Dystopia, ‘She-Cession,’ TikTok Dances: We’re over You, 2021

This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)
This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)
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Dystopia, ‘She-Cession,’ TikTok Dances: We’re over You, 2021

This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)
This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)

The pandemic, politics, pervasive anxiety over the climate and the economy. Did 2021 leave us any time to ponder anything else? As we limp our way into a new year, there are a few more things we’d like to leave behind, from pop culture’s obsession with all things apocalyptic to the well meaning but exhausting lay dancers on TikTok.

A list of what we’re over as we look for renewal and hope in 2022:

Dystopia palooza

War, destruction, disaster: Popular entertainment has certainly reflected, expanded upon and imagined the very doom of it all. But must it continue at the same rapid clip? The latest, “Squid Game,” was a huge score for Netflix. Its creator can’t imagine a future without a second season of the deadly Korean series. Fans rejoiced. Dystopia is merely one genre, however, one storytelling technique. Would we not benefit from an equally heavy dose of stories that focus on solutions and, dare we say it, inspiration? We’re talking that middle ground between zombies and “The Great British Baking Show.” Just think about it.

TikTok danceathon

You seem like a nice person, but you’re a registered dietitian, not a dancer. And, quite sadly, you never will be. Yes, we could scroll right on by and not gaze on your barely there moves. Yes, we realize you’re having a great time and simply trying to entertain. But there are just so darn many of you. TikTok was built on wacky dance trends (remember the Floss?), but the short-video platform has grown into much, much more as millions signed on during the pandemic. So where does that leave all that dancing? Slightly and thankfully muted for the dance-craze weary.

The she-cession

There’s little doubt the pandemic touched all our lives in different ways and continues to wreak havoc around the globe. There’s also little doubt that women were disproportionately impacted as they struggled to make it all work from home. And, yes, men did things but women had higher job losses and increased responsibilities. The economic fallout was dubbed the “she-cession.” The thing is, what’s the alternative, a “he-cession?” Nope. Some women find the gender-specific term demeaning and ask that the media and economists cut it out. And while we’re on the subject, can we rid ourselves of the term Great Resignation, aka the Great Quit, for all those folks who voluntarily left the workforce? Good luck to them.

Shapewear

It made Kim Kardashian West a pile of money to go with her other piles of money. Her Skims shapewear brand, which branched into loungewear during the pandemic, is valued at $1.6 billion, according to The New York Times. It comes in a range of styles, colors and sizes. Oprah Winfrey and Reese Witherspoon are among new investors in Spanx. But hasn’t life lived largely at home taught us to embrace our bulges, bumps and whatever else it is we’re trying to hide with shapewear? Can’t we all just march back into our old lives feeling good in our own skins? Let alone the idea there are some health risks to intensely compressing our organs for prolonged periods. Let it fly, people! Don’t let the old constraints of the fashion elite take over after all those months in cozy duds and the de-escalation of underwire. #FreeOurBodies.

NFTs

Will they be over before oh so many people have figured out exactly what they are? So some naysayers predict while stans fuel headlines and the little buggers sell for millions. Non-fungible tokens are, basically, digital art or just about anything else in digital form. They’re stored on blockchains (digital ledgers). The point, you ask? Good question. NFTs are effectively digital certificates of authenticity, like the declaration in the physical world that your original van Gogh is one of a kind. The rest of us will be heading to the non-digital gift shop for the poster or fridge magnet as the world figures out the metaverse. On offer: The NFT of the Merriam-Webster definition of NFT, with net proceeds going to the global nonprofit Teach for All. Hallelujah.

Level up

There’s a whole lotta leveling up going on in a world where level off and level out already reside. And by level up, we’re talking the gamer term for making it to the next level. The phrase has gone mainstream in a range of contexts. The perfectly good and universally understood alternatives? How about advance, develop, improve, evolve, grow and, we venture, ameliorate. Can we just celebrate our work successes, our upgrades, our escalations, our impressive pushes onward without reinvention for reinvention’s sake? As Ciara sings: five, four, three, two, one ...

Billionaires in space

The billionaires in space boys club got plenty of attention in 2021 as the rest of us navigated our topsy-turvy lives here on Earth. There’s lots to chew on as to the many millions spent to make that happen, in a suborbital, edge of space, floating in microgravity for a few minutes at most kind of way. And there’s the off-color jokes, of course. The ones about size and whether it matters. And there’s the great pondering over Elon Musk and why he isn’t a card carrying club member despite his founding of Space X. Richard Branson went into space aboard his Virgin Galactic rocket July 11. Branson beat out Jeff Bezos, who took his supersonic jaunt aboard his Blue Origin ship July 20. Billionaire Jared Isaacman led the first all-private orbital mission that splashed down in September after three days in orbit thanks to Space X. Because, commercial space travel is the future, don’t ya know. So are food insecurity, income insecurity, health care access barriers and homelessness for folks without a ticket to ride. Aim higher.

Supply clogs

The global supply chain is under the weather. Factories have been forced to close amid COVD surges. The number of shipping containers is short and they’re unattainable to those who can’t afford them. Small businesses can’t pay for alternate shipping methods. Ports and warehouse are backed up. There aren’t enough truckers. Prices are on the rise as US households feeling flush from stimulus checks, booming stock markets and fattened home equity have gone all spendy. Really spendy, with all of the above creating shortages of goods. Oh my. Happy holidays, one and all. Over It.



‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
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‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

In the box office showdown between a deadly assassin and a chaotic CG alien, “Lilo & Stitch” still had the edge. The Disney juggernaut celebrated a third weekend at the top of the charts, while the John Wick spinoff “Ballerina” did not jeté as high as expected.

According to studio estimates Sunday, “From the World of John Wick: Ballerina” earned $25 million from 3,409 theaters in the US and Canada, The Associated Press reported. Several weeks ago it was tracking to open in the $35 to $40 million range, but that was adjusted down several times. Ultimately, it still came in lower than forecasts. The movie, directed by Len Wiseman, makes a sideline character out of Keanu Reeves’ John Wick and focuses on Ana de Armas. It takes place during the events of “John Wick 3.”

The box office performance is a bit perplexing result considering that “Ballerina” got good critic reviews and audience exit polls. Conventional wisdom would say that word of mouth might have given it a boost over the weekend. But, recently, opening weekend isn’t the end all that it used to be. “Ballerina” could be in the game for the long haul.

The Lionsgate release, a Thunder Road Films and 87Eleven Entertainment production, had a hefty production price tag reported to be in the $90 million range. But much of that cost has already been offset by foreign pre-sales. Internationally, it earned $26 million from 82 countries, bringing its global opening to $51 million.

As the first spinoff, it’s the second lowest opening of the five-film franchise – above only the first film which opened just over $14 million in 2014, which does not account for inflation. The franchise overall has grossed more than $1 billion worldwide.

First place once again went to “Lilo & Stitch,” which added another $32.5 million in North America, bringing its domestic total to $335.8 and global tally to $772.6 million. In just 17 days, it's already made more domestically than the live-action “The Little Mermaid” did in its entire run ($298 million).

“Mission: Impossible — The Final Reckoning” slid to third place with $15 million, bringing its worldwide total to $450.4 million. “Karate Kid: Legends” earned $8.7 million to take fourth place. And “Final Destination: Bloodlines" rounded out the top five with $6.5 million.

The new Wes Anderson movie “The Phoenician Scheme” expanded beyond New York and Los Angeles to 1,678 theaters nationwide. The Focus Features release starring Benicio del Toro made an estimated $6.3 million and landed in sixth place.