Dystopia, ‘She-Cession,’ TikTok Dances: We’re over You, 2021

This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)
This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)
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Dystopia, ‘She-Cession,’ TikTok Dances: We’re over You, 2021

This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)
This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)

The pandemic, politics, pervasive anxiety over the climate and the economy. Did 2021 leave us any time to ponder anything else? As we limp our way into a new year, there are a few more things we’d like to leave behind, from pop culture’s obsession with all things apocalyptic to the well meaning but exhausting lay dancers on TikTok.

A list of what we’re over as we look for renewal and hope in 2022:

Dystopia palooza

War, destruction, disaster: Popular entertainment has certainly reflected, expanded upon and imagined the very doom of it all. But must it continue at the same rapid clip? The latest, “Squid Game,” was a huge score for Netflix. Its creator can’t imagine a future without a second season of the deadly Korean series. Fans rejoiced. Dystopia is merely one genre, however, one storytelling technique. Would we not benefit from an equally heavy dose of stories that focus on solutions and, dare we say it, inspiration? We’re talking that middle ground between zombies and “The Great British Baking Show.” Just think about it.

TikTok danceathon

You seem like a nice person, but you’re a registered dietitian, not a dancer. And, quite sadly, you never will be. Yes, we could scroll right on by and not gaze on your barely there moves. Yes, we realize you’re having a great time and simply trying to entertain. But there are just so darn many of you. TikTok was built on wacky dance trends (remember the Floss?), but the short-video platform has grown into much, much more as millions signed on during the pandemic. So where does that leave all that dancing? Slightly and thankfully muted for the dance-craze weary.

The she-cession

There’s little doubt the pandemic touched all our lives in different ways and continues to wreak havoc around the globe. There’s also little doubt that women were disproportionately impacted as they struggled to make it all work from home. And, yes, men did things but women had higher job losses and increased responsibilities. The economic fallout was dubbed the “she-cession.” The thing is, what’s the alternative, a “he-cession?” Nope. Some women find the gender-specific term demeaning and ask that the media and economists cut it out. And while we’re on the subject, can we rid ourselves of the term Great Resignation, aka the Great Quit, for all those folks who voluntarily left the workforce? Good luck to them.

Shapewear

It made Kim Kardashian West a pile of money to go with her other piles of money. Her Skims shapewear brand, which branched into loungewear during the pandemic, is valued at $1.6 billion, according to The New York Times. It comes in a range of styles, colors and sizes. Oprah Winfrey and Reese Witherspoon are among new investors in Spanx. But hasn’t life lived largely at home taught us to embrace our bulges, bumps and whatever else it is we’re trying to hide with shapewear? Can’t we all just march back into our old lives feeling good in our own skins? Let alone the idea there are some health risks to intensely compressing our organs for prolonged periods. Let it fly, people! Don’t let the old constraints of the fashion elite take over after all those months in cozy duds and the de-escalation of underwire. #FreeOurBodies.

NFTs

Will they be over before oh so many people have figured out exactly what they are? So some naysayers predict while stans fuel headlines and the little buggers sell for millions. Non-fungible tokens are, basically, digital art or just about anything else in digital form. They’re stored on blockchains (digital ledgers). The point, you ask? Good question. NFTs are effectively digital certificates of authenticity, like the declaration in the physical world that your original van Gogh is one of a kind. The rest of us will be heading to the non-digital gift shop for the poster or fridge magnet as the world figures out the metaverse. On offer: The NFT of the Merriam-Webster definition of NFT, with net proceeds going to the global nonprofit Teach for All. Hallelujah.

Level up

There’s a whole lotta leveling up going on in a world where level off and level out already reside. And by level up, we’re talking the gamer term for making it to the next level. The phrase has gone mainstream in a range of contexts. The perfectly good and universally understood alternatives? How about advance, develop, improve, evolve, grow and, we venture, ameliorate. Can we just celebrate our work successes, our upgrades, our escalations, our impressive pushes onward without reinvention for reinvention’s sake? As Ciara sings: five, four, three, two, one ...

Billionaires in space

The billionaires in space boys club got plenty of attention in 2021 as the rest of us navigated our topsy-turvy lives here on Earth. There’s lots to chew on as to the many millions spent to make that happen, in a suborbital, edge of space, floating in microgravity for a few minutes at most kind of way. And there’s the off-color jokes, of course. The ones about size and whether it matters. And there’s the great pondering over Elon Musk and why he isn’t a card carrying club member despite his founding of Space X. Richard Branson went into space aboard his Virgin Galactic rocket July 11. Branson beat out Jeff Bezos, who took his supersonic jaunt aboard his Blue Origin ship July 20. Billionaire Jared Isaacman led the first all-private orbital mission that splashed down in September after three days in orbit thanks to Space X. Because, commercial space travel is the future, don’t ya know. So are food insecurity, income insecurity, health care access barriers and homelessness for folks without a ticket to ride. Aim higher.

Supply clogs

The global supply chain is under the weather. Factories have been forced to close amid COVD surges. The number of shipping containers is short and they’re unattainable to those who can’t afford them. Small businesses can’t pay for alternate shipping methods. Ports and warehouse are backed up. There aren’t enough truckers. Prices are on the rise as US households feeling flush from stimulus checks, booming stock markets and fattened home equity have gone all spendy. Really spendy, with all of the above creating shortages of goods. Oh my. Happy holidays, one and all. Over It.



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
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Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
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Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
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Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."