Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
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Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu

The Beirut Arab International Book Fair has opened its doors on Thursday after a three-year hiatus. Although its 62nd and last edition took place in 2018, this didn’t help keep it out of the Lebanese disputes. Publishers were divided; some believed Beirut needs some hope and everyone should defy the current circumstances, while others thought the timing is not good and it would be better to wait until its annual date, in December. However, the Arab Cultural Club, the association behind the fair, decided to hold an event now, and another in December because ‘the long absence serves no one.’

For the first time, the Beirut Arab International Book Fair is missing prominent publishing houses including Dar Al Adab, Dar Al Saqi, the Arab Scientific Publishers, Dar Al Jadeed, Hachette Antoine, Dar Al Tanweer, and Al Mada Publisher. However, the absence of ‘whales’ could be beneficial for the small publishing houses, said Dr. Abdulhalim Hammoud, founder of Dar Zamakan, referring to the large, prominent publishers. Hammoud sees this fair as an opportunity the new publishing houses could use to meet the readers without competition. “Our house has five signing events and displays new books including one about Fairuz and another about Ziad Rahbani. Each one of the partaking publishers has six to ten signing events as well,” he said. “The fair could be seen as a failure because of the hard situation in the country. But we think differently. A three-year hiatus means piles of new titles, warehouses full of books printed before the crisis and the devaluation of the local currency, and sales for affordable prices. It's’ a great opportunity for publishers seeking to boost their sales. Our house partakes in the fair with four new novels, and we plan to sell the book for 100,000 LBP (around $5) while other houses are selling the book for 200,000 LBP (around $10)”.

Inspired by the hard situation the country is currently living in, this year’s edition is dubbed “Beirut of Resistance…Beirut never Falls.” However, Suleiman Bakhti, owner of Dar Nelson, describes it as the ‘fair of challenge’ and ‘exploration.’ “We lost contact with the reading audience. It’s been a long time; things have changed, and this concerns me as a person interested in cultural affairs. We are seeing withdrawals from the industry, while our mission is to create more interaction through books, theater, and music. This year, we don’t want people to buy, but they must come, meet us, and leave their burdens behind. Following the economic collapse, the Beirut blast, the pandemic, and all the disasters we lived over the past two years, all we really want is to see people standing on their feet again,” Bakhti explained.

The past editions of the Beirut Arab International Book Fair were held at the Seaside Arena, in the heart of Beirut, in a 10,000 square meter hall which was destroyed by the blast on August 4, 2020. The venue was partly renovated, so the fair will be held over a 4,000 square meter space this year. There is a promise that the entire hall will be renovated by the end of the year, and the next date of the exhibition.

Jihad Chebaro, the owner of the Arab Scientific Publishers that declined to partake in the fair, believes such an event cannot be held in the current circumstances. “The venue and the parking lots are not ready yet, and most publishers and the Syndicate of Publishers Union refused to participate, so we didn’t want to oppose this decision. We wanted the fair to happen on its annual date because we didn’t want a failed event, and we were ready to participate with affordable prices,” he told Asharq Al-Awsat.

Rasha al-Amir, the owner of Al Jadeed Publishing, who also refused to partake, wrote on Facebook: “Dar Al Jadeed, which partook in this fair since its establishment, decided to step back this year. We write on our website for free. We publish our works on Amazon for those who can buy books through this comfortable means. We believe book fairs have become a sort of showoff. This kind of demonstration is not among our priorities anymore.”

However, readers have another opinion. Many have applauded the decision to resume the Beirut Arab International Book Fair on social media.

For her part, Salwa Siniora Baassiri, head of the Arab Culture Club, said the organization of the exhibition today is “a cultural awakening call for the Lebanese capital which never gives up.” “People can create the suitable circumstances if they want to. It’s up to us to choose to surrender or to survive. If we have the will, we can definitely stand again,” she said.

“We must not leave books alone. This fair is ours; we can make it succeed or fail. With all my respect to those who refused to partake, I was hoping everyone could engage. We will be there, bearing the high costs. We are experiencing a new situation, but if we don’t hold this event, something will be missing. We want to survive, and culture is a key feature of life,” said Bakhti.

The fair faces many challenges this year, but the Arab Cultural Club and the partaking publishers are making huge efforts to make a successful event.

Schools won’t be partaking this time because of costly transportation. Many publishing houses suffered to find affordable shelves to display their books, and the organizers have been dealing with obstacles they never faced before.

Daily activities scheduled during the event will host many prominent artists and academics like Heba al-Kawas and Zahi Wehbi in a dialogue between poetry and music on March 4. The program also features a musical evening dubbed “On Route of Poetry from Tripoli to Beirut,” and a day to celebrate the Ukrainian culture. Algerian novelists Wasini al-Aaraj, Intissar al-Wazir, Sakr Abu Fakhr, Fawaz Traboulsi, Yahya Jaber, and Yousef Bazzi, are also among the attendees.

This edition sees the participation of 90 publishing houses from Lebanon, in addition to publishers from Iraq, Syria, and Egypt. Over 30 activities will be held on the sidelines of the bookfair including cultural seminars, music concerts, and signing events.

The Beirut Arab International Book Fair was the first of its kind in the Arab world. Organized by the Arab Cultural Club, it debuted in 1956, at the American University of Beirut. Then, it has become an annual cultural event that lures readers and publishers alike. The current edition will run until March 13.



Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques continues its mission to preserve the Kingdom’s architectural heritage by restoring Al-Qalaah Mosque in Hawtat Bani Tamim, Riyadh Region. Built in 1250 AH (1834 CE), this historic landmark is situated within the fortress of Second Saudi State founder Imam Turki bin Abdullah.

The mosque is a prime example of traditional Najdi architecture, featuring stone foundations, mud walls constructed using molded brick techniques, and a roof of tamarisk trunks and palm fronds supported by stone-bead cylindrical columns, SPA reported.

Through the current renovation, the mosque’s area has expanded from 608.68 to 625.78 square meters while maintaining a capacity for 180 worshippers. Executed by specialized Saudi firms under expert engineering supervision, the project balances traditional standards with modern sustainability to ensure the mosque remains a living testament to Islamic and national history.

This initiative aligns with Vision 2030 objectives to rehabilitate historical sites for worship, highlight cultural heritage, and preserve the Kingdom’s authentic architectural identity for future generations.


UNESCO Fears for Fate of Historical Sites during Iran War

Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
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UNESCO Fears for Fate of Historical Sites during Iran War

Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo

UNESCO said it is deeply concerned about the fate of world heritage sites in Iran and across the region, after Tehran's Golestan palace, often compared to Versailles, and a historic mosque and palace in Isfahan were damaged in the war.

The United Nations' cultural agency on Wednesday urged all parties to protect the region's outstanding cultural sites, saying four of Iran's 29 world heritage sites had been damaged since the start of the US and Israeli war with Iran.

"UNESCO is deeply concerned by the first impact that the hostilities are already having on many world heritage sites," Lazare Eloundou Assomo, director of the World Heritage Centre, told Reuters, adding he was also concerned for sites in Israel, Lebanon and across the Middle East.

Tehran's Golestan palace, damaged in US–Israeli strikes, is testimony to the grandeur of Iran's civilization in the 19th century, he said.

The palace was chosen as the Persian royal residence and seat of power by the Qajar family and shows the introduction of European styles in Persian arts, according to the UNESCO website. The last Shah of Iran, Mohammad Reza Pahlavi, held a coronation ceremony there in 1969.

"We sometimes even compare it with the Versailles Palace in France, for instance, and it has suffered, unfortunately, some damage. We don't know the extent for the moment. But clearly, with the images that we have been able to receive, we can confirm ... it has been affected," Eloundou Assomo said.

Photos of the interior of the palace have shown piles of smashed glass and shards of wood on the floor, and shattered woodwork.

Isfahan was one of Central Asia's most important cities and a key point on the Silk Road trading route. Its Masjed-e Jame (Jameh Mosque) is more than 1,000 years old and shows the development of Islamic art through 12 centuries.

Buildings close to the buffer zone of the prehistoric sites of the Khorramabad Valley have also been damaged, UNESCO said.

UNESCO has shared coordinates of key cultural sites to all parties, Eloundou Assomo said, and was monitoring damage.

"We are calling for the protection of all sites of cultural significance ... everything that tells the history of all the civilisations of the 18 countries in the region," he said.


Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
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Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)

An odd-looking coin used to pay for a bus fare in Leeds in the 1950s has been found to belong to an ancient civilization from more than 2,000 years ago, reported The Independent.

The coin, handed to a local bus driver decades ago, came into the hands of James Edwards, former chief cashier with Leeds City Transport, who gathered fares and counted them at the end of each day.

Since it couldn’t be spent, Edwards took it home and gifted the ancient coin to his young grandson, Peter, who kept it in a small wooden chest for more than 70 years.

Archaeologists from the University of Leeds have now found that it came from the Carthaginians, part of the Phoenician culture, in the Spanish city of Cadiz during the 1st century BC.

“My grandfather would come across coins which were not British and put them to one side, and when I went to his house, he would hand me a few,” the now 77-year-old grandson said.

“It was not long after the war, so I imagine soldiers returned with coins from countries they had been sent to. Neither of us were coin collectors, but we were fascinated by their origin and imagery – to me, they were treasure,” he said.

Peter attempted to uncover the coin’s origin, focusing on a particular inscription.

It bears the face of the god Melqart on one side, resembling the Greek hero Herakles and wearing his famed lionskin headdress.

Experts said it came from what was once a Carthaginian settlement on the Spanish coast.

“The coin always fascinated me because it was hard to decipher where it came from,” Peter said.

“My first thought when I found out its origin was that I would like to return it to an institute where it could be studied by all, and Leeds Museums and Galleries kindly offered to give it a good home,” he said.

The coin has been donated to Leeds Museums and Galleries and is now part of the Leeds Discovery Centre, which includes coins and currency from cultures around the world, spanning thousands of years of history.

“It’s incredible to imagine how this tiny piece of history created by an ancient civilization thousands of years ago has somehow made its way to Leeds and into our collection,” said Salma Arif, Leeds City Council’s executive member for adult social care, active lifestyles and culture.

“Museums like ours are not just about preserving objects, they’re also about telling stories like this one and inspiring visitors to think about the history that’s all around us, sometimes in the most unlikely of places,” Arif said.