‘Red Light, Green Light’: ‘Squid Game’ Doll at Seoul Park Draws Fans

A couple takes a selfie with a giant doll named “Younghee” from Netflix series “Squid Game” on display at a park in Seoul, South Korea, October 26, 2021. (Reuters)
A couple takes a selfie with a giant doll named “Younghee” from Netflix series “Squid Game” on display at a park in Seoul, South Korea, October 26, 2021. (Reuters)
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‘Red Light, Green Light’: ‘Squid Game’ Doll at Seoul Park Draws Fans

A couple takes a selfie with a giant doll named “Younghee” from Netflix series “Squid Game” on display at a park in Seoul, South Korea, October 26, 2021. (Reuters)
A couple takes a selfie with a giant doll named “Younghee” from Netflix series “Squid Game” on display at a park in Seoul, South Korea, October 26, 2021. (Reuters)

An imitation of a giant doll featuring in South Korean survival drama “Squid Game” was launched this week at a Seoul park, giving fans and curious onlookers a chance to experience a bit of what it feels like being on Netflix’s mega hit show.

Younghee, a four-meter-tall doll dressed in orange and yellow, was set up at the Seoul Olympic Park on Monday, Netflix’s representative told Reuters.

Visitors to the park on Tuesday played the Korean traditional game “mugunghwa ggoti pieotseubnida” to music, meaning mugunghwa (flower) has bloomed, equivalent to the “Red Light, Green Light” game in the show.

“I really wanted to know how it feels to be in the game. It’s like we are on the game, hearing the music and seeing this doll,” Seoul resident from the Philippines, Sung Hye-jin, said, standing in front of the doll.

From toddlers to adults to even dogs, some park visitors were seen wearing green tracksuits with number tag “456”, similar to the outfits of show’s main character.

"I really enjoyed the show, so came here wearing this costume for Halloween,” said South Korean resident Ko Dae-hwan, dressed in green.

“Squid Game” has been watched by 142 million households since its September 17 debut, helping Netflix add 4.38 million new subscribers.

The doll is planned to be displayed at the park until Nov. 21, according to a park official.



‘Lilo & Stitch’ Passes ‘Sinners’ to Become 2nd Highest Grossing Film of 2025

Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
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‘Lilo & Stitch’ Passes ‘Sinners’ to Become 2nd Highest Grossing Film of 2025

Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)

“Lilo & Stich” and “Mission: Impossible—The Final Reckoning” dominated the box office charts again after fueling a record-breaking Memorial Day weekend. Theaters in the US and Canada had several new films to offer this weekend as well, including Sony’s family friendly “Karate Kid: Legends” and the A24 horror movie “Bring Her Back.” According to studio estimates Sunday, it added up to a robust $145 million post-holiday weekend that’s up over 115% from the same timeframe last year.

Disney’s live-action hybrid “Lilo & Stitch” took first place again with $63 million from 4,410 locations in North America. It was enough to pass “Sinners” to become the second-highest grossing movie of the year with $280.1 million in domestic ticket sales. Globally, it's running total is $610.8 million. “Sinners,” meanwhile, is still going strong in its seventh weekend with another $5.2 million, bumping it to $267.1 million domestically and $350.1 million globally.

The eighth “Mission: Impossible” movie also repeated in second place, with $27.3 million from 3,861 locations. As with “Lilo & Stitch,” that's down 57% from its opening. With $122.6 million in domestic tickets sold, it’s performing in line with the two previous installments. But with a reported production budget of $400 million, profitability is a ways off. Internationally, it added $76.1 million (including $25.2 million from China where it just opened), bringing its global total to $353.8 million.

Leading the newcomers was Sony’s “Karate Kid: Legends,” with an estimated $21 million from 3,809 locations. The movie brings Jackie Chan and Ralph Macchio together to train a new kid, the kung fu prodigy Li Fong (Ben Wang). Chan starred in a 2010 reboot of the 1984 original, while Macchio has found a new generation of fans in the series “Cobra Kai,” which just concluded a six-season run.

Reviews might have been mixed, but opening weekend audiences gave the PG-13 rated film a strong A- CinemaScore and 4.5 stars on PostTrak. It also only cost a reported $45 million to produce and has several weeks until a new family-friendly film arrives.

Fourth place went “Final Destination: Bloodlines,” which earned $10.8 million in its third weekend. The movie is the highest-grossing in the franchise, not accounting for inflation, with $229.3 million globally.

The weekend’s other big newcomer, “Bring Her Back” rounded out the top five with $7.1 million from 2,449 screens. Starring Sally Hawkins as a foster mother with some disturbing plans, the film is the sophomore feature of twin filmmakers Danny and Michael Philippou, who made the 2023 horror breakout “Talk to Me.” It earned a rare-for-horror B+ CinemaScore and is essentially the only new film in the genre until “28 Years Later” opens on June 20.

A new Wes Anderson movie, “The Phoenician Scheme,” also debuted in New York and Los Angeles this weekend, where it made $270,000. It expands nationwide next weekend.

The summer box office forecast remains promising, though there’s a long way to go to get to the $4 billion target (a pre-pandemic norm that only the “Barbenheimer” summer has surpassed). The month of May is expected to close out with $973 million – up 75% from May 2024, according to data from Comscore.