Saudi Traditional Dress Remains Fashionable Since Kingdom's Founding 3 Centuries Ago

Traditional dress worn in central Suadi Arabia.
Traditional dress worn in central Suadi Arabia.
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Saudi Traditional Dress Remains Fashionable Since Kingdom's Founding 3 Centuries Ago

Traditional dress worn in central Suadi Arabia.
Traditional dress worn in central Suadi Arabia.

As Saudi Arabia marks Founding Day on Tuesday, Asharq Al-Awsat takes a look at the rich traditional dress that has been worn since the establishment of the First Saudi State three centuries ago.

People today still wear traditional dress at special occasions, expressing their pride in their rich heritage.

Mohammed al-Qattan, a major mishlah merchant in al-Ahsa, spoke to Asharq Al-Awsat of the male and female Saudi dress that has been worn over the centuries.

He described the Al-barqa abaya, which is woven with two colored fabrics. It is a winter abaya, worn by princes, sheikhs and other senior figures.

The barqa is still in demand to this day, he revealed.

It is symbol of luxury, he explained, as it was woven by hand. The hand weaving tradition has since been replaced by factory production.

As for abayas and the bishts, al-Qattan said they were not very widely worn in the First Saudi State. They became more popular in the Second Saudi State as textiles from Iraq and Iran and Kashmiri wool and others started to be imported.

For several years, al-Ahsa was the center for production of royal bishts.

At the time, white cotton was the predominant fabric used in men's outwear., said Dr. Abdulrahman al-Orainy in his doctorate letter.

The fabrics changed with the changes of the seasons and also depending on the social status of the person. In the Najd region, people wore expensive clothes, known as al-jokh, in winter. The robe was a status symbol, differentiating between the rich and poor.

Another well-known dress at the time was the al-labda or al-labada, which was woven from wool. It was locally produced and the dress was padded with cotton so as to avoid scratching the skin.

The most sought after item of clothing in Najd at the time was the abaya, revealed Orainy. The most luxurious abaya was called the qilaniya. It came in many colors, but black was the most popular. It was made from soft fabric, brought in from al-Ahsa, with yellow thread sewn into it. This abaya was reserved for only the rich in society.

As for women, Orainy said the dress and jewelry varied according to social status and wealth. Wealthy women wore clothes made from high quality Indian silk that was adorned with gold. Iranian silk was also popular and renowned for its pure quality. Other fabrics included gold embroidered silk from the Sham region and rumi silk from Turkey.

Women from lower classes wore less expensive clothes, often made of black fabric. The design of the abaya also denoted social standing. Affluent women's abaya's were almost similar to the qilaniya worn by the men. They were woven with gold thread and imported from al-Ahsa. Women from the general class wore the black abaya, which was much cheaper than the qilaniya. Its sleeves were always tight so women could hide their arms.

As for makeup, women from the Najd region often colored the top of their heads before or after their hair was braided. They used a sort of paste, called "roshoush", which was made of saffron, roses and other material. Its application gave the hair a fragrant smell and attractive color. Women also applied color to their cheeks, often using saffron. They also applied henna to their hands.

Female dress differed from one Saudi region to the other.

In northern Saudi Arabia, they wore the al-maqrona, which is a large black square veil that is folded in the middle to form a triangle before being worn on the head. In the South, they wore the al-shayla, a black fabric with its edges sewn with colored thread or beads. It was fitted on the head with a yellow or red band.

In central Saudi Arabia, women wore the al-mukhnaq, which is a translucent silky fabric, made of chiffon or tulle. It was worn by girls when going outside the house. In the east, women wore the al-batoula, a face covering with openings for the eyes. It was worn by elderly women and often padded on the inside.

In the West, women wore the al-misdah, a loose dress that hides the shape of the body. This dress was made of plain or patterned fabrics.



Chinese Plus-size Influencer Spreads Body Positivity through Fashion

This photo taken on November 14, 2024 shows plus-size clothing brand owner and influencer Amanda Yao live-streaming from her workshop in Guangzhou, in China's southern Guangdong province. (Photo by GREG BAKER / AFP)
This photo taken on November 14, 2024 shows plus-size clothing brand owner and influencer Amanda Yao live-streaming from her workshop in Guangzhou, in China's southern Guangdong province. (Photo by GREG BAKER / AFP)
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Chinese Plus-size Influencer Spreads Body Positivity through Fashion

This photo taken on November 14, 2024 shows plus-size clothing brand owner and influencer Amanda Yao live-streaming from her workshop in Guangzhou, in China's southern Guangdong province. (Photo by GREG BAKER / AFP)
This photo taken on November 14, 2024 shows plus-size clothing brand owner and influencer Amanda Yao live-streaming from her workshop in Guangzhou, in China's southern Guangdong province. (Photo by GREG BAKER / AFP)

Surrounded by racks of colorful dresses and blazers in China's manufacturing hub of Guangzhou, plus-size clothing brand owner and influencer Amanda Yao is on a mission to promote body positivity.

She is part of a small but growing number of women in China challenging restrictive beauty standards, including thinness, pale skin and childlike features.

Online, a frequently circulated saying claims that "there are no good women over 50 kilograms (110 pounds)", while recent social media challenges have women squeezing into children's clothes or showing off the coins they can stack on their collarbones.

Yao makes fashionable, high-end clothing for plus-size women, offering a vibrant contrast to the poorly cut offerings normally available in "slimming" dark colors.

"I want my customers to have clothes that express who they are inside, rather than soulless pieces that exist only to make them look thinner," the 35-year-old told AFP.

When it comes to clothing, most Chinese retailers focus on smaller sizes and "think that larger people don't need fashion and don't need beautiful clothes", Yao said.

"But we have work, we have families, we have respectable lives, and we also need some fancy clothes sometimes."

To promote her online store, Yao posts pictures of her outfits on the Instagram-like Xiaohongshu app, often sporting leggings and tight-fitting workout tops she wears to climb the hills near her office.

"Reject body anxiety," Yao, who openly talks about weighing 100 kilograms, wrote in one post to her more than 15,000 followers.

"So what if I wear a strappy top and have big arms?"

- Embracing color -

Yao began selling plus-size clothing four years ago after returning to China from the United Kingdom, where she had worked for several years.

"I found it especially hard to buy clothing here," she told AFP.

Items ordered online often failed to match sellers' photos, and Yao grew sick of "very ugly clothes".

In her Guangzhou office and showroom this month, Yao showed off a Chinese-style pink silk jacket from her brand Yue Design, while modelling a bright green cardigan and skirt set.

"I never post photos of myself wearing black online," Yao said.

By avoiding the color traditionally recommended for larger women, she has also encouraged some of her customers to embrace brighter, more cheerful designs.

While clothing options for plus-size shoppers remain limited, some Chinese brands have taken steps to be more inclusive in recent years.

Lingerie brand Neiwai and loungewear company An Action A Day have featured larger models in their ads, though most of their items only cater to women up to 70 kilograms.

- Body scrutiny -

Aside from Yao, other influencers in China have found an audience eager for their posts about self-acceptance and photos of themselves enjoying clothing and food, despite the pressure to diet.

On Xiaohongshu, the hashtag "reject body anxiety" appears in nearly 200,000 posts.

But this is still a marked deviation from most body image content on Chinese social media.

One recent popular format involves someone posting a photo of themselves and asking viewers for makeover tips.

These posts often draw extreme scrutiny from commenters, who pick on people for flaws as specific as having a square jaw rather than the "ideal" pointed chin.

With constant exposure to idealized body types, people "start to conflate the meaning of their own worth with what they look like," Stephanie Ng, who runs Hong Kong-based mental health organization Body Banter, told AFP.

That has dangerous consequences, including extreme dieting and eating disorders, Ng said.

There is little official data on eating disorders in China, but the prominent Shanghai Mental Health Center reported an increase from eight such patients in 2002 to 3,000 in 2021, according to state broadcaster CGTN.

Even though Yao has built a loyal following, her posts can also attract cruel comments.

"Daring to post an ugly photo showing your ring-shaped torso fat doesn't equal confidence," one commenter wrote under one of Yao's workout posts.

She told AFP that the criticism has only made her more determined.

"I want to help women who are feeling self-hatred to look at themselves in a new way," she said.