Ed Sheeran Denies Borrowing Ideas in ‘Shape of You’ Copyright Trial

Musician Ed Sheeran arrives at the Rolls Building for a copyright trial over his song "Shape of You", in London, Britain, March 7, 2022. (Reuters)
Musician Ed Sheeran arrives at the Rolls Building for a copyright trial over his song "Shape of You", in London, Britain, March 7, 2022. (Reuters)
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Ed Sheeran Denies Borrowing Ideas in ‘Shape of You’ Copyright Trial

Musician Ed Sheeran arrives at the Rolls Building for a copyright trial over his song "Shape of You", in London, Britain, March 7, 2022. (Reuters)
Musician Ed Sheeran arrives at the Rolls Building for a copyright trial over his song "Shape of You", in London, Britain, March 7, 2022. (Reuters)

British singer Ed Sheeran has denied borrowing ideas from other artists without attribution as he took to the stand on Monday in a copyright trial regarding his 2017 chart-topping hit "Shape of You."

The award-winning singer is in a legal battle with grime artist Sami Chokri, who performs as Sami Switch, and music producer Ross O'Donoghue, who argue "Shape of You" infringes "particular lines and phrases" from their 2015 song "Oh Why."

Questioned by their lawyer Andrew Sutcliffe on Monday, Sheeran, 31, said he had not been aware of Switch at the time he is accused of ripping off parts of "Oh Why."

Sutcliffe said Sheeran must have known of the grime artist, who he said had tweeted him directly and they had both appeared on SBTV, the British online music platform which helped launch Sheeran's career.

The lawyer said Sheeran shouted out Switch's name at Reading Festival in 2011 after being asked to by the late founder of SBTV, Jamal Edwards.

"This isn't stuff that's true," Sheeran told the High Court in London on the second day of the trial which began on Friday.

Chokri and O'Donoghue claim the "Oh I" hook in "Shape of You" is "strikingly similar" to the "Oh Why" hook in their song and that it was "extremely likely" Sheeran had previously heard their track.

Sheeran and his co-writers have denied this, with their lawyers telling the court that the trio have no recollection of having previously heard "Oh Why."

Sutcliffe, who at Friday's opening called Sheeran "a magpie," questioned the chart-topper intensively over his songwriting style and whether it was spontaneous or the result of development over time, with the influence of other artists.

He said it was "simply not true" that Sheeran made songs up as he went along, adding there was overwhelming evidence at the time of writing "Shape of You" that Sheeran was collecting ideas before writing songs.

"I don't agree with that," Sheeran, who gave his answers clearly and confidently, said.

Legal proceedings between the two parties date back from 2018 when Sheeran and co-writers Steven McCutcheon and John McDaid asked the High Court to declare they had not infringed Chokri and O'Donoghue's copyright for "Oh Why."

The latter later filed a counterclaim alleging infringement.

Released from Sheeran's third studio album "÷," "Shape of You" stormed charts around the world upon its release in January 2017, becoming the best performing song in the US that year.



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
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‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.