Mosul's Old City Rises from Rubble in War-scarred Iraq

An Iraqi architect exits a traditional house during renovations in the Old Town of Mosul, which was reduced to rubble during fighting to expel jihadists. Zaid AL-OBEIDI AFP
An Iraqi architect exits a traditional house during renovations in the Old Town of Mosul, which was reduced to rubble during fighting to expel jihadists. Zaid AL-OBEIDI AFP
TT

Mosul's Old City Rises from Rubble in War-scarred Iraq

An Iraqi architect exits a traditional house during renovations in the Old Town of Mosul, which was reduced to rubble during fighting to expel jihadists. Zaid AL-OBEIDI AFP
An Iraqi architect exits a traditional house during renovations in the Old Town of Mosul, which was reduced to rubble during fighting to expel jihadists. Zaid AL-OBEIDI AFP

Beneath what remains of the 12th-century Al-Hadba minaret, builders work on a project to revive Mosul's Old City, reduced to rubble during Iraq's battle to retake the city from jihadists.

Mosques, churches and century-old houses are being brought back to life in the northern metropolis, which the ISIS group seized as its stronghold before being pushed out in mid-2017, AFP said.

"Al-Hadba is the icon of Mosul, the symbol of the city," said Omar Taqa, a supervising engineer with UNESCO, the United Nations heritage body which has launched several projects to restore the city's landmarks.

The minaret was featured on Iraqi 10,000-dinar banknotes before the jihadists flew their black flag from the top of its 45-meter (49 yards) spire.

IS chief Abu Bakr al-Baghdadi made his only confirmed public appearance in July 2014 at the Al-Nuri mosque, where he declared the establishment of a "caliphate".

Three years later Iraq's army and a US-led international coalition had forced the jihadists out of Iraq's second city. The Al-Nuri mosque, and the adjacent leaning minaret -- nicknamed Al-Hadba or the "hunchback" -- were destroyed in June 2017 during the battle to take back the city.

Iraqi authorities had accused IS of planting explosives there before their withdrawal.

"We found 11 mines there, ready to be activated," said Taqa. "Some were hidden inside walls."

Only the central area of the mosque remains, its dome propped up on arches supported by wooden wedges. Atop the columns of grey marble, traces of blue enhance the adjoining capitals.

As for Al-Hadba, only its base remains standing, protected by a sheet of tarpaulin. Having removed about 5,600 tonnes of rubble, the reconstruction of the minaret begins in mid-March -- retaining its tilt -- while work on the mosque is due to begin in the summer.

By the end of 2023, the site should be ready.

- 'Revive the Spirit' -
While awaiting reconstruction, the more fragile parts of the structures are kept in a warehouse.

These include fragments of the Mihrab, a niche indicating the direction of Mecca for worshippers, as well as pieces of the Minbar, from where the sermon is delivered and Baghdadi made his declaration in 2014.

Around 45,000 terracotta bricks from the original minaret -- about a third of those that made up the structure -- are lined up on shelves to be reused, Taqa explained.

Discoveries are still being made at the site, where in January a 12th-century prayer room was found under the mosque.

The UN agency raised $110 million for its "Revive the Spirit of Mosul" initiative, largely financed by the United Arab Emirates and the European Union.

Al-Tahira and Our Lady of the Hour churches also set to be revived, as well as about 120 houses and the local school in the Old City.

Local contractors are handling the construction which has created 3,100 jobs. About half of those are for young people who have been trained in heritage and building restoration, UNESCO said.

Azhar, 48, once sold fruit on a cart in the Old City, before joining the workforce to rebuild Al-Nuri.

"The houses, the streets, were destroyed. The people were displaced to camps," the father of five said, declining to give his family name.

"Everyone has suffered. There are those who lost relatives, those who lost their homes, their shops, their cars."

Some wounds remain close to the surface. Azhar's wife died during the battle for Mosul, but he cannot bring himself to speak of her.

- Elegant alabaster -
In the city, normality has begun to return. There are signs of a fledgling cultural revival, with libraries and museums reopening.

Even as buildings in the Old City lie half-collapsed, coffee shops, workshops and bakers have reopened their doors. At the bend in an alley, women buy their vegetables steps away from workers mixing concrete.

Rows of houses edge closer to complete restoration, some of them between 100 and 150 years old. In the maze of houses that make up the historic district, visitors gasp in awe at elegant alabaster walls with Ottoman-inspired motifs overlooking courtyards.

"There are 44 houses that are practically finished. They will be turned over at the end of March," engineer Mostafa Nadhim told AFP. Another 75 are to be completed this year.

The project will also see the rehabilitation of infrastructure including "electric cables, street lights, water pipes and pavements", Nadhim added.

Ikhlas Salim, who moved back into her home just a few months ago, heats up a lunchtime meal for her two sons. They work on nearby reconstruction sites.

When she first returned to her home, it was in ruins, but she said its restoration has had a "therapeutic" effect.

"It's my grandparents' house," the 55-year-old said. "At first, we had lost hope of coming back."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
TT

Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
TT

Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
TT

Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”