Mexico Fights 'Plagiarism' with Indigenous Fashion Fair

Models present indigenous creations at a fashion fair in Mexico City aimed at tackling alleged cultural appropriation by foreign designers. RODRIGO ARANGUA AFP
Models present indigenous creations at a fashion fair in Mexico City aimed at tackling alleged cultural appropriation by foreign designers. RODRIGO ARANGUA AFP
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Mexico Fights 'Plagiarism' with Indigenous Fashion Fair

Models present indigenous creations at a fashion fair in Mexico City aimed at tackling alleged cultural appropriation by foreign designers. RODRIGO ARANGUA AFP
Models present indigenous creations at a fashion fair in Mexico City aimed at tackling alleged cultural appropriation by foreign designers. RODRIGO ARANGUA AFP

Mexico is fighting back against what it calls the plagiarism of indigenous textiles, bringing together traditional artisans and international designers for dialogue aimed at creating a more equitable fashion industry.

Dozens of indigenous weavers and other artisans are gathering this weekend at the Los Pinos former presidential residence in Mexico City for the "Original" fair hosted by the culture ministry, AFP said.

Alongside an open-air market selling clothes and accessories such as the huipil, a traditional white cotton blouse with finely embroidered patterns, there are fashion parades resembling indigenous pride marches.

The goal is to end what Mexico's leftist government denounces as cultural appropriation of the motifs, embroidery and colors of indigenous communities by foreign fashion houses.

"Plagiarism is not a tribute. Theft is not the fruit of inspiration," Culture Minister Alejandra Frausto said at the fair's inauguration.

She denounced the "modern-day pirates" who "take what they like and label it as any kind of merchandise."

'Lack of communication'
Mexico won an apology a year ago from French designer Isabel Marant after Frausto demanded an explanation for Marant's use of the traditional patterns of the Purepecha community in her collection.

Similar complaints have been lodged against major clothing brands, including Zara and Mango.

Marant said future designs would properly "pay tribute to our sources of inspiration."

A representative of her company was due to meet directly with indigenous artisans at the Mexico City fair, as was one for the Spanish designer Agatha Ruiz de la Prada.

On Friday, two young designers from Paris sat down with craftsman Ignacio Netzahualcoyotl and his partner Christian Janat at their workshop in the state of Tlaxcala east of Mexico City.

"Plagiarism is the result of a lack of communication," Netzahualcoyotl said afterward.

"We ask that our work be paid for fairly," he added.

"The price must take into account the design, the patterns, the number of hours worked," he said after presenting his fabric to the two Parisians.

"We want to come to an agreement with the artisans with whom we are going to work," said French designer Theophile Delaeter, co-creator of the Calher Delaeter brand with his Franco-Mexican co-creator Alonso Calderon Hernandez.

'It's theft'
Indigenous artisans at the fair complained of discovering copies of their fabric on the internet.

"A few months ago, we fought because we found a computer-reproduced huipil," said Candy Margarita de la Cruz Santiago, a young weaver from the southern state of Oaxaca.

Legal measures are being put in place to tackle the problem.

"Under new provisions that we've had since last year, written consent of the communities is necessary when this kind of textile art is going to be used for profit," said a representative of the National Institute of Copyright, Marco Antonio Morales Montes.

Mexico is also asking for a discussion within the World Intellectual Property Organization about the issue, he added.

Artisan weavers like Marta Serna Luis, 58, hope the steps will bring them the recognition they are seeking.

"We must apply the law against the perpetrators of plagiarism. It's theft," she said.



'The Devil Wears Prada 2' Puts Spotlight on Italy's Fashion Capital

An installation of the new movie 'Devil Wears Prada 2' is displayed at La Rinascente shopping center, in Milan, Italy, Monday, April 20, 2026. (AP Photo/Luca Bruno)
An installation of the new movie 'Devil Wears Prada 2' is displayed at La Rinascente shopping center, in Milan, Italy, Monday, April 20, 2026. (AP Photo/Luca Bruno)
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'The Devil Wears Prada 2' Puts Spotlight on Italy's Fashion Capital

An installation of the new movie 'Devil Wears Prada 2' is displayed at La Rinascente shopping center, in Milan, Italy, Monday, April 20, 2026. (AP Photo/Luca Bruno)
An installation of the new movie 'Devil Wears Prada 2' is displayed at La Rinascente shopping center, in Milan, Italy, Monday, April 20, 2026. (AP Photo/Luca Bruno)

Prada may have a title role in “The Devil Wears Prada 2,” which premieres in Italy’s fashion capital on Thursday, but fashion at large gets a spotlight and Milan a supporting role.

The film evokes Prada without being about the storied fashion house that has become synonymous with Milan. In homage, Meryl Streep and Anna Wintour both wear Prada on a current Vogue cover celebrating the film about a demanding fashion editor.

But when part of the movie was shot in Milan during fashion week last September, a Dolce & Gabbana runway show, not Prada, was the backdrop for a scene featuring Streep and Stanley Tucci.

‘’When you think of Prada, when you think of the Prada brand, you also think of Milan. This is obviously good for the fashion system,’’ said Tommaso Sacchi, Milan’s counselor for culture. “It’s a film that is good for the city.’’

That enthusiasm is spilling over to a pop-up at Milan’s main department store, where aficionados of the film and fashionistas have flocked to take selfies at a replica of fictitious fashion editor Miranda Priestly’s desk and against the backdrop of a faux Runway magazine mock-up cover.

VIPs attending the film's Italian premiere on Thursday, ahead of its global release next week, will attend a cocktail in the space.

The Rinascente CEO, Mariella Elia, said the response to the pop-up — which is announced by giant statues of the iconic red pumps outside the store — shows that people have “a desire for lightness.”

“It’s not just about buying, it’s really about reviving what fashion represents ... a desire to have a stylish flair once again, a desire for joy, too — perhaps in contrast with the current economic and international moment that humanity is experiencing,’’ The Associated Press quoted Elia as saying.

On a recent day, the space filled with people browsing limited edition T-shirts with famous phrases from the first film like, “Is there some reason my coffee isn’t here?”

Valentina Cattivelli, a professor, said she wasn’t trying to channel Priestly as she sat behind the replica of her desk. It included an inbox full of other lines from the original film, including Priestly's dismissive, “That’s all.’’

“No, I’m not so cruel in my daily life, but I appreciate her professional style and also her fashion and the taste for fashion. But not her sarcasm or cruelty, no,” Cattivelli said.

The Prada brand was founded a few steps away, in the stately Vittorio Emanuele II Gallery, by Miuccia Prada’s grandfather.

The shopping arcade today is anchored by two Prada flagship stores.

Miuccia Prada transformed the brand into a fashion juggernaut, turning the infamous ugly chic aesthetic into must-have or must-emulate looks and accessories that bring intellectual heft to runway fashion — a theme of the original movie, which offered a peek beyond fashion-world frivolity.

“There is a close relationship between the ‘Devil Wears Prada’ franchise and Prada, because by evoking Prada from the very title, it evokes a fashion that makes you dream, a fashion that makes you feel elegant, a fashion that makes you feel good, a fashion that gives you an allure,’’ said Annarita Briganti, a fashion journalist who wrote a book about Prada for Rizzoli’s Made in Italy editions.


British Retailer ASOS Moves to Recover US Tariff Costs

FILE PHOTO: Branded shopping bags are displayed in an ASOS pop-up store in London, Britain, November 12, 2025. REUTERS/Hannah McKay/File Photo
FILE PHOTO: Branded shopping bags are displayed in an ASOS pop-up store in London, Britain, November 12, 2025. REUTERS/Hannah McKay/File Photo
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British Retailer ASOS Moves to Recover US Tariff Costs

FILE PHOTO: Branded shopping bags are displayed in an ASOS pop-up store in London, Britain, November 12, 2025. REUTERS/Hannah McKay/File Photo
FILE PHOTO: Branded shopping bags are displayed in an ASOS pop-up store in London, Britain, November 12, 2025. REUTERS/Hannah McKay/File Photo

ASOS said on Thursday it has started seeking refunds for the 7 million pounds ($9.44 million) of US tariffs paid during the first half of the year, as the British retailer pursues a margin-focused turnaround plan to revive demand.

Thousands of companies around the world are filing lawsuits challenging US President Donald Trump's ⁠sweeping tariffs and seeking ⁠refunds on duties paid, after the levies were deemed illegal by the US Supreme Court in February.

Online fashion retailers such as ASOS are particularly vulnerable to duty ⁠costs on imported goods as they work to rebuild profitability after the pandemic-era expansion gave way to weakening consumer demand.

Once a standout survivor of the dotcom burst, ASOS has been trying to win back shoppers and cut costs amid stiff competition from cheaper Chinese rivals, Reuters reported.

Global retailers are now bracing ⁠for ⁠an impact from the Iran war as customer spending declines and a surge in energy prices and supply-chain snags compound costs further.

ASOS said it has taken proactive actions to help mitigate such impact, but gave no details on said actions.

The company confirmed its outlook for the full year.


L’Oreal Quarterly Sales up 6.7% on Growth in US, Emerging Markets

L'Oreal's first-quarter sales rise 6.7%. (AFP)
L'Oreal's first-quarter sales rise 6.7%. (AFP)
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L’Oreal Quarterly Sales up 6.7% on Growth in US, Emerging Markets

L'Oreal's first-quarter sales rise 6.7%. (AFP)
L'Oreal's first-quarter sales rise 6.7%. (AFP)

L'Oreal's first-quarter sales rose 6.7%, it said on Wednesday, as strong demand for premium hair products and perfume, particularly in North ‌America and ‌emerging markets, ‌more ⁠than offset weakness ⁠in the Middle East.

The Paris-based maker of Kerastase shampoo and YSL Libre perfume said ⁠total sales for ‌the ‌three months to ‌end-March came to 12.2 ‌billion euros ($14.32 billion), up 6.7% from 11.7 billion euros on ‌a like-for-like basis after slightly adjusting down ⁠last ⁠year's comparable figures.

The rise also included a 3.4% boost from overstocking ahead of an ongoing overhaul of the group's IT system.