Film Armorer Blames Ammo Supplier in Deadly ‘Rust’ Shooting

The film set of "Rust", where Hollywood actor Alec Baldwin fatally shot a cinematographer and wounded a director when he discharged a prop gun, is seen from a distance, in Santa Fe, New Mexico, US, October 23, 2021. REUTERS/Kevin Mohatt
The film set of "Rust", where Hollywood actor Alec Baldwin fatally shot a cinematographer and wounded a director when he discharged a prop gun, is seen from a distance, in Santa Fe, New Mexico, US, October 23, 2021. REUTERS/Kevin Mohatt
TT

Film Armorer Blames Ammo Supplier in Deadly ‘Rust’ Shooting

The film set of "Rust", where Hollywood actor Alec Baldwin fatally shot a cinematographer and wounded a director when he discharged a prop gun, is seen from a distance, in Santa Fe, New Mexico, US, October 23, 2021. REUTERS/Kevin Mohatt
The film set of "Rust", where Hollywood actor Alec Baldwin fatally shot a cinematographer and wounded a director when he discharged a prop gun, is seen from a distance, in Santa Fe, New Mexico, US, October 23, 2021. REUTERS/Kevin Mohatt

A new lawsuit accused an ammunition supplier Wednesday of creating dangerous conditions on a movie set where a gun held by actor Alec Baldwin killed a cinematographer, by including live ammunition in a box that was supposed to include only dummy rounds.

The lawsuit was filed in New Mexico state district court by Hannah Gutierrez Reed, the armorer who oversaw firearms, ammunition and related training on the set of “Rust" along with two colleagues, The Associated Press reported. Cinematographer Halyna Hutchins died on Oct. 21 from a gunshot wound during a “Rust” rehearsal at a ranch on the outskirts of Santa Fe in northern New Mexico.

The Santa Fe County Sheriff’s Office that is leading an investigation into the cause of the death has said it is too soon to determine whether charges will be filed. Investigators have described “some complacency” in how weapons were handled on set.

The lawsuit from Gutierrez Reed places blame on ammunition supplier Seth Kenney and his company PDQ Arm & Prop for introducing live rounds to the set where only blanks and dummies were supposed to be present.

“The introduction of live rounds onto the set, which no one anticipated, combined with the rushed and chaotic atmosphere, created a perfect storm for a safety incident," the lawsuit states.

Kenney could not be reached for comment. He has said previously that he was sure his company did not send any live rounds to the set of “Rust.”

The lawsuit adds new details to the chain of custody for guns and ammunition on the “Rust” set on Oct. 21, describing the appearance of a new box of ammunition — presumed to be harmless dummy rounds with no explosive — shortly before a revolver was loaded and passed to Baldwin.

Baldwin has said he didn’t know the gun he was holding contained a live round when it went off while pointed at Hutchins. Investigators are trying to find where the live round came from, searching the Albuquerque premises of PDQ Arm & Prop in December.

The new lawsuit seeks damages at a jury trial on allegations of unfair trade practices, introducing dangerous products, and false labels and misrepresentation.

It states that authorities found on set "a suspected seven live rounds distributed inside the ammo box, on the ammo cart and in the bandoliers.”

The lawsuit also accuses Kenney of inserting himself in the investigations and attempting to implicate Gutierrez Reed.

Authorities recovered hundreds of rounds of ammunition at the “Rust” movie set — a mix of blanks, dummy rounds and what appeared to be live rounds.

Authorities have issued a search warrant for Baldwin's phone, seeking text messages, images, videos, calls or any other information related to the movie.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
TT

‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.