Director Villeneuve Hopes to Win over Fans Old and New with 'Dune' Film

Actor Actor Timothee Chalamet and director Denis Villeneuve at the 78th Venice Film Festival. (Reuters)
Actor Actor Timothee Chalamet and director Denis Villeneuve at the 78th Venice Film Festival. (Reuters)
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Director Villeneuve Hopes to Win over Fans Old and New with 'Dune' Film

Actor Actor Timothee Chalamet and director Denis Villeneuve at the 78th Venice Film Festival. (Reuters)
Actor Actor Timothee Chalamet and director Denis Villeneuve at the 78th Venice Film Festival. (Reuters)

Denis Villeneuve hopes to win over fans of Frank Herbert's epic 1965 science fiction novel "Dune" as well as introduce new ones to the story with his mammoth movie adaptation, the most challenging production of the Canadian director's career.

Timothee Chalamet and Zendaya star in the hotly anticipated film, which hits US and UK cinemas later this month and follows past attempts to take Herbert's 400-page book to the silver screen.

Set in the future where noble families rule planetary fiefs, the story follows Paul Atreides (Chalamet), whose father takes on the stewardship of planet Arrakis, known as Dune to its native Fremen people and contested for its unique spice commodity found in its inhospitable desert.

"It was by far the most challenging thing I've done in my life," Villeneuve, known for "Blade Runner 2049" and "Sicario", told Reuters.

"I had to find an equilibrium between the people who had read the book ... I wanted them to really feel that it was a profound homage to the spirit of the book. At the same time, I wanted people who knew nothing about the book to feel welcome in the world, not left aside."

The two-and-a-half-hour movie, described as part one of the story, is Chalamet's biggest project to date, something he says helped him relate to character Paul overcoming his fears.

"(I've) never been on a project of this size before," Chalamet said. "Sometimes the things you're feeling on set can bleed into the natural arc or progression of a story."

Villeneuve's "Dune" follows Alejandro Jodorowsky's unsuccessful attempt in the mid-1970s and David Lynch's critically-panned 1984 version.

With sweeping landscapes and dark mood, critics have lauded this film as a visual spectacle in reviews.

"It's a book that's been the source material for a lot of bigger ideas like 'Star Wars'," actor Josh Brolin, who plays weapons master Gurney, said.

"The movie's been done in different eras with different technological possibilities. And now we're in an era that's so technologically advanced we're able to see that version of it."

Javier Bardem, who plays Fremen tribe leader Stilgar, said the mood on set was relaxed.

"I never felt that pressure on (Villeneuve) when he was working with us," he said. "It's a huge one, and I wouldn't be able to hold it myself and have the humor, the joy and the attitude that he had on set."

Villeneuve said it was too early to talk about part two but Zendaya hopes her character Chani, who appears in Paul's visions, will be further explored.

"Anyone who's familiar with the books (knows) there’s so much to dive into and there's so much still to come," she said.

"It truly is only the beginning. So I do hope that we get to stay with these characters for a little bit longer."



‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
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‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)

“Venom: The Last Dance” showed less bite than expected at the box office, collecting $51 million in its opening weekend, according to studio estimates Sunday, significantly down from the alien symbiote franchise’s previous entries.

Projections for the third “Venom” film from Sony Pictures had been closer to $65 million. More concerning, though, was the drop off from the first two “Venom” films. The 2018 original debuted with $80.2 million, while the 2021 follow-up, “Venom: Let There Be Carnage,” opened with $90 million even as theaters were still in recovery mode during the pandemic.

“The Last Dance,” starring Tom Hardy as a journalist who shares his body with an alien entity also voiced by Hardy, could still turn a profit for Sony. Its production budget, not accounting for promotion and marketing, was about $120 million — significantly less than most comic-book films.

But “The Last Dance” is also performing better overseas. Internationally, “Venom: The Last Dance” collected $124 million over the weekend, including $46 million over five days of release in China. That’s good enough for one of the best international weekends of the year for a Hollywood release.

Still, neither reviews (36% fresh on Rotten Tomatoes) nor audience scores (a franchise-low “B-” CinemaScore) have been good for the film scripted by Kelly Marcel and Hardy, and directed by Marcel.

The low weekend for “Venom: The Last Dance” also likely ensures that superhero films will see their lowest-grossing year in a dozen years, not counting the pandemic year of 2020, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

Following on the heels of the “Joker: Folie à Deux” flop, Gross estimates that 2024 superhero films will gross about $2.25 billion worldwide. The only upcoming entry is Marvel’s “Kraven the Hunter,” due out Dec. 13.

Even with the $1.3 billion of “Deadpool & Wolverine,” the genre hasn’t, overall, been dominating the way it once did. In 2018, for example, superhero films accounted for more than $7 billion in global ticket sales.

Last week’s top film, the Paramount Pictures horror sequel “Smile 2,” dropped to second place with $9.4 million. That brings its two-week total to $83.7 million worldwide.

The weekend’s biggest success story might have been “Conclave,” the papal thriller starring Ralph Fiennes and directed by Edward Berger (“All Quiet on the Western Front”). The Focus Features release, a major Oscar contender, launched with $6.5 million in 1,753 theaters.

That put “Conclave” into third place, making it the rare adult-oriented drama to make a mark theatrically. Some 77% of ticket buyers were over the age of 35, Focus said. With a strong opening and stellar reviews, “Conclave” could continue to gather momentum both with moviegoers and Oscar voters.