German Museum Repurchases Camille Pissarro Painting Looted by Nazis

Gallery assistants pose with an artwork entitled Gelee Blanche,
Jeune Paysanne Faisant Du Feu by Danish-French artist Camille Pissarro
at Sotheby's Galleries in central London on January 29. Photo: AFP
Gallery assistants pose with an artwork entitled Gelee Blanche, Jeune Paysanne Faisant Du Feu by Danish-French artist Camille Pissarro at Sotheby's Galleries in central London on January 29. Photo: AFP
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German Museum Repurchases Camille Pissarro Painting Looted by Nazis

Gallery assistants pose with an artwork entitled Gelee Blanche,
Jeune Paysanne Faisant Du Feu by Danish-French artist Camille Pissarro
at Sotheby's Galleries in central London on January 29. Photo: AFP
Gallery assistants pose with an artwork entitled Gelee Blanche, Jeune Paysanne Faisant Du Feu by Danish-French artist Camille Pissarro at Sotheby's Galleries in central London on January 29. Photo: AFP

Berlin's Alte Nationalgalerie museum on Monday handed back and repurchased a painting by French Impressionist Camille Pissarro looted by the Nazis during the World War II from the collection of a Jewish lawyer, according to AFP.

Representatives of the lawyer Armand Dorville family signed an agreement for the museum to return and buy back "Une Place a la Roche-Guyon" ("A Square in La Roche Guyon"), part of the Berlin institution's permanent collection.

"I am very grateful to Armand Dorville's heirs for making it possible for us to purchase the work for the Alte Nationalgalerie and for coming to Berlin especially for this purpose," said Hermann Parzinger, president of the Prussian Cultural Heritage Foundation (SPK).

He did not reveal how much the museum had paid for the painting but said the family wanted it to remain on public display. Painted in 1867, "A Square in La Roche Guyon" was acquired by Armand Dorville in Paris in 1928. After moving to the south of France, Dorville died in 1941 and his collection was distributed to museums and private collectors.

The family was unable to flee occupied France and most members were killed by the Nazis, who occupied the country from 1940-1944. Several close relatives of Dorville's brother Charles perished at Auschwitz. The Alte Nationalgalerie acquired "A Square in La Roche Guyon" from a London gallery in 1961.

The Nazis stole thousands of artworks from Jewish families during World War II and their restitution has been a slow process, involving legal battles and complex searches.



World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
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World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA

Noor Riyadh, the world’s largest light art festival and a flagship program of Riyadh Art, concluded its successful fourth edition, welcoming over 3 million spectators and bringing together over 60 artworks by more than 60 artists from 18 countries, the Saudi Press Agency (SPA) reported.

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District.

The festival also featured a striking city-scale light installation at Al Faisaliah Tower, transforming Riyadh into a luminous celebration of art and innovation. This year’s festival brought together 18 Saudi and 43 international artists with site-specific and newly commissioned artworks.

Exceptional installations included Chris Levine’s Higher Power, a city-scale laser projection atop Al Faisaliah Tower; Maryam Tariq’s Shifting Perspectives, which explored perceptual ambiguity at Digital City; and Aether by United Visual Artists, a dazzling drone show at King Abdulaziz Historical Center. Another standout work, Rashed AlShashai’s The Fifth Pyramid, symbolized Riyadh’s cultural transformation.

Architect Khalid Al-Hazani, the executive director of Riyadh Art, bid farewell to the festival, saying: “Noor Riyadh 2024 celebrated humanity’s connection to the stars, sparking inspiration and dialogue through the universal language of art. We look forward to continuing Riyadh’s journey of cultural transformation.”
As for Noor Riyadh festival director Nouf Almoneef, he said: “Once again, this year’s festival united local and international artists for a truly world-class festival.”

“I extend my deepest gratitude to the incredible team -- our staff, volunteers, and partners for their exceptional efforts and collaboration, as well as to the millions of spectators whose engagement made this festival unforgettable,” SPA quoted him as saying.

As part of the community engagement program, which attracted over 52,000 participants, Noor Riyadh organized a variety of activities designed to inspire and connect with the community. These included engaging talks, insightful discussions, interactive workshops, creative experiences, family-friendly activities, and guided tours that enriched the festival experience for visitors.

The seamless execution of these activities was made possible by a dedicated team comprising curators, artists, art explainers, tour guides, and installation crews, ensuring every participant enjoyed a memorable experience.