UAE to Launch Probe Targeting Asteroid Between Mars, Jupiter

UAE to Launch Probe Targeting Asteroid Between Mars, Jupiter
TT
20

UAE to Launch Probe Targeting Asteroid Between Mars, Jupiter

UAE to Launch Probe Targeting Asteroid Between Mars, Jupiter

The United Arab Emirates on Tuesday announced plans to send a probe to land on an asteroid between Mars and Jupiter to collect data on the origins of the universe, the latest project in the oil-rich federation's ambitious space program.

The project targets a 2028 launch with a landing in 2033, a five-year journey in which the spacecraft will travel some 3.6 billion kilometers (2.2 billion miles).

The UAE's Space Agency said it will partner with the Laboratory for Atmospheric Science and Physics at the University of Colorado on the project. It declined to immediately offer a cost for the effort, according to The Associated Press.

The project comes after the Emirates successfully put its Amal, or “Hope,” probe in orbit around Mars in February.

The car-size Amal cost $200 million to build and launch. That excludes operating costs at Mars.

The Emirates plans to send an unmanned spacecraft to the moon in 2024. The country, which is home to Abu Dhabi and Dubai, also has set the ambitious goal to build a human colony on Mars by 2117.



Dreams and Nightmares Exhibit at World’s Oldest Psychiatric Hospital

Between Sleeping and Waking: Hospital Dreams and Visions is at the Bethlem Museum of the Mind in Beckenham, London, from 14 August (Bethlem Museum of the Mind)
Between Sleeping and Waking: Hospital Dreams and Visions is at the Bethlem Museum of the Mind in Beckenham, London, from 14 August (Bethlem Museum of the Mind)
TT
20

Dreams and Nightmares Exhibit at World’s Oldest Psychiatric Hospital

Between Sleeping and Waking: Hospital Dreams and Visions is at the Bethlem Museum of the Mind in Beckenham, London, from 14 August (Bethlem Museum of the Mind)
Between Sleeping and Waking: Hospital Dreams and Visions is at the Bethlem Museum of the Mind in Beckenham, London, from 14 August (Bethlem Museum of the Mind)

A new exhibition featuring artwork and poems from contemporary artists and former patients will go on show at the world’s oldest psychiatric hospital, Bethlem, in London, the Guardian newspaper said on Monday.

The vivid dream that vanishes on waking but fragments of which remain tantalizingly out of reach all day. Powerful emotions – tears, terror, ecstasy, despair – caused not by real events, but by the brain’s activity between sleeping and waking.

“Dreams and nightmares have long been studied by psychologists,” the newspaper wrote.

Now they are the subject of a new exhibition featuring several artists that were patients at the world’s oldest psychiatric hospital, Bethlem (sometimes known as Bedlam), and its sister institution, the Maudsley hospital.

The exhibit includes paintings by Charlotte Johnson Wahl, the late mother of Boris Johnson, who spent eight months as a patient at the Maudsley after a breakdown when her four children were aged between two and nine.

She created dozens of paintings while there, and held her first exhibition which sold out. “I couldn’t talk about my problems, but I could paint them,” she said later.

Two of Johnson Wahl’s paintings are included in the exhibition, Between Sleeping and Waking: Hospital Dreams and Visions, which opens at the Bethlem Museum of the Mind in August.

The centerpiece of the show is a huge installation, Night Tides, by contemporary artist Kate McDonnell. She uses swathes of bedding woven with disordered words to evoke the restlessness and clashing thoughts of insomnia.

According to Caroline Horton, professor of sleep and cognition and director of DrEAMSLab at Bishop Grosseteste university in Lincoln, “dreaming occurs during sleep, and sleep is essential for all aspects of mental and physical health.

Among other works featured in the exhibition is London’s Overthrow by Jonathan Martin, an arsonist held in the “criminal lunatic department” of Bethlem hospital from 1829 until his death in 1838. In 2012, the Guardian described it as a “mad pen-and-ink depiction of the capital’s destruction due to godlessness”.