‘Dune,’ ‘The Power of the Dog’ Lead BAFTA Nominations

This image released by Netflix shows Benedict Cumberbatch in a scene from "The Power of the Dog." (Netflix via AP)
This image released by Netflix shows Benedict Cumberbatch in a scene from "The Power of the Dog." (Netflix via AP)
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‘Dune,’ ‘The Power of the Dog’ Lead BAFTA Nominations

This image released by Netflix shows Benedict Cumberbatch in a scene from "The Power of the Dog." (Netflix via AP)
This image released by Netflix shows Benedict Cumberbatch in a scene from "The Power of the Dog." (Netflix via AP)

Sci-fi epic blockbuster “Dune” and Jane Campion’s dark Western “The Power of the Dog” lead the nominations for this year’s British Academy Film Awards, with Benedict Cumberbatch, Leonardo DiCaprio and Lady Gaga among those up for leading actor awards.

“Dune,” starring Timothee Chalamet and Zendaya, received eleven nominations Thursday including best film, cinematography and original score. “The Power of the Dog,” set in 1920s Montana and starring Cumberbatch as a ranch owner, follows close behind with eight nominations, including best director and best film.

Kenneth Branagh’s semi-autobiographical “Belfast,” which tells of a childhood in Northern Ireland during the bloody conflict known as The Troubles, was also nominated for best film and five other categories.

Branagh did not make it onto the best director list, but he said Thursday that the nominations were “an amazing tribute to a remarkable part of the world.” He said: “We are humbly and delightfully gobsmacked!”

The other two contenders for best film are “Don’t Look Up,” the disaster comedy starring DiCaprio, and coming-of-age drama “Licorice Pizza.”

DiCaprio and Cumberbatch are among those nominated in the leading actor category, along with Will Smith, who received his first BAFTA nomination for his role as the father of Serena and Venus Williams in “King Richard.”

Cumberbatch said he was “deeply humbled and grateful.”

“The journey to play Phil Burbank took me a long way from anything familiar to me and this recognition of that work feels like completing the circle and coming home,” the actor said in a statement.

The leading actress list included Lady Gaga for “House of Gucci,” Alana Haim for “Licorice Pizza” and Emilia Jones for “Coda.”

Notable absences in Thursday’s shortlist included Olivia Colman for “The Lost Daughter,” and Kristen Stewart, who plays Princess Diana in “Spencer.”

Daniel Craig’s last James Bond film, “No Time to Die,” and Steven Spielberg’s “West Side Story” both received five nominations.

The awards organizers say they are committed to supporting new talent, and this year all the performers in the supporting actor category are first-time nominees. They include Woody Norman for “C’mon C’mon,” who at just 11 years old is the youngest nominee of the year, and Ariana DeBose, who plays Anita in “West Side Story.”

“It’s really humbling, and I’m honored and just blown away,” DeBose told The Associated Press, praising the supporting actress shortlist as a diverse and international group of women.

In keeping with recent years, most acting nominations have gone to non-British performers.

The annual film awards celebrates its 75th anniversary this year, and winners will be announced during a ceremony hosted by Rebel Wilson at the Royal Albert Hall in London on March 13.

Last year’s ceremony was mostly carried out online, with just the hosts and presenters appearing in person.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.