Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
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Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu

The Beirut Arab International Book Fair has opened its doors on Thursday after a three-year hiatus. Although its 62nd and last edition took place in 2018, this didn’t help keep it out of the Lebanese disputes. Publishers were divided; some believed Beirut needs some hope and everyone should defy the current circumstances, while others thought the timing is not good and it would be better to wait until its annual date, in December. However, the Arab Cultural Club, the association behind the fair, decided to hold an event now, and another in December because ‘the long absence serves no one.’

For the first time, the Beirut Arab International Book Fair is missing prominent publishing houses including Dar Al Adab, Dar Al Saqi, the Arab Scientific Publishers, Dar Al Jadeed, Hachette Antoine, Dar Al Tanweer, and Al Mada Publisher. However, the absence of ‘whales’ could be beneficial for the small publishing houses, said Dr. Abdulhalim Hammoud, founder of Dar Zamakan, referring to the large, prominent publishers. Hammoud sees this fair as an opportunity the new publishing houses could use to meet the readers without competition. “Our house has five signing events and displays new books including one about Fairuz and another about Ziad Rahbani. Each one of the partaking publishers has six to ten signing events as well,” he said. “The fair could be seen as a failure because of the hard situation in the country. But we think differently. A three-year hiatus means piles of new titles, warehouses full of books printed before the crisis and the devaluation of the local currency, and sales for affordable prices. It's’ a great opportunity for publishers seeking to boost their sales. Our house partakes in the fair with four new novels, and we plan to sell the book for 100,000 LBP (around $5) while other houses are selling the book for 200,000 LBP (around $10)”.

Inspired by the hard situation the country is currently living in, this year’s edition is dubbed “Beirut of Resistance…Beirut never Falls.” However, Suleiman Bakhti, owner of Dar Nelson, describes it as the ‘fair of challenge’ and ‘exploration.’ “We lost contact with the reading audience. It’s been a long time; things have changed, and this concerns me as a person interested in cultural affairs. We are seeing withdrawals from the industry, while our mission is to create more interaction through books, theater, and music. This year, we don’t want people to buy, but they must come, meet us, and leave their burdens behind. Following the economic collapse, the Beirut blast, the pandemic, and all the disasters we lived over the past two years, all we really want is to see people standing on their feet again,” Bakhti explained.

The past editions of the Beirut Arab International Book Fair were held at the Seaside Arena, in the heart of Beirut, in a 10,000 square meter hall which was destroyed by the blast on August 4, 2020. The venue was partly renovated, so the fair will be held over a 4,000 square meter space this year. There is a promise that the entire hall will be renovated by the end of the year, and the next date of the exhibition.

Jihad Chebaro, the owner of the Arab Scientific Publishers that declined to partake in the fair, believes such an event cannot be held in the current circumstances. “The venue and the parking lots are not ready yet, and most publishers and the Syndicate of Publishers Union refused to participate, so we didn’t want to oppose this decision. We wanted the fair to happen on its annual date because we didn’t want a failed event, and we were ready to participate with affordable prices,” he told Asharq Al-Awsat.

Rasha al-Amir, the owner of Al Jadeed Publishing, who also refused to partake, wrote on Facebook: “Dar Al Jadeed, which partook in this fair since its establishment, decided to step back this year. We write on our website for free. We publish our works on Amazon for those who can buy books through this comfortable means. We believe book fairs have become a sort of showoff. This kind of demonstration is not among our priorities anymore.”

However, readers have another opinion. Many have applauded the decision to resume the Beirut Arab International Book Fair on social media.

For her part, Salwa Siniora Baassiri, head of the Arab Culture Club, said the organization of the exhibition today is “a cultural awakening call for the Lebanese capital which never gives up.” “People can create the suitable circumstances if they want to. It’s up to us to choose to surrender or to survive. If we have the will, we can definitely stand again,” she said.

“We must not leave books alone. This fair is ours; we can make it succeed or fail. With all my respect to those who refused to partake, I was hoping everyone could engage. We will be there, bearing the high costs. We are experiencing a new situation, but if we don’t hold this event, something will be missing. We want to survive, and culture is a key feature of life,” said Bakhti.

The fair faces many challenges this year, but the Arab Cultural Club and the partaking publishers are making huge efforts to make a successful event.

Schools won’t be partaking this time because of costly transportation. Many publishing houses suffered to find affordable shelves to display their books, and the organizers have been dealing with obstacles they never faced before.

Daily activities scheduled during the event will host many prominent artists and academics like Heba al-Kawas and Zahi Wehbi in a dialogue between poetry and music on March 4. The program also features a musical evening dubbed “On Route of Poetry from Tripoli to Beirut,” and a day to celebrate the Ukrainian culture. Algerian novelists Wasini al-Aaraj, Intissar al-Wazir, Sakr Abu Fakhr, Fawaz Traboulsi, Yahya Jaber, and Yousef Bazzi, are also among the attendees.

This edition sees the participation of 90 publishing houses from Lebanon, in addition to publishers from Iraq, Syria, and Egypt. Over 30 activities will be held on the sidelines of the bookfair including cultural seminars, music concerts, and signing events.

The Beirut Arab International Book Fair was the first of its kind in the Arab world. Organized by the Arab Cultural Club, it debuted in 1956, at the American University of Beirut. Then, it has become an annual cultural event that lures readers and publishers alike. The current edition will run until March 13.



Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
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Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA

Arts AlUla has announced the lineup of Saudi and international artists participating in the fourth edition of Desert X AlUla, the international open-air art exhibition held in collaboration with Desert X.

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks, ranging from large-scale installations and sound pieces that stretch across and beneath the desert landscape, to kinetic works and immersive interactive experiences.

The showcase reflects a deep connection to AlUla’s unique environment, its dramatic natural landscapes, and rich cultural heritage.

Desert X AlUla, the region’s first public art biennial, will feature 11 artists presenting diverse perspectives, materials, and artistic traditions in their large-scale works in its 2026 edition.

The program offers a delightful mix of performances and interactive family activities, alongside dedicated programs that blend sound, movement, storytelling, and play.

Also, the visitor pavilion will host a live music program curated in collaboration with AlUla Music Hub, creating moments where art, nature, and community converge in a shared experience shaped by rhythm and a strong sense of place.

Arts AlUla confirmed that Desert X AlUla 2026 will be open to the public.


Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
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Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.


Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
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Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)

One of the best-preserved ancient Roman homes on the Palatine Hill is opening to the public for the first time, albeit via a livestreamed tour of its hard-to-reach underground frescoes and mosaics.

The House of the Griffins was first discovered during the excavations in the early 20th century of the Palatine Hill, the verdant hill that rises up from the Roman Forum and dominates views of central Rome today with its striking red brick ruins.

The hill, located just off the Colosseum, was the site of temples and homes of leading citizens during Rome’s Republican era, which is traditionally dated from 509 B.C. to 27 B.C. It became the aristocratic quarter during the Roman Empire that followed, when new palaces were built on top of the older homes.

The House of the Griffins is one of those earlier Republican-era homes, and was hidden to the world underground after the Emperor Domitian built his palace on top of it in the first century A.D.

Now for the first time, the general public can virtually visit the House of the Griffins and its newly restored frescoes, including the decoration that gives the home its name: An arched lunette fresco featuring two griffins — the half-eagle, half-lion mythological creatures.

Visitors won’t actually walk through the home’s intimate rooms, which are only accessible via a perilously steep staircase underground. Rather, visitors above ground will watch as a tour guide wearing a head-mounted smartphone descends into the domus and walks through its rooms, livestreaming the visit and narration.

The live, virtual tour serves multiple purposes: It allows visitors to “see” a domus that, because of its underground location, would otherwise be off-limits. And by limiting the number of people in its rooms, the livestreaming protects the delicate frescoes from too much humidity and carbon dioxide.

Project chief Federica Rinaldi said archaeologists don’t know much about the family who lived there, but said they were clearly well-off. The level of decoration recalls some of the elegant homes of the era in Pompeii: The frescoes feature richly colored faux marble designs, and floor mosaics of three-dimensional cubes.

“Its location at the highest point of the hill, its distribution over several levels that take advantage of the slopes of the Palatine Hill itself, and its preservation make it today an almost textbook reference," she said. “It was certainly a domus of the highest standard.”

Starting on March 3, the livestreamed tours will be held weekly, on Tuesdays, with one in Italian and one in English, though more are foreseen. Groups are limited to a dozen people and require reservations, as well as an additional ticket beyond the typical Colosseum-Palatine Hill entrance fee.

The restoration of the House of the Griffins is one of 10 projects funded by the European Union in the archaeological park and is part of an effort to spread tourists out beyond the must-see Colosseum and Forum, which often get overwhelmed with visitors.

“It’s a great occasion to value the full territory of the park,” said the head of the park, Simone Quilici.