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Dutch Police Investigate Abuse Complaints at Talent Show

John de Mol from the Netherlands receives the Golden Rose Award 2004 in the category Honorary Golden Rose 2004 during the official award ceremony of the 44th Rose d'Or festival at the Culture and Congress Center (KKL) in Lucerne, Switzerland, Saturday, April 17, 2004. (AP)
John de Mol from the Netherlands receives the Golden Rose Award 2004 in the category Honorary Golden Rose 2004 during the official award ceremony of the 44th Rose d'Or festival at the Culture and Congress Center (KKL) in Lucerne, Switzerland, Saturday, April 17, 2004. (AP)
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Dutch Police Investigate Abuse Complaints at Talent Show

John de Mol from the Netherlands receives the Golden Rose Award 2004 in the category Honorary Golden Rose 2004 during the official award ceremony of the 44th Rose d'Or festival at the Culture and Congress Center (KKL) in Lucerne, Switzerland, Saturday, April 17, 2004. (AP)
John de Mol from the Netherlands receives the Golden Rose Award 2004 in the category Honorary Golden Rose 2004 during the official award ceremony of the 44th Rose d'Or festival at the Culture and Congress Center (KKL) in Lucerne, Switzerland, Saturday, April 17, 2004. (AP)

Dutch police have received five reports of alleged criminal abuse linked to “The Voice of Holland” talent show and some 20 reports of “inappropriate behavior and possible sexually transgressive behavior” by people linked to the show.

The police statement on Monday revealed no further details of the complaints, citing privacy.

The online investigative show “BOOS” — the Dutch word for “angry” — reported last month that it had received multiple claims ranging from an allegation of rape to sexually-tinted WhatsApp messages sent by two panelists on “The Voice of Holland” and its pianist and band leader.

The show’s former producer, media tycoon John de Mol, apologized and told “BOOS” that in his years as “The Voice of Holland’s” producer he only received one complaint, and that was against the show’s pianist and band leader Jeroen Rietbergen, in 2019.

Rietbergen was the partner of De Mol’s sister, the Dutch television star Linda de Mol. She ended their relationship and the popular talent show was taken off the air amid the allegations. Rietbergen apologized for his behavior. Two other panelists have denied wrongdoing.

Police said in a statement Monday that they are working with the country’s Public Prosecution Service to investigate the reports and whether they merit opening criminal investigations.

“This process takes time. We want to do this, as always, with the utmost care in the interest of the victims,” the force said.

The reports of abuse at the ratings juggernaut that is broadcast in local versions around the world has re-opened the #MeToo debate in the Netherlands.

In an unrelated case, one of the most senior administrators at Amsterdam football club Ajax quit Sunday night and apologized for sending inappropriate messages to female colleagues.

Marc Overmars, a former star player with Ajax, Arsenal, Barcelona and the Netherlands’ national team, apologized in a statement released by Ajax. He said that he “didn’t realize that I was crossing the line with this, but that was made clear to me in recent days.”

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Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
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Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)

Meghann Fahy and Eve Hewson, two of the stars of Netflix's whodunit “The Perfect Couple,” have news for you if you want to call them breakouts: They've been working in this business for more than a decade.
Fahy made her TV debut in 2009 in an episode of “Gossip Girl.” Hewson's first big film role was in 2011's “This Must Be the Place.” They do concede, however, that it's recent TV roles — “The White Lotus” for Fahy and “Bad Sisters” for Hewson — that have led to new frontiers of opportunity, The Associated Press said.
Susanne Bier, who directed “The Perfect Couple,” says both Fahy and Hewson are “going to be big stars.”
“They certainly have proper, profound star quality, Both of them in very different ways,” Bier says. “Both are incredibly creative, incredibly smart, and also have a impressive insight as to who they are. You can be a great actor or actress and not necessarily really know who you are yourself. And they do.”
Hewson, 33, whose dad is U2 front man Bono, may have grown up in a famous family but she's now in demand in her own right. She will next be seen in a second season of “Bad Sisters, ” out in November. She's in Noah Baumbach's next film, alongside Adam Sandler, George Clooney and Riley Keough. She's also been cast in Steven Spielberg's next production and is set to star opposite Murray Bartlett in a racing series for Hulu.
Fahy, 34, is in production on a limited series with Julianne Moore and Milly Alcock called “Sirens,” written by Molly Smith Metzler (“Maid”) for Netflix. She also has two films in the can with Josh O'Connor (“The Crown,” “Challengers”) and Brandon Sklenar (“It Ends With Us”).
The two actors spoke candidly with The Associated Press about this phase of their careers. This interview has been condensed for clarity and brevity.
AP: You've both had popular, zeitgeisty TV shows in recent years. TV fans are particularly passionate. Have you experienced any interesting interactions with fans? HEWSON: It’s actually really fun to experience because even when we were in Cape Cod shooting “The Perfect Couple,” I would go to the local shop to get my groceries and little old ladies would follow me down the aisle and be like, “Excuse me. Are you that girl from that ‘Sisters’ show?” Who knew that they were watching it? It doesn’t change my life, so it doesn’t bother me, but when someone comes up to me and says that they love the show, especially when it’s someone unexpected, I’m like, “Oh, cool.”
FAHY: It’s not happening so much to me that it feels like a huge imposition or anything. I feel like I’ve been really lucky. A lot of the people that I’ve met who have been a fan of “The White Lotus,” or whatever, they’re really sweet people. And, I think, part of why we do this is because we want to tell stories that people can connect to and play out scenarios for themselves. So I think it’s always really nice.
AP: What's it like to now be a part of conversations about whom to watch? FAHY: Part of it feels really nice because you work really, really, really hard for a really long time — maybe that’s not how it happens for a lot of people — but I feel like we’ve both been doing this for a minute. So, of course, it feels really good. but I try not to like dwell on any of it. I try to acknowledge it and be like, “Oh, that’s so nice.” And then just kind of keep going.
HEWSON: You hear so many stories of people who were like, “I walked into my first audition and I just became a star.” Or, there’s this element of being an actor where people don’t want to tell you how hard they work. They want it to look like it’s really easy. But we've been doing this for a long time. People just don’t really tell those stories. It's usually about the one that was found on the street.
FAHY: Yeah. You took 15 years to become an overnight success.
AP: Do you notice you're now treated differently by people in the industry? FAHY: Yeah, but I always think that nobody ever knows who I am. It’s always very embarrassing. I embarrass myself in those moments. I don’t always feel like I fit in those rooms.
HEWSON: What’s nice is, I’ve spent so long going into a room and people just being like, “OK,” and act like they’re just not getting it. I know at least like I have work that people understand, what I’m doing a little bit more so they get me as an actor.
FAHY: It’s like a different level of respect.