Egypt Plans to Enlist Hassan Fathy’s New Gourna Village as UNESCO Tangible Heritage

UNESCO logo is seen during the opening of the 39th session
of the General Conference of the United Nations Educational,
Scientific and Cultural Organization (UNESCO) at their headquarters in
Paris, France, October 30, 2017. REUTERS/Philippe Wojazer/File Photo
UNESCO logo is seen during the opening of the 39th session of the General Conference of the United Nations Educational, Scientific and Cultural Organization (UNESCO) at their headquarters in Paris, France, October 30, 2017. REUTERS/Philippe Wojazer/File Photo
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Egypt Plans to Enlist Hassan Fathy’s New Gourna Village as UNESCO Tangible Heritage

UNESCO logo is seen during the opening of the 39th session
of the General Conference of the United Nations Educational,
Scientific and Cultural Organization (UNESCO) at their headquarters in
Paris, France, October 30, 2017. REUTERS/Philippe Wojazer/File Photo
UNESCO logo is seen during the opening of the 39th session of the General Conference of the United Nations Educational, Scientific and Cultural Organization (UNESCO) at their headquarters in Paris, France, October 30, 2017. REUTERS/Philippe Wojazer/File Photo

Established 70 years ago, the New Gourna Village by Architect Hassan Fathy has started to recover some of its splendor that almost faded due to aging factors. Many of its buildings and features are destroyed, and the “historic construction dedicated for poor people” and its old muddy buildings now coexist with newer ones made from reinforced concrete.

Egypt is currently seeking to address this problem and turn the village into a historic landmark after a development and restoration project. The first phase of the project launched recently, and the Egyptian culture ministry is preparing the documents to enlist Hassan Fathy’s New Gourna Village as a UNESCO tangible cultural heritage.

“The revival of this village designed by Hassan Fathy, founder of the modest architecture school in Egypt and the world, is a global event that reflects Egypt’s soft power, and highlights one of the culture ministry’s strategic projects aimed at maintaining local heritage. This unique landmark will be restored and developed in cooperation with UNESCO, so our country remains a source of art and creativity,” Dr. Ines Abdel Dayem, culture minister, said in her keynote speech at the opening of the village.

She also announced the appointment of Engineer Mohammed Abu Saada, head of the National Organization for Urban Harmony, to prepare “the required documents to feature Hassan Fathy’s New Gourna Village on the UNESCO’s Tangible Cultural Heritage List.”

The first phase of the project consists of restoring the village including the caravanserai, mosque, theater, and culture palace, according to Abu Saada.

“The village suffered from several problems, and as a landmark registered on the architectural heritage list of the National Organization for Urban Harmony, it must be restored,” he told Asharq Al-Awsat.

According to Abu Saada, UNESCO considers the village a traditional architecture that merges with modern architecture, and this is why Egypt is calling to enlist it as a tangible cultural heritage, noting that “the body will start preparing the required documents in collaboration with the UNESCO, which has been a fundamental partner in the development and restoration project.”

Architect Hassan Fathy started the construction of the village named New Gourna in 1945 to house 7,000 of the old Gourna’s residents. The old Gourna was built over historic cemeteries in El Bar El Gharbi region, Luxor, to protect them from violations and looting.

The Hassan Fathy’s Village gained its fame following the “Architecture of the Poor” book in which the architect describes this model of eco-friendly architecture using simple materials. “For me, the Gourna Village is and experience and an example at the same time,” he wrote in the book, hoping the village would become a model to reconstruct the Egyptian countryside.

The launch of the first phase is a long-awaited dream, stated Dr. Fekri Hassan, director of the heritage program at the University of France and professor of archeology at the University of London.

“The restoration project was first scheduled in 2010, but it actually started in 2019. Restoration is not the most important thing to do, though. Reusing the buildings, turning the caravanserai into a craft center, and updating the design to benefit the residents and ensure them a living is more important.”

The interest in this village emerged in 2009 when the UNESCO launched a project to develop it in collaboration with the Egyptian culture ministry. The agency carried on a study on the village in 2010, and found that 59 out of 70 buildings in the village still exist. The original design of 61 percent of these buildings can never be restored, while 15 percent have maintained their original design.

In 2010, UNESCO started a project to restore the village in cooperation with the ministry, but it was halted because on the January uprising in 2011. Then, the restoration plans were announced again in 2015.

The residents of the village are waiting the restoration of the remaining buildings. “There is no plan for the remaining buildings including Fathy’s house, the market, the routes, and sewage networks near the village,” said Fekry, noting that there are four buildings that have been restored by the civil society.” Fekry believes that the region must be turned into a global architectural center.

For his part, Abu Saada said the second phase will focus on improving the architectural entourage of the village, in addition to restoring 17 houses including Fathy’s, as well as addressing the problem of the new buildings established nearby the old ones in order to maintain the spirit of the village.”



"Lebanon in Every Shade": More Than 60 Paintings Capture the Land of the Cedars

Artist Jessy Tabet in front of a selection of her paintings (Rebirth Beirut)
Artist Jessy Tabet in front of a selection of her paintings (Rebirth Beirut)
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"Lebanon in Every Shade": More Than 60 Paintings Capture the Land of the Cedars

Artist Jessy Tabet in front of a selection of her paintings (Rebirth Beirut)
Artist Jessy Tabet in front of a selection of her paintings (Rebirth Beirut)

In acrylic paintings where bright colors intertwine to transport viewers into a dreamlike world, Lebanese artist Jessy Tabet presents her works in an exhibition titled "Lebanon in Every Shade" at Rebirth Beirut.

Clustered houses, clear skies and brilliant sunshine are recurring elements in her paintings, inviting viewers into a dreamlike journey across Lebanon, from one region to another. Traveling from north to south, Tabet photographed landscapes that caught her attention before reimagining them through her brush, highlighting details of a country she has always loved and never left.

Across canvases large and small, the artist explores Lebanon's defining symbols, from its enduring cedars to its blue sea and towering mountains.

She has devoted paintings to these subjects, giving them titles inspired by their themes. Some works form artistic series, including "The Cedar" and "Little Shadows of Lebanon," which brings together scenes from different Lebanese regions.

Individual paintings capture particular moments and landscapes, such as "Batroun and the Orange Sunset" and "Coastal Reflections," which explores the Lebanese coastline. The mountains also have a place of their own, with houses and hills depicted in "Mountain Harmony."

Speaking to Asharq Al-Awsat, Tabet said she had traveled through different parts of Lebanon, discovering scenes that inspired her.

"I would photograph them and then rush back to my studio to paint them in my own way. I don't simply copy what my camera captures. I interpret what I see and complete it through my own artistic vision," she said.

Tabet believes her choice of colors reflects the beautiful Lebanon she has always seen through her own eyes.

By choosing pink as the background and dominant color in some of her works, she sought to invite viewers into a world of imagination.

"When visitors contemplate a painting, they feel as though they have entered a moment of meditation and relaxation. They leave their worries and problems behind and embark on an artistic journey through Lebanon," she explained.

Asked why houses and Lebanese architecture feature so prominently in her paintings, Tabet said: "Homes are the soul of a person, their anchor in their homeland. They embrace people's emotions, exhaustion, moments of rest, family life and sense of togetherness."

"In my view, these houses clearly reflect the Lebanese way of life, filled with emotion and tranquility despite the tragedies people face. I also focused on details such as open windows, arched balconies and red-tiled roofs to revive scenes from a heritage dear to our hearts."

In her "Cedars" series, Tabet depicts Lebanon's national symbol in meticulous detail, crowned with rich green foliage and touched with gold and white, transforming the cedar tree into a visual narrative of history.

Its sturdy roots appear to clasp two enormous hands, while branches full of life extend outward, seemingly immune to withering.

In "La Vie en Rose," a cluster of closely packed houses welcomes visitors through open doors. A closer look reveals residents going about their daily activities or enjoying moments of relaxation.

Through these scenes, Tabet preserves a sense of constant movement, giving her paintings a feeling of life and serenity.

She said Lebanon's sea, stretching along the country's coastline, has profoundly influenced her because of the stillness and clarity it inspires.

She paints its waters shimmering in the light, reflecting a way of life where warmth, tranquility and harmony come together.

Tabet considers each painting a piece of Lebanon.

"Anyone who acquires one of my paintings takes home a memory of their homeland, something they can enjoy looking at at any moment. It is like a remedy that eases the longing for home among those living abroad and soothes the wounds of war and destruction for those who remain," she said.

Part of the proceeds from painting sales will support Rebirth Beirut's humanitarian and development initiatives, which aim to revitalize the capital and rehabilitate its infrastructure, including street lighting and traffic signals.

Reflecting on her artistic approach and the meanings carried by each painting, Tabet concluded:

"I love following the path of my brush and engaging in long conversations with it. When the words stop and silence takes their place, I know the painting is finished, and I move on to another."

"With every painting, I dream and rise into a more beautiful world, where imagination has room to expand and colors are freed from the boundaries of reality."


Pakistani Astronaut to Join China's Next Space-station Mission

FILE - The Shenzhou-23 manned mission launches from the Jiuquan Satellite Launch Center in Jiuquan, northwestern China on Sunday, May 24, 2026. (AP Photo/Ng Han Guan,File)
FILE - The Shenzhou-23 manned mission launches from the Jiuquan Satellite Launch Center in Jiuquan, northwestern China on Sunday, May 24, 2026. (AP Photo/Ng Han Guan,File)
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Pakistani Astronaut to Join China's Next Space-station Mission

FILE - The Shenzhou-23 manned mission launches from the Jiuquan Satellite Launch Center in Jiuquan, northwestern China on Sunday, May 24, 2026. (AP Photo/Ng Han Guan,File)
FILE - The Shenzhou-23 manned mission launches from the Jiuquan Satellite Launch Center in Jiuquan, northwestern China on Sunday, May 24, 2026. (AP Photo/Ng Han Guan,File)

A Pakistani astronaut will become the first foreigner to visit China's space station when they join the country's next mission into orbit, Beijing's manned space agency said on Saturday.

Pakistan and China are close diplomatic and strategic partners, and signed a deal in February 2025 setting up a Chinese government training program for Pakistani astronauts.

The Pakistani astronaut will take off with the Shenzhou-24 crew, the China Manned Space Agency (CMSA) said on social media.

According to AFP, the statement did not give a date of departure, but the mission is expected to take place by the end of the year.

The Pakistani astronaut, a payload specialist, will join a short orbital flight before returning with the Shenzhou-23 spaceship, which docked at the Tiangong space station in May, according to the CMSA.

The agency did not name the Pakistani crew member, but said in April that astronauts Muhammad Zeeshan Ali and Khurram Daud had been chosen to start training in China.

Beijing has invested heavily in its space program in recent years -- catching up with its main rival the United States -- and aims to land astronauts on the Moon by 2030.

Pakistan is a natural partner, given the countries often tout their decades-long, "all-weather" friendship. China is Pakistan's largest trading partner and a major foreign investor.

Under the 2025 deal, following training in China, the Pakistani astronauts will carry out short-term missions with Chinese counterparts over the "next few years,” Beijing's state news agency Xinhua reported at the time.


China's Giant Pandas Make Public Debut at US Zoo

Ping Ping, a giant panda on loan from China, is seen in his new habitat at the Arthur M. Blank Panda Grove, at Zoo Atlanta in Atlanta, Georgia on November 6, 2026. (Photo by Elijah Nouvelage / AFP)
Ping Ping, a giant panda on loan from China, is seen in his new habitat at the Arthur M. Blank Panda Grove, at Zoo Atlanta in Atlanta, Georgia on November 6, 2026. (Photo by Elijah Nouvelage / AFP)
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China's Giant Pandas Make Public Debut at US Zoo

Ping Ping, a giant panda on loan from China, is seen in his new habitat at the Arthur M. Blank Panda Grove, at Zoo Atlanta in Atlanta, Georgia on November 6, 2026. (Photo by Elijah Nouvelage / AFP)
Ping Ping, a giant panda on loan from China, is seen in his new habitat at the Arthur M. Blank Panda Grove, at Zoo Atlanta in Atlanta, Georgia on November 6, 2026. (Photo by Elijah Nouvelage / AFP)

Giant pandas Ping Ping and Fu Shuang delighted visitors to Zoo Atlanta during their public debut Friday, chewing bamboo and lounging in their new US habitat while on loan from China.

A male named Ping Ping and female Fu Shuang arrived from Chengdu in September via a FedEx flight dubbed the "Panda Express," and are to be hosted in the southern US facility for the next 10 years.

Pandas are "animals that have got a unique ability to inspire curiosity, instill passion, evoke joy, and unite people around the globe," CEO Raymond King told onlookers at Zoo Atlanta.

"This extraordinary spirit of partnership helps create a future for a species that is truly beloved the world over."

In preparation for their arrival, Zoo Atlanta has renovated its panda facilities and assembled a team of animal caretakers.

It has also ensured a stable and long-term supply of bamboo, grown locally in Atlanta, which has a climate that is very similar to Chengdu.

"I think they inspire happiness," zoo visitor Rachel Totts told AFP on Friday. "They make people smile. I've never seen someone not say 'Oh, it's so cute!' when they're looking at a panda."

A zoo-goer watches Ping Ping, a giant panda on loan from China, in his new habitat at the Arthur M. Blank Panda Grove, at Zoo Atlanta in Atlanta, Georgia on November 6, 2026. (Photo by Elijah Nouvelage / AFP)

Native to temperate forest habitats in East Asia, the lumbering black-and-white mammals do not typically travel long distances in the wild.

But many have been shipped to zoos around the world as apart of Beijing's decades-long "panda diplomacy" program to foster foreign ties.

The furry show of "soft power" came as top US officials on Friday called on China to uphold the trade agreement made in an October 2025 meeting between US President Donald Trump and his Chinese counterpart Xi Jinping.

The accord calmed tensions after a whirlwind of tariff hikes, and required China to buy US soybeans while suspending export controls on rare earths.

A Zoo Atlanta employee adjusts stuffed animals on a display featuring giand pandas in the gift shop, in Atlanta, Georgia on November 6, 2026. (Photo by Elijah Nouvelage / AFP)

Before 2016 pandas were considered endangered but are now listed as "vulnerable" by wildlife advocates, and an estimated 1,800 pandas live in the wild.

The Chinese government has established more than 50 panda reserves for conservation, but in the wild the bears continue to face threats of habitat loss and poaching.

Atlanta previously hosted pandas on loan from China starting in 1999, and seven panda cubs have been born at the zoo. All are now back in Chengdu, and Zoo Atlanta has not had any pandas since 2024.

Atlanta native John Perez celebrated his 28th birthday at Zoo Atlanta on Friday, telling AFP the pandas drew him to visit for the first time because "it felt perfect, you know?"

Both of the new arrivals were born in 2020, and it's hoped they will be suitable mates. Pandas in captivity typically live for around 30 years.

In 1972, China gifted a pair of pandas to Washington, following US president Richard Nixon's historic visit to the Communist nation.

Beijing recalled two of its pandas from Japan early this year, following a diplomatic spat that began when Japan's prime minister hinted that Tokyo could intervene militarily in the event of any attack on Taiwan.