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ICESCO Joins Gaza’s Children in ‘Enjoy Your Life with Music’

ICESCO Joins Gaza’s Children in ‘Enjoy Your Life with Music’
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ICESCO Joins Gaza’s Children in ‘Enjoy Your Life with Music’

ICESCO Joins Gaza’s Children in ‘Enjoy Your Life with Music’

The Islamic World Educational, Scientific and Cultural Organization (ICESCO) took part in the closing ceremony of the “Enjoy Your Life with Music,” an ICESCO-funded initiative that was held in Gaza and organized by the Palestinian National Commission for Education, Culture and Science in partnership with Al-Sununu Association for Culture and Arts.

The project is aimed at improving the mental health of Gaza’s children, particularly those who have been exposed to violence and suffer from post-traumatic stress, by using music therapy as a means for unleashing positive creative expression that has an array of psychological benefits and helps unlock children’s full potential.

Dr. Mohammed Zine El Abidine, Head of ICESCO’s Culture and Communication Sector, represented the Organization at the ceremony held on Saturday via videoconference.

In his statement, Dr. Zine El Abidine stressed the need for a peaceful and serene world free of conflict and hostility, noting that music is a universal language we all understand that has deep philosophical roots and appeals to the mind and soul.

He added that ICESCO seeks to promote peace and believes in the role youths can play in peace-building, which has pushed it to launch several programs aimed at training youths and building their capacities, especially in anchoring peace and coexistence and promoting technology, innovation, and strategic foresight.

At the end of the ceremony, Al-Sununu Association for Culture and Arts offered its shield to ICESCO Director-General Dr. Salim M. AlMalik in recognition of his efforts and in appreciation of the Organization’s support for this program.

Dr. Dawas Dawas, the Secretary-General of the Palestinian National Commission for Education, Culture and Science, Chairman of ICESCO’s Executive Council, received the shield on Malik’s behalf.

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Varieties

Just Days Before Cesar Awards, French Movie Stars Warn AI Plundering Industry

An expressive image of the debate between French cinema industry and AI (Shutterstock)
An expressive image of the debate between French cinema industry and AI (Shutterstock)
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Just Days Before Cesar Awards, French Movie Stars Warn AI Plundering Industry

An expressive image of the debate between French cinema industry and AI (Shutterstock)
An expressive image of the debate between French cinema industry and AI (Shutterstock)

Just days before France’s version of the Oscars, thousands of French actors and filmmakers have warned that AI tools are “plundering” talent across the industry.

“We are facing a profound upheaval in our profession with the arrival of artificial intelligence,” said the op-ed in Le Parisien, which was signed by some 4,000 artists.

The petition stated that the industry has already been struggling with unauthorized voice cloning, image scraping and undervalued AI licensing deals for some time.

Signatories included many French movie stars, such as Berenice Bejo, Léa Drucker, Swann Arlaud, José Garcia, Karin Viard, Franck Dubosc and Elodie Bouchez.

The op-ed, released ahead of the 51st edition of the French film industry’s Cesar Awards, warned of the rise of “unauthorized voice cloning,” which has taken the industry by storm.

“This tool, extraordinarily valuable for certain professions, is also a devouring hydra for the artists that we are,” the op-ed said, adding that “Not a week goes by without an artist sounding the alarm over the brutal competition AI is inflicting on their work.”

It stated that just recently, “an actor was offered a contract to use his image by AI for the creation of a new commercial for a major French group, simply replacing two days of filming. A Faustian pact... paid 250 euros!”

The op-ed also pointed to the hundreds of lesser-established actors, often lacking leverage, and who feel pressured to sign contracts granting AI rights, “despite the risks to their image and their future.”

As such, French actors said they demand “guarantees that no artist will be forced to give up their digital identity.”

“This organized plundering is not hypothetical — it’s happening here and now. It’s intolerable, and it’s taking place before our very eyes.” The artists called for a clear “legal framework” so that AI can “coexist with artistic work, with the protection of copyright and related rights.”

In recent months, the industry has introduced various initiatives to tackle the threat posed by AI and the flood of content replicating artists and their voices almost perfectly.

In January, eight French voice actors sent formal notices to two US companies that had cloned their voices without consent. Actors have also taken to the streets of Paris under the slogan “Touche pas à ma VF” (Hands off my French dub).

The debate goes far beyond France. Last week, Hollywood heavyweights accused the Chinese software Seedance 2.0, built by TikTok owner ByteDance, of copyright infringement after AI-generated videos, including of Tom Cruise brawling with Brad Pitt, went viral.

Varieties

Two Holy Mosques Exhibition Welcomes Visitors for Founding Day Celebrations

The exhibition is open daily from 10:00 a.m. to 1:30 a.m - SPA
The exhibition is open daily from 10:00 a.m. to 1:30 a.m - SPA
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Two Holy Mosques Exhibition Welcomes Visitors for Founding Day Celebrations

The exhibition is open daily from 10:00 a.m. to 1:30 a.m - SPA
The exhibition is open daily from 10:00 a.m. to 1:30 a.m - SPA

In celebration of the Kingdom’s Founding Day, the Exhibition of the Two Holy Mosques Architecture in Makkah is welcoming visitors to explore a comprehensive historical journey.

The exhibition presents the evolution of the Two Holy Mosques through rare artifacts, historical photographs, and documentation of successive Saudi expansions, according to SPA.

The halls highlight the Kingdom’s long-standing dedication to serving the Two Holy Mosques. They combine heritage and modern technology to present the architectural development of Islam’s holiest sites.

The exhibition is open daily from 10:00 a.m. to 1:30 a.m.

Varieties

Photos Show Filming of Ramadan TV Drama Series on the War-scarred Streets of Syria's Aleppo

Extras stand by as a television crew films an episode of the TV series “Al-Souriyoun al-Aada” (“The Syrian Enemies”), based on a novel of the same name that was banned under Bashar Assad, along a transformed street in central Aleppo, Syria, Friday, Feb. 13, 2026. (AP Photo/Ghaith Alsayed)
Extras stand by as a television crew films an episode of the TV series “Al-Souriyoun al-Aada” (“The Syrian Enemies”), based on a novel of the same name that was banned under Bashar Assad, along a transformed street in central Aleppo, Syria, Friday, Feb. 13, 2026. (AP Photo/Ghaith Alsayed)
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Photos Show Filming of Ramadan TV Drama Series on the War-scarred Streets of Syria's Aleppo

Extras stand by as a television crew films an episode of the TV series “Al-Souriyoun al-Aada” (“The Syrian Enemies”), based on a novel of the same name that was banned under Bashar Assad, along a transformed street in central Aleppo, Syria, Friday, Feb. 13, 2026. (AP Photo/Ghaith Alsayed)
Extras stand by as a television crew films an episode of the TV series “Al-Souriyoun al-Aada” (“The Syrian Enemies”), based on a novel of the same name that was banned under Bashar Assad, along a transformed street in central Aleppo, Syria, Friday, Feb. 13, 2026. (AP Photo/Ghaith Alsayed)

Ramadan in the Arab world is a month of fasting and prayer by day — and television by night. For decades, families have gathered after the iftar, the evening meal that breaks the daytime fast, to follow the season’s highly anticipated drama series, produced specially to air during the Islamic holy month.

In the week before Ramadan, a television crew in central Aleppo was busy preparing one of those productions, with a battered street in the historic city transformed into a scene from decades past.

Lamees Al-Ali, an extra in the series, poses for a photograph during the filming of an episode of the TV series “Al-Souriyoun al-Aada” (“The Syrian Enemies”), based on a novel of the same name that was banned under Bashar Assad, along a transformed street in central Aleppo, Syria, Friday, Feb. 13, 2026. (AP Photo/Ghaith Alsayed)

Classic 1970s cars lined the curb. A horse-drawn cart rolled through the frame. A vendor in a red tarboush, a brimless cone-shaped hat, stood beside steaming pots of sahlep — a sweet, thickened milk drink flavored with spices and associated with winter evenings.

Just outside the camera’s view stood a stark reminder of Syria's more recent history. Collapsed buildings and damaged facades testified to Aleppo’s role as a major battleground during the country's civil war. However, with costumes, props and careful framing, the production temporarily carried the street back to what it portrays as a more innocent era, according to The AP news.

A television crew films an episode of the TV series “Al-Souriyoun al-Aada” (“The Syrian Enemies”), based on a novel of the same name that was banned under Bashar Assad, along a transformed street in central Aleppo, Syria, Friday, Feb. 13, 2026.(AP Photo/Ghaith Alsayed)

The series being filmed — “Al-Souriyoun al-Aada,” or “The Syrian Enemies” — is based on a novel that was banned during the rule of former President Bashar Assad. The story examines painful chapters of Syria’s past, including the 1982 events in Hama, when government forces crushed an uprising led by the Muslim Brotherhood, killing or disappearing an estimated 10,000 to 40,000 people and leaving the city in ruins.

As filming continues into Ramadan, the production reflects both a cherished seasonal tradition and Syria’s complex, layered history.