Foreign Film Thriving in Pandemic, Says Michael Mann

US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP
US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP
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Foreign Film Thriving in Pandemic, Says Michael Mann

US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP
US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP

The growth of streaming and binge-watching during the pandemic have switched more audiences onto foreign cinema, veteran director Michael Mann said Monday at the launch of Hollywood's French film festival.

"Heat" and "The Last of the Mohicans" director Mann was speaking at the 25th anniversary opening night of COLCOA, which celebrates French movies in Los Angeles, but was canceled last year due to Covid-19.

This year's edition is somewhat scaled back, in part as a ban on European travelers imposed at the start of the pandemic remains in place until next week. But COLCOA still boasts a field of 55 movies and series designed to showcase the best in Gallic cinema, AFP reported.

It opened Monday with "Between Two Worlds," in which Oscar-winner Juliette Binoche -- alongside a largely non-professional cast -- goes undercover to expose the insecurity of the gig economy.

"I think the combination of streaming and Covid, where people spend so much time watching video on-demand and streaming, has opened up the whole world of cinema in a really terrific way," Mann told AFP on the red carpet.

The debut earlier this year of French-language TV mystery "Lupin" became Netflix's third most-watched season. Even that was recently dwarfed by the success of South Korea's "Squid Game," watched by 111 million accounts less than a month after its September release.

Thanks to a new generation of filmmakers and streaming platforms, "there is a way to consume, to discover and to be interested in different genres, and so effectively the American public is opening up to the world," said COLCOA festival director Francois Truffart.

In a year that also saw French television shows such as "Call My Agent" gain global fans, COLCOA is putting increased emphasis on series such as Emile Zola adaptation "Germinal," and Julie Delpy's middle-age comedy "On The Verge."

Films include "Lost Illusions," adaptated from Honore de Balzac's novel, and "Onoda: 10,000 Nights in the Jungle," about a Japanese soldier who refuses to believe World War II has ended and fights on for decades.

COLCOA, which stands for "City of Lights, City of Angels" -- the nicknames of Paris and Los Angeles, respectively -- runs until Sunday.



'Sonic 3' and 'Mufasa' Battle for No. 1 at the Holiday Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
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'Sonic 3' and 'Mufasa' Battle for No. 1 at the Holiday Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)

Two family films dominated the holiday box office this week, with "Sonic the Hedgehog 3" winning the three-day weekend over "Mufasa" by a blue hair.

Paramount's Sonic movie earned $38 million, while "Mufasa" brought in $37.1 million from theaters in the US and Canada, according to studio estimates Sunday. On a normal weekend counting Friday, Saturday and Sunday ticket purchases, the winner would be somewhat clear.

But when the Christmas holiday falls on a Wednesday as it did this year, the studios look at two sets of numbers: The five-day earnings and the three-day weekend earnings. With the five-day tally, The Walt Disney Co.'s "Mufasa" had the edge, bringing in $63.8 million.

It all adds up to a rather robust theatrical landscape, helped by the continued success of "Wicked" and "Moana 2," which are on their sixth and fifth weekends, respectively.

The vampire horror "Nosferatu" also debuted fairly triumphantly. Robert Eggers' modern reimagining of a 1922 silent film starring Nicholas Hoult and Lily-Rose Depp rose to the top of a starry batch of Christmas Day newcomers, which included the Bob Dylan biopic "A Complete Unknown," with Timothée Chalamet; the drama "Babygirl" with Nicole Kidman; and "The Fire Inside," about boxer Claressa Shields.

"Nosferatu" landed in third place with $21.2 million from the weekend and $40.3 million from its first five days. Not accounting for inflation, it had the best Christmas Day opening ever for a genre film, with $11.6 million (besting "The Faculty's" $4.4 million in 1998). Focus Features released the R-rated film in 2,992 theaters.

It was a gamble to open "Nosferatu" on Christmas, when family films or all-ages blockbusters tend to be prioritized. But it paid off, attracting the coveted 18 to 34-year-old demographic to theaters.

"It was a risky move, but we knew that we had such a great film," said Lisa Bunnell, who leads distribution for Focus Features. "A lot of people thought we were insane. But I think the more that people thought we were crazy, the more we all felt like it was the right thing to do."

The response to the unconventional counter-programming was gratifying. The sarcophagus-inspired popcorn buckets are even reselling for over $100.

"People keep talking about 'how do we get people back into the movies?' I think the only way you can get people to go back is to shake it up," Bunnell said. "You don't just spoon feed them the same things over and over again."

The Bob Dylan movie, directed by James Mangold, also got off to a bright start with $11.6 million over the weekend and $23.2 million since Christmas. The 5-day total is a record for Searchlight Pictures since Disney acquired the company in early 2019. It's been well received by both critics (96% on Rotten Tomatoes) and audiences (A on CinemaScore) and will likely get more of a boost from the awards race.

"Babygirl," an A24 release from filmmaker Halina Reijn, played on 2115 screens, earning $4.4 million over the weekend and $7.2 million since Christmas. The film stars Kidman as a married, buttoned-up CEO who begins an affair with a young intern at the company, played by Harris Dickinson. Kidman won the best acting prize for her performance at the Venice Film Festival.

"The Fire Inside," from Amazon MGM Studios, meanwhile got a bit lost in the mix despite strong reviews. It has earned a total of $4.3 million, with $2 million coming from weekend showings where it played in 2006 theaters.

Thanksgiving releases continued to perform well through the Christmas timeframe. Fourth place went to "Wicked," which earned another $19.5 million, bringing its domestic total to $424.2 million. On Tuesday, the lavish movie musical will also be available to rent or purchase at home. It's a move that has drawn some critics who believe making it available at home after only 40 days in theaters will cannibalize profits.

"Moana 2" rounded out the top five films this weekend with $18.2 million. The Disney movie has made $882.5 million globally and is closing in on $400 million domestically.

Christmas Day itself was massive for the industry, with $61 million in ticket sales. Thursday was nearly as big, with $50 million.

"Every day was like Saturday at the box office because of the way the holidays lined up," said Paul Dergarabedian, Comscore's senior media analyst.

Comscore is projecting that the year will net out with about $8.75 billion in domestic box office receipts. That's down about 3.3% from last year, which cracked $9 billion, and the pre-pandemic normal of $11 billion.