Macy's Thanksgiving Parade Returns, With all the Trimmings

The Tom Turkey float moves down Sixth Avenue during the Macy's Thanksgiving Day Parade in New York, Thursday, Nov. 25, 2021. The parade is returning in full, after being crimped by the coronavirus pandemic last year. (AP Photo/Jeenah Moon)
The Tom Turkey float moves down Sixth Avenue during the Macy's Thanksgiving Day Parade in New York, Thursday, Nov. 25, 2021. The parade is returning in full, after being crimped by the coronavirus pandemic last year. (AP Photo/Jeenah Moon)
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Macy's Thanksgiving Parade Returns, With all the Trimmings

The Tom Turkey float moves down Sixth Avenue during the Macy's Thanksgiving Day Parade in New York, Thursday, Nov. 25, 2021. The parade is returning in full, after being crimped by the coronavirus pandemic last year. (AP Photo/Jeenah Moon)
The Tom Turkey float moves down Sixth Avenue during the Macy's Thanksgiving Day Parade in New York, Thursday, Nov. 25, 2021. The parade is returning in full, after being crimped by the coronavirus pandemic last year. (AP Photo/Jeenah Moon)

Giant balloons once again wafted through miles of Manhattan, wrangled by costumed handlers. High school and college marching bands from around the country were back, and so were the crowds at the Macy's Thanksgiving Day Parade.

After being crimped by the coronavirus pandemic last year, the holiday tradition returned in full Thursday, though with precautions, AFP said.

“It really made Thanksgiving feel very festive and full of life,” Sierra Guardiola, a 23-year-old interior design firm assistant, said after watching the spectacle in a turkey-shaped hat.

Thousands of marchers, hundreds of clowns, dozens of balloons and floats — and, of course, Santa Claus — marked the latest U.S. holiday event to make a comeback as vaccines, familiarity and sheer frustration made officials and some of the public more comfortable with big gatherings amid the ongoing pandemic.

To President Joe Biden, the parade's full-fledged return was a sign of renewal, and he called NBC broadcaster Al Roker on-air to say so.

“After two years, we’re back. America is back. There’s nothing we’re unable to overcome,” Biden said over the phone from Nantucket, Massachusetts, where he was watching the broadcast with his family.

Still, safety measures continued. Parade staffers and volunteers had to be vaccinated against COVID-19 and wear masks, though some singers and performers were allowed to shed them. There was no inoculation requirement for spectators, but Macy's and the city encouraged them to cover their faces.

Asahi Pompey said she made a point of getting her vaccine booster shot Wednesday and wore a mask while in the crowd, but COVID-19 concerns couldn't keep her away.

“It feels really phenomenal to be here. It feels like New York is on its way to recovery,” said Pompey, 49, a lawyer.

“It’s like the whole spirit of New York has come and gathered so we can be together,” added her school-age son, Sebastian Pompey-Schoelkopf.

Last Thanksgiving, with no vaccines available and the virus beginning a winter surge in the nation's biggest city, the parade was confined to one block and sometimes pre-taped. Most performers were locally based, to cut down on travel, and the giant balloons were tethered to vehicles instead of being handled by volunteers. No spectators were allowed.

Getting to watch the nearly century-old parade this year on the street, instead of a screen, was “incredible” for Katie Koth. The 26-year-old teacher was at the event for the first time.

“The energy is crazy, and the crowd was amazing,” she said.

The event came days after an SUV driver plowed through a Christmas parade in suburban Milwaukee, killing six people and injuring over 60. Authorities said the driver, who has been charged with intentional homicide, was speeding away from police after a domestic dispute.

Mayor Bill de Blasio said Wednesday there was no credible, specific threat to the Thanksgiving parade, but security was extensive, as usual. It involved thousands of police officers, as well as sand-filled garbage trucks and concrete barriers blocking cars from the parade route, bomb-detecting dogs, heavy-weapons teams, radiation and chemical sensors and over 300 extra cameras.

Inside the barricades, new balloon giants joined the lineup, including the title character from the Netflix series “Ada Twist, Scientist”; the Pokémon characters Pikachu and Eevee on a sled (Pikachu has appeared before, in different form), and Grogu, aka “Baby Yoda,” from the television show “The Mandalorian." New floats came from entities ranging from condiment maker Heinz to NBCUniversal's Peacock streaming service to the Louisiana Office of Tourism.

Entertainers and celebrities included Carrie Underwood, Jon Batiste, Nelly, Kelly Rowland, Miss America Camille Schrier, the band Foreigner, and many others. Several Broadway musical casts and the Radio City Rockettes also performed.

Sloan Brown, 6, took it all in from a sidewalk and summed up the experience in a word: “Cool.”



Michael Douglas and Danny DeVito Revisit ‘One Flew over the Cuckoo’s Nest’ for Its 50th Anniversary

Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
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Michael Douglas and Danny DeVito Revisit ‘One Flew over the Cuckoo’s Nest’ for Its 50th Anniversary

Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)

Jack Nicholson did not want to go to the Oscars. It was 1976 and he was nominated for best actor in “One Flew Over the Cuckoo’s Nest.” The Miloš Forman film, which is celebrating its 50th anniversary with a nationwide theatrical re-release on July 13 and July 16, had become a bit of a sensation — the second highest grossing picture of 1975, behind “Jaws,” and had received nine Oscar nominations.

But Nicholson wasn’t feeling optimistic. In five years, he’d already been nominated five times. He’d also lost five times. And he told his producer, Michael Douglas, that he couldn’t go through it again.

“I remember how hard I had to persuade Jack to come to the ceremony. He was so reluctant, but we got him there,” Douglas said in a recent interview with The Associated Press. “And then of course we lost the first four awards. Jack was sitting right in front of me and sort of leaned back and said ’Oh, Mikey D, Mikey D, I told you, man.’ I just said, ‘Hang in there.’”

Douglas, of course, was right. “One Flew Over the Cuckoo’s Nest” would go on to sweep the “big five” — screenplay, director, actor, actress and picture — the first film to do so in 41 years, (“It Happened One Night,” in 1934) which only “The Silence of the Lambs” has done since. That night was one of many vindicating moments for a film that no one wanted to make or distribute that has quite literally stood the test of time.

“This is my first 50th anniversary,” Douglas said. “It’s the first movie I ever produced. To have a movie that’s so lasting, that people get a lot out of, it’s a wonderful feeling. It’s bringing back a lot of great memories.”

The film adaption of Ken Kesey’s countercultural novel was a defining moment for Douglas, a son of Hollywood who was stuck in television and got a lifeline to film when his father, Kirk Douglas, gave him the rights to the book, and many of the then-unknown cast like Danny DeVito and Christopher Lloyd.

DeVito was actually the first person officially cast. Douglas, who’d known him for nearly 10 years, brought Forman to see him play Martini on stage.

“Miloš said, ‘Yes! Danny! Perfect! Cast!’” Douglas said in his best Czech accent. “It was a big moment for Danny. But I always knew how talented he was.”

A Joyful Shoot

Though the film's themes are challenging, unlike many of its New Hollywood contemporaries it wasn’t a tortured shoot by any stretch. They had their annoyances (like Forman refusing to show the cast dailies) and more serious trials (they found out halfway through production that William Redfield was dying of leukemia), but for the most part it was fun.

“We were very serious about the work, because Miloš was very serious. And we had the material, Kesey’s work, and the reverence for that. We were not frivolous about it. But we did have a ball doing it,” DeVito said, laughing.

Part of that is because they filmed on location at a real state hospital in Salem, Oregon. Everyone stayed in the same motel and would board the same bus in the morning to get to set. It would have been hard not to bond and even harder if they hadn’t.

“There was full commitment,” Douglas said. “That comes when you don’t go home at night to your own lives. We stopped for lunch on the first day and I saw Jack kind of push his tray away and go outside to get some air. I said, ‘Jack, you OK?’ He said, ’Who are these guys? Nobody breaks character! It’s lunch time and they’re all acting the same way!'”

Not disproving Nicholson’s point, DeVito remembers he and the cast even asked if they could just sleep in the hospital.

“They wouldn’t let us,” DeVito said. “The floor above us had some seriously disturbed people who had committed murder.”

A lasting legacy

The film will be in theaters again on July 13 and July 16 from Fathom Entertainment. It’s a new 4K restoration from the Academy Film Archive and Teatro Della Pace Films with an introduction by Leonard Maltin.

“It’s a gorgeous print and reminds me how good the sound was,” Douglas said.

DeVito thinks it, “holds up in a really big way, because Miloš really was paying attention to all great things in the screenplay and the story originally.”

Besides the shock of “holy Toledo, am I that old?” DeVito said that it was a treasure to be part of — and he continues to see his old friends, including Douglas, Lloyd and, of course, Nicholson, who played the protagonist, R.P. McMurphy.

One person Douglas thinks hasn’t gotten the proper attention for his contributions to “Cuckoo’s Nest” is producer Saul Zaentz, who died in 2014. His music company, Fantasy Records who had Creedence Clearwater Revival, funded the endeavor which started at a $1.6 million budget and ballooned to $4 million by the end. He was a gambler, Douglas said, and it paid off.

And whatever sour grapes might have existed between Douglas and his father, who played R.P. McMurphy on Broadway and dreamt of doing so on film, were perhaps over-exaggerated. It was ultimately important for their relationship.

“McMurphy is as good a part as any actor is going to get, and I’m now far enough in my career to understand maybe you have four, maybe five good parts, really great parts. I’m sure for dad that was one of them,” Douglas said.

“To not be able to see it through was probably disappointing on one side. On the other, the fact that his son did it and the picture turned out so good? Thank God the picture turned out. It would have been a disaster if it hadn’t.”

Douglas added: “It was a fairy tale from beginning to end. I doubt anything else really came close to it. Even my Oscar for best actor years later didn’t really surpass that moment very early in my career.”