It's 'Yesterday Once More' as Richard Carpenter Recalls 1970s Pop Duo

Musician and song writer Richard Carpenter poses for a portrait at his home in Westlake Village, California, US, September 10, 2021. Picture taken September 10, 2021. (Reuters)
Musician and song writer Richard Carpenter poses for a portrait at his home in Westlake Village, California, US, September 10, 2021. Picture taken September 10, 2021. (Reuters)
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It's 'Yesterday Once More' as Richard Carpenter Recalls 1970s Pop Duo

Musician and song writer Richard Carpenter poses for a portrait at his home in Westlake Village, California, US, September 10, 2021. Picture taken September 10, 2021. (Reuters)
Musician and song writer Richard Carpenter poses for a portrait at his home in Westlake Village, California, US, September 10, 2021. Picture taken September 10, 2021. (Reuters)

More than 50 years after "We've Only Just Begun" and "Yesterday Once More," Richard Carpenter is looking back on the California soft pop duo with his sister Karen that ruled the charts but got a rough ride from music critics.

Now he is telling the story his way for the first time in "Carpenters: The Musical Legacy," a book based on hundreds of hours of interviews Richard gave to authors Mike Cidoni Lennox and Chris May. Crammed with photos, posters, programs, reviews and work schedules, it is intended as the definitive story of the 1970s recording stars.

"It covers really from our childhood all the way through our years together, Karen and I, making music, and the legacy. It concentrates more on the music that we made than the personal," said Carpenter from his home near Los Angeles that is packed with gold discs and Carpenters memorabilia.

"Many times, right from the time that Karen and I first hit with 'Close to You,' there was so many beyond nasty, vicious things written about us," said Carpenter, 75, recalling how the music press derided their mellow ballads as square at a time when rock was the dominant force.

After their breakout single "(They Long to Be) Close to You" in 1970, the Carpenters had a run of hits including "Top of the World" and "Rainy Days and Mondays," won three Grammy Awards and had their own TV show. They turned out 10 albums, winning fans as far afield as Japan, Norway and Zimbabwe.

Their career came to a tragic end when Karen died in 1983 of heart failure attributed to complications from anorexia nervosa. She was 32.

Richard Carpenter, who did all the musical arrangements and harmonies, is reluctant to dwell on Karen's death and prefers to focus on her talent.

"She just had a timeless voice, ... Karen was a natural. She didn't have to practice, ... she just sang instantly, impeccably whether it was live or on record," he said. "She was my sister, she was my professional partner, and she was my best friend."

The book will be published on Nov. 16.

It will be followed in January by a new album, "Richard Carpenter's Piano Songbook" in which Carpenter plays classical arrangements on solo piano of some of the duo's hits.

Carpenter, who once had dreams of being a concert pianist but hated practicing, said he was "immensely flattered" to be asked to make the record.



Paramount's New Owners to Increase Film Production, Hang on to Cable Networks

FILE PHOTO: A Paramount logo is shown on the top of a building in Hollywood in Los Angeles, California, US, August 5, 2025. REUTERS/Mike Blake/File Photo
FILE PHOTO: A Paramount logo is shown on the top of a building in Hollywood in Los Angeles, California, US, August 5, 2025. REUTERS/Mike Blake/File Photo
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Paramount's New Owners to Increase Film Production, Hang on to Cable Networks

FILE PHOTO: A Paramount logo is shown on the top of a building in Hollywood in Los Angeles, California, US, August 5, 2025. REUTERS/Mike Blake/File Photo
FILE PHOTO: A Paramount logo is shown on the top of a building in Hollywood in Los Angeles, California, US, August 5, 2025. REUTERS/Mike Blake/File Photo

Paramount Global unveiled plans on Wednesday to retain and develop its stalwart entertainment brands Nickelodeon, MTV, and BET, while sharply increasing feature film production following its $8.4 billion merger with Skydance Media.

"We're thinking about ... the cable networks, not as declining linear assets that we need to spin off or deal with somehow," said President Jeff Shell. "We're thinking of those brands that we have to redefine."

Shell joined Chairman and CEO David Ellison and the rest of the executive team at a media gathering on Wednesday on the Paramount Pictures lot, where they discussed strategy for their film, television, and streaming businesses - as well as emerging technologies such as artificial intelligence.

The press event was held a week after Paramount completed its merger with Skydance Media, installing new leadership at the media company, Reuters reported.

Television Media Chair George Cheeks acknowledged the decline of cable television - "there's no question it's a super challenging business" - but added that the company's cable networks have created iconic franchises that may well thrive in the world of streaming video.

Shell singled out BET, a network focused on Black culture that Paramount previously explored selling, as an important building block of the company's streaming strategy.

Paramount's plans to develop its legacy cable networks come at a time when other media companies are shedding fading cable networks. Warner Bros Discovery and Comcast have announced plans to separate their cable businesses from their studios and streaming operations.

Josh Greenstein, co-chair of Paramount Pictures, said the studio plans to raise annual output, from eight this year to 15 movies "very quickly," with the ultimate goal of releasing 20 films a year.

The coming slate will include new installments of familiar franchises, such as "Star Trek" or "Transformers," as well as original movies, like the newly acquired James Mangold film project, "High Side," starring Timothée Chalamet.

The studio also will seek out family fare, in the vein of "A Night at the Museum" or "The Goonies."

"We love these movies. We all grew up on these movies, and we don't feel like many people are making them," said Dana Goldberg, co-chair of Paramount Pictures.

Ellison said his goal is to transform Paramount into a haven for the most talented filmmakers and sees emerging technologies like artificial intelligence providing a tool to enhance storytelling.

"I also think we have to acknowledge that this is a technology that is evolving, I think, faster than everyone in Hollywood really thinks it is," said Ellison, who is the son of Oracle co-founder Larry Ellison. "When you start putting that in a filmmaker's hands, I think you're seeing another moment that'll be as transformative as when John Lasseter and Steve Jobs built Pixar."