‘Dune,’ ‘The Power of the Dog’ Lead BAFTA Nominations

This image released by Netflix shows Benedict Cumberbatch in a scene from "The Power of the Dog." (Netflix via AP)
This image released by Netflix shows Benedict Cumberbatch in a scene from "The Power of the Dog." (Netflix via AP)
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‘Dune,’ ‘The Power of the Dog’ Lead BAFTA Nominations

This image released by Netflix shows Benedict Cumberbatch in a scene from "The Power of the Dog." (Netflix via AP)
This image released by Netflix shows Benedict Cumberbatch in a scene from "The Power of the Dog." (Netflix via AP)

Sci-fi epic blockbuster “Dune” and Jane Campion’s dark Western “The Power of the Dog” lead the nominations for this year’s British Academy Film Awards, with Benedict Cumberbatch, Leonardo DiCaprio and Lady Gaga among those up for leading actor awards.

“Dune,” starring Timothee Chalamet and Zendaya, received eleven nominations Thursday including best film, cinematography and original score. “The Power of the Dog,” set in 1920s Montana and starring Cumberbatch as a ranch owner, follows close behind with eight nominations, including best director and best film.

Kenneth Branagh’s semi-autobiographical “Belfast,” which tells of a childhood in Northern Ireland during the bloody conflict known as The Troubles, was also nominated for best film and five other categories.

Branagh did not make it onto the best director list, but he said Thursday that the nominations were “an amazing tribute to a remarkable part of the world.” He said: “We are humbly and delightfully gobsmacked!”

The other two contenders for best film are “Don’t Look Up,” the disaster comedy starring DiCaprio, and coming-of-age drama “Licorice Pizza.”

DiCaprio and Cumberbatch are among those nominated in the leading actor category, along with Will Smith, who received his first BAFTA nomination for his role as the father of Serena and Venus Williams in “King Richard.”

Cumberbatch said he was “deeply humbled and grateful.”

“The journey to play Phil Burbank took me a long way from anything familiar to me and this recognition of that work feels like completing the circle and coming home,” the actor said in a statement.

The leading actress list included Lady Gaga for “House of Gucci,” Alana Haim for “Licorice Pizza” and Emilia Jones for “Coda.”

Notable absences in Thursday’s shortlist included Olivia Colman for “The Lost Daughter,” and Kristen Stewart, who plays Princess Diana in “Spencer.”

Daniel Craig’s last James Bond film, “No Time to Die,” and Steven Spielberg’s “West Side Story” both received five nominations.

The awards organizers say they are committed to supporting new talent, and this year all the performers in the supporting actor category are first-time nominees. They include Woody Norman for “C’mon C’mon,” who at just 11 years old is the youngest nominee of the year, and Ariana DeBose, who plays Anita in “West Side Story.”

“It’s really humbling, and I’m honored and just blown away,” DeBose told The Associated Press, praising the supporting actress shortlist as a diverse and international group of women.

In keeping with recent years, most acting nominations have gone to non-British performers.

The annual film awards celebrates its 75th anniversary this year, and winners will be announced during a ceremony hosted by Rebel Wilson at the Royal Albert Hall in London on March 13.

Last year’s ceremony was mostly carried out online, with just the hosts and presenters appearing in person.



Charlie Brown and Snoopy Offer an Animated ‘Peanuts’ Musical About Summer Camp

A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
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Charlie Brown and Snoopy Offer an Animated ‘Peanuts’ Musical About Summer Camp

A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)

Charlie Brown and Snoopy go to sleepaway camp in a new, bittersweet Apple TV+ special fueled by a pair of Emmy Award-nominated songwriters that's being billed as the first "Peanuts" musical in 35 years.

"My motivation has always been to preserve and enhance my dad’s legacy," says co-writer Craig Schulz, a son of the iconic comic strip "Peanuts" creator Charles. S. Schulz. "So it’s really an honor to get to play with these kids."

"Snoopy Presents: A Summer Musical," which premieres Friday, features five songs — two by Jeff Morrow, Alan Zachary and Michael Weiner — and three by Ben Folds.

"If someone asked me to write for a stupid kids thing, I would find it difficult because I don’t like talking down to anyone, much less kids," says Folds. "'Peanuts' isn't like that. We’re working in very rich, fertile soil."

What's the special about? The special opens with the kids getting ready to catch the bus to Cloverhill Ranch camp, but Sally isn't so sure it's going to be great. "Honestly, big brother, I could stay home," she says.

Sally is initially intimidated by the camp's inside jokes and rituals, turned off by the insects, the endless climbing, no TV, cold lake water and lumpy beds.

"You wake at dawn/Like you would in jail," she sings in the song "A Place Like This.The food’s not what you’d call upscale/This whole endeavor, an epic fail/And that’s being diplomatic."

Trust "Peanuts" to explore reluctance to leave home and fear of change. Craig Schulz, who co-wrote the script with his son, Bryan, and Cornelius Uliano, channeled some of his own childhood.

"Cloverhill Ranch actually is a take-off of the one in Santa Rosa called Cloverleaf that I went to as a child and hated. I bailed out after a week and went home," he says. "So many connections in the film kind of date back to my childhood that we weaved into the film."

While Sally warms to camp, Snoopy discovers what he thinks is a treasure map that will transform him into a wealthy pooch, one who will lay on top of a gold dog house. And Charlie Brown learns that this summer will be the last for his beloved but struggling camp — unless he does something.

"I guess your generation would rather sit in front of the television than sit under the stars," he tells Sally. "We have to protect these kinds of places because once they’re gone, they’re gone forever."

Charlie Brown comes up with the idea to invite generations of camp-goers back for a fundraising concert, but the skies darken on the big day, threatening to cancel the event and sending him into a "Good grief" spiral.

"Charlie Brown is different in this special," says director Erik Wiese. "He’s really happy. He loves this place. And so that’s why when we get to that scene it’s so effective because he returned back to the zero we sort of know him traditionally."

Folds supplies the lovely, last three songs — "When We Were Light,Look Up, Charlie Brown" and "Leave It Better" — and credits his songwriting collaborators for setting the stage.

"I entered when those first two songs existed, and I get to just sort of step in at the point where things get really complex and melancholic," he says.

Folds has had a flirtation with musical theater before, having written the "Peanuts" Earth Day song "It’s the Small Things, Charlie Brown" in 2022 and a few songs for the movie "Over the Hedge" in 2006.

"People can easily confuse a song that sounds like musical theater with a song that should be musical theater," he says. "Really what the value of the song is that it obviates the need for a good five to 10 pages of script."

This October marks the 75th anniversary of "Peanuts," and the musical arrives with a boatload of branding, from tote bags by Coach to shoes by Crocs and Starbucks mugs.

Craig Schulz is already at work on a second animated musical with his son, having long ago fallen in love with the family business.

"I used to always wonder how in the world my dad could go to the office every day for 50 years and write a comic strip every day," he says, comparing it to the "I Love Lucy" episode with Lucy trying to keep up with a chocolate conveyor belt.

"Then I came to realize that he had his family of five kids, but I really think he enjoyed going to the studio and working with the ‘Peanuts’ characters even more so than his real family. He got to go in there and embrace them, draw them, make him happy, sad, whatever. It was a world that I don’t think he could ever leave."