‘Pooh,’ ‘Sun Also Rises’ among Works Going Public in 2022

A first US edition of Winnie the Pooh signed by the author A.A. Milne and illustrator E.H. Shepard is displayed with cut-outs representing characters from the book at offices of the Sotheby's auction house in London, Monday, Dec. 15, 2008. (AP)
A first US edition of Winnie the Pooh signed by the author A.A. Milne and illustrator E.H. Shepard is displayed with cut-outs representing characters from the book at offices of the Sotheby's auction house in London, Monday, Dec. 15, 2008. (AP)
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‘Pooh,’ ‘Sun Also Rises’ among Works Going Public in 2022

A first US edition of Winnie the Pooh signed by the author A.A. Milne and illustrator E.H. Shepard is displayed with cut-outs representing characters from the book at offices of the Sotheby's auction house in London, Monday, Dec. 15, 2008. (AP)
A first US edition of Winnie the Pooh signed by the author A.A. Milne and illustrator E.H. Shepard is displayed with cut-outs representing characters from the book at offices of the Sotheby's auction house in London, Monday, Dec. 15, 2008. (AP)

“Winnie the Pooh” and “The Sun Also Rises” are going public.

A.A. Milne's beloved children's book and Ernest Hemingway's classic novel, along with films starring Buster Keaton and Greta Garbo are among the works from 1926 whose copyrights will expire Saturday, putting them in the public domain as the calendar flips to 2022.

Poetry collections “The Weary Blues” by Langston Hughes and “Enough Rope” by Dorothy Parker will also turn 95 and enter the public domain under US law.

The silent films “Battling Butler” starring and directed by Buster Keaton, “The Temptress” starring Greta Garbo, “The Son of the Sheik” starring Rudolph Valentino, and “For Heaven's Sake” starring Harold Lloyd are also becoming public property.

And under 2018 legislation by Congress, sound recordings from the earliest area of electronic audio will become available.

Copyright experts at Duke University estimate that some 400,000 sound recordings from before 1923 will become available for public use, including music from Ethel Waters, Mamie Smith, Enrico Caruso and Fanny Brice.

Once a work enters the public domain it can legally be shared, performed, reused, repurposed or sampled without permission or cost.

The long US copyright period adopted in recent decades has meant that many works that would now become available have long since been lost, because they were not profitable to maintain by the legal owners, but couldn't be used by others.

“The fact that works from 1926 are legally available does not mean they are actually available," Jennifer Jenkins, director of Duke’s Center for the Study of the Public Domain, said in a post celebrating Saturday's “Public Domain Day.”

“After 95 years, many of these works are already lost or literally disintegrating (as with old films and recordings), evidence of what long copyright terms do to the conservation of cultural artifacts.”



‘We’re Still Standing’ King Charles Jokes with Elton John in Birthday Clip

Britain's King Charles and Elton John pose for a photograph in this photo taken at Apple Music Studios, where they were recording Elton John's Rocket Hour, in London, Britain, October 2026. (Courtesy Apple Music/Handout via Reuters)
Britain's King Charles and Elton John pose for a photograph in this photo taken at Apple Music Studios, where they were recording Elton John's Rocket Hour, in London, Britain, October 2026. (Courtesy Apple Music/Handout via Reuters)
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‘We’re Still Standing’ King Charles Jokes with Elton John in Birthday Clip

Britain's King Charles and Elton John pose for a photograph in this photo taken at Apple Music Studios, where they were recording Elton John's Rocket Hour, in London, Britain, October 2026. (Courtesy Apple Music/Handout via Reuters)
Britain's King Charles and Elton John pose for a photograph in this photo taken at Apple Music Studios, where they were recording Elton John's Rocket Hour, in London, Britain, October 2026. (Courtesy Apple Music/Handout via Reuters)

Britain's King Charles ‌joked that he and Elton John were "still standing" in a clip recorded for the singer's radio show which was aired on Saturday - the monarch's 78th birthday.

Charles had joined John for a special edition of the singer's "Elton John's Rocket Hour" on Apple Music to celebrate 50 years of The King's Trust and musicians who have supported his youth charity.

During the episode, which was first broadcast on Saturday ‌to coincide with the ‌king's birthday, the pair discussed ‌benefit concerts ⁠held in support ⁠of the Trust including a Rock Gala held at Wembley Arena in 1986 where John performed his hit "I'm Still Standing".

"I know people in all kinds of circumstances find this song inspiring, not only for its marvelous spirit, but also its message of ⁠resilience," Charles said. "And certainly 40 years ‌on from that remarkable ‌concert, we and the Trust are definitely still standing."

John, who ‌is 79, replied, "I'm still sitting now, though", prompting ‌laughs from the king.

"With occasional bits dropping off here and there," Charles said. "I know this is a terrible problem as we get older."

Both men have suffered ‌well-documented health problems in recent years, with the king still undergoing treatment for cancer ⁠and John ⁠suffering problems with his eyesight.

When he was the heir, Charles founded the Prince's Trust in 1976 using his Royal Navy severance pay to help disadvantaged young people prepare for work, find jobs or start businesses.

It was renamed the King's Trust after Charles became king in 2022 and the charity says it has supported more than 1 million young people since its launch.

John's Rocket Hour is a weekly show that has aired globally on Apple Music 1 since 2015.


Music World to Celebrate Newest Rock Hall Members Including Oasis, Wu-Tang Clan, Sade

Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the “Oasis: Don't Look Back In Anger” UK premiere in London, England, Monday, Sept. 7, 2026. (AP)
Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the “Oasis: Don't Look Back In Anger” UK premiere in London, England, Monday, Sept. 7, 2026. (AP)
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Music World to Celebrate Newest Rock Hall Members Including Oasis, Wu-Tang Clan, Sade

Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the “Oasis: Don't Look Back In Anger” UK premiere in London, England, Monday, Sept. 7, 2026. (AP)
Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the “Oasis: Don't Look Back In Anger” UK premiere in London, England, Monday, Sept. 7, 2026. (AP)

Music's A-listers will celebrate the newest group of luminaries entering the Rock and Roll Hall of Fame on Saturday -- though several of the inductees including Sade and Oasis have opted not to attend.

They join British rocker Billy Idol, rhapsodic hip-hop transformers Wu-Tang Clan, versatile rock star Phil Collins, English heavy metal band Iron Maiden, post-punk and electronic dance music renegades Joy Division/New Order and the velvet-voiced late Luther Vandross in the performer class of 2026.

The Cleveland-based Hall of Fame -- which surveyed more than 1,000 musicians, historians and industry members to choose the entrants -- will honor the acts in a star-studded gala concert on Saturday at Los Angeles's Peacock Theater.

But who will show up and who will perform remains iffy.

Often inductees perform themselves -- the evening can serve as a way to reunite the long estranged -- or fellow musicians take the stage to showcase an act's legacy.

Several of the 2026 artists have already said they'll skip.

Sade -- the group whose sensual, captivating rhythms have endured as fan favorites for decades with hits including "Smooth Operator" and "No Ordinary Love" -- said they were bowing out in a statement on their website.

"Sorry we can't be there in person to celebrate with the other artists. Please know that our absence takes nothing away from how much this recognition means to us," said the group, fronted by the singer Sade Adu.

Britpop's one-time feuding brothers Liam and Noel Gallagher of Oasis -- who recently announced a 2027 world tour -- also declined to make the trip.

Noel Gallagher is scheduled to perform solo in London. Liam Gallagher had previously voiced disdain for the institution, and earlier this week said in an X reply to a fan: "It's too far to be going for the night."

Iron Maiden said they will miss the ceremony as they're on tour in Australia.

- 'Tremendous honor' -

The two British rock bands Joy Division and New Order will get a rare joint induction. New Order formed from the ashes of Joy Division after the original group's lead singer, Ian Curtis, died in 1980.

New Order went on to pioneer the future of alternative dance, with signature tracks including "Blue Monday,True Faith" and "Bizarre Love Triangle."

But it's unclear which members will attend, or if New Order will perform.

Collins -- one of rock's great drummers, whose signature hits include "In the Air Tonight" and "Sussudio" -- has said health problems will keep him from taking the stage.

Staten Island's own Wu-Tang Clan -- the ragtag group of New Yorkers who paired raw production with streetwise rhymes and martial arts influences to create cinematic hip-hop that changed the game -- recently wrapped a tour they billed as their last.

The Clan -- known for songs like "C.R.E.A.M" and "Protect Ya Neck" -- doesn't always appear at events or even on tour as a full unit, but receiving an honor from the Rock Hall could be an apt moment for a reunion.

Ahead of Idol's induction, Los Angeles named Friday, November 13 as "Billy Idol Day," making it seemingly likely the rocker who came up in London's punk scene and put out radio hits including "Dancing With Myself" will attend Saturday's ceremony.

When his induction was announced, Idol called it "a tremendous honor."

Eligible nominees into the Rock Hall must have released their first commercial recording at least 25 years prior to being nominated.

The Rock Hall also inducts new members with awards doled out by committees.

Five artists will receive an "early influence" honor: Queen Latifah, Celia Cruz, MC Lyte, Fela Kuti and Gram Parsons.


New Awards Show Celebrates AI Music and Its Creators

The words "AI Artificial Intelligence" and a keyboard in this illustration taken October 19, 2026. (Reuters)
The words "AI Artificial Intelligence" and a keyboard in this illustration taken October 19, 2026. (Reuters)
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New Awards Show Celebrates AI Music and Its Creators

The words "AI Artificial Intelligence" and a keyboard in this illustration taken October 19, 2026. (Reuters)
The words "AI Artificial Intelligence" and a keyboard in this illustration taken October 19, 2026. (Reuters)

And the award goes to ... AI music.

The first AI Music Awards ceremony in the US on Friday celebrated the people who created songs at least partly with AI, a field that has sparked criticism and lawsuits while also gaining millions of streams and landing on music charts.

At Friday’s event in downtown Los Angeles, human presenters and winners argued that artificial intelligence-created music should be viewed as part of a new genre that requires real-life artistry as well as hours of prompting to get the right sound.

"In a world ‌where everybody ‌calls AI fake, the human behind it is real," said ‌music ⁠producer Drake Murphy ⁠as he presented the award for best AI hip-hop song.

The night's top awards of AI artist, song and album of the year went to Xania Monet, an AI-generated avatar known for "How Was I Supposed to Know?" Billboard said the R&B song was the first by an AI-based act to earn a spot on one of its radio charts.

Monet was created by Telisha "Nikki" Jones, who said she wrote all of the lyrics and then ⁠set them to music with the help of AI.

"I just ‌feel like AI music is a new ‌thing that people just have to get used to," Jones said on the red carpet before ‌the ceremony. "I don't see it going anywhere anytime soon."

AI artists who are members ‌of the Sonic Intelligence Academy, a company that created AI music charts and tools to identify songs made with AI, chose the winners.

ARTISTS TOUT AI AS A CREATIVE TOOL DESPITE BACKLASH

While the presence of AI in music-making can be traced back to the 1950s, groundbreaking ‌advances in generative AI, with robots now making music as digital pop stars, have divided opinions in the industry.

Record labels have ⁠sued AI companies ⁠including Anthropic and OpenAI, arguing that they are illegally using copyrighted works to train their models. The Elvis Presley estate also filed a lawsuit.

The companies have said they are protected by the "fair use" doctrine in US copyright law that allows unlicensed use in some cases.

Musicians worry that AI-generated music blocks human artists from gaining traction and takes work from producers, singers, engineers and songwriters.

Many of Friday’s nominees said they had stories to tell but did not have all of the skills needed to put them to music. They said AI was a tool that helped bring the music to life and they hoped the awards would show people there are humans behind AI music.

“A lot of things we do behind the scenes is hard work, contrary to popular belief," said nominee J. Frequency. “Art is art, and I think this is just another expression of that.”