nominated actress Diane Ladd (R). KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
Actress Laura Dern (L) has announced the death of her mother, Oscar-nominated actress Diane Ladd (R). KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File

Diane Ladd, the Oscar-nominated "Wild at Heart" actress and mother of Laura Dern, died Monday. She was 89.

In a career spanning eight decades, Ladd was nominated for the best supporting actress Academy Award three times: in Martin Scorsese's "Alice Doesn't Live Here Anymore," David Lynch's "Wild at Heart," and "Rambling Rose."

The news of Ladd's death was announced by Dern, Ladd's Oscar-winning actress daughter from her first marriage to Bruce Dern.

"My amazing hero and my profound gift of a mother passed with me beside her this morning at her home in Ojai, California," Laura Dern wrote in a statement to The Hollywood Reporter.

Born in Mississippi in 1935, Southern belle Ladd appeared in many television and stage shows before Scorsese gave her a breakout role as a sassy waitress in 1974's "Alice Doesn't Live Here Anymore."

Lynch cast Ladd to play the murderous, vengeful mother of Dern's Lula in his surreal, Cannes Palme d'Or-winning black comedy "Wild At Heart" in 1990.

Ladd once again shared the screen with her daughter in the following year's "Rambling Rose," a period drama set in the Deep South during the Great Depression.

Ladd's other film credits included "Chinatown" and "Inland Empire."

"She was the greatest daughter, mother, grandmother, actress, artist and empathetic spirit that only dreams could have seemingly created," wrote Dern.

"We were blessed to have her. She is flying with her angels now."

No cause of death was provided.


Ready for It? Swifties Swarm German Museum to See Ophelia Painting

The German museum has the painting thought to have inspired the video for Taylor Swift's hit single "The Fate of Ophelia". Kirill KUDRYAVTSEV / AFP
The German museum has the painting thought to have inspired the video for Taylor Swift's hit single "The Fate of Ophelia". Kirill KUDRYAVTSEV / AFP
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Ready for It? Swifties Swarm German Museum to See Ophelia Painting

The German museum has the painting thought to have inspired the video for Taylor Swift's hit single "The Fate of Ophelia". Kirill KUDRYAVTSEV / AFP
The German museum has the painting thought to have inspired the video for Taylor Swift's hit single "The Fate of Ophelia". Kirill KUDRYAVTSEV / AFP

Taylor Swift fans sang and danced Sunday to her new hit "The Fate of Ophelia" at a German museum exhibiting a painting thought to have inspired the video for the chart-topper.

Some came as Ophelia, in white dresses with flowers in their hair, while others donned sparkly outfits like those often worn by Swift, as they descended on the western town of Wiesbaden, AFP said.

They were attending a special event to see the painting by artist Friedrich Heyser, which shows Ophelia, a character in Shakespeare's Hamlet, in a white dress floating in a river among flowers before her death.

At the start of the music video for "The Fate of Ophelia", from her latest album, "The Life of a Showgirl," Swift appears in what seems to be a mock-up of the work, lying in a white dress -- before the painting comes alive, and she begins to sing.

Since the single's release last month, the Wiesbaden museum has been flooded with Swift fans seeking to get a glimpse of the work.

"It's incredible that this picture, which inspired Taylor Swift, is hanging here in Wiesbaden," Corinna Greiner, a 47-year-old office worker attending Sunday's event with her daughter, told AFP.

"When I found out, I was simply overwhelmed."

About 200 Swift fans flocked to the sold-out event, which started with a lecture from one of the museum's experts about the painting.

"The Fate of Ophelia" was then blasted from speakers, and the fans got to their feet to dance in front of Heyer's painting, before lining up to snap selfies with it.

'Great atmosphere'

"I really love art, and I wanted to see the connection between the Ophelia painting and Taylor Swift in real life," Isabelle Bastian, a 26-year-old student who was attending the event, told AFP.

"The atmosphere is great -- it's like a mini-concert."

Heyser is thought to have completed the work featuring Ophelia -- a noblewoman from Denmark in Shakespeare's play, who goes mad and drowns -- in around 1900.

It has been in the Wiesbaden museum's collection since 2019. But the museum had no idea it was going to feature in Swift's video until their social media channels lit up after the release of "The Fate of Ophelia" in October.

"We were very surprised," museum director Andreas Henning told AFP.

"We had no idea that Taylor Swift would choose this painting, and we had no inkling of what that would mean.

"The Swifties are coming from Germany, France, and England -- it's a big phenomenon."

The museum has not heard from Swift or her management about the link between her hit, which is the lead single from her album "The Life of a Showgirl", and Heyser's painting.

But fans are keen for her to pay a visit.

"Taylor, come to Wiesbaden!" they chanted in unison at the end of Sunday's event.