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Will Smith Apologizes to Chris Rock for Slap, Academy Weighs Action

Will Smith, left, and Jada Pinkett Smith arrive at the Oscars on Sunday, March 27, 2022, at the Dolby Theatre in Los Angeles. (AP)
Will Smith, left, and Jada Pinkett Smith arrive at the Oscars on Sunday, March 27, 2022, at the Dolby Theatre in Los Angeles. (AP)
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Will Smith Apologizes to Chris Rock for Slap, Academy Weighs Action

Will Smith, left, and Jada Pinkett Smith arrive at the Oscars on Sunday, March 27, 2022, at the Dolby Theatre in Los Angeles. (AP)
Will Smith, left, and Jada Pinkett Smith arrive at the Oscars on Sunday, March 27, 2022, at the Dolby Theatre in Los Angeles. (AP)

Will Smith apologized to Chris Rock on Monday for slapping the comedian at Sunday night's Oscars ceremony, issuing a statement after the film academy said it might take action against Smith for an incident that overshadowed the industry's top awards.

Smith, in a post on Instagram, said his behavior at the televised ceremony was "unacceptable and inexcusable."

"I would like to publicly apologize to you, Chris," Smith wrote. "I was out of line and I was wrong."

Smith strode on stage and struck Rock in the face after the comedian made a joke about the appearance of Smith's wife. Less than an hour later, Smith won best actor for his role as the father of tennis stars Venus and Serena Williams in "King Richard."

Rock, in a joke about Jada Pinkett Smith, had referenced the 1997 film "G.I. Jane" in which actress Demi Moore shaved her head. It was unclear whether Rock was aware that Smith's wife has a disease that causes hair loss.

"Jokes at my expense are part of the job," Smith said on Monday, "but a joke about Jada's medical condition was too much for me to bear and I reacted emotionally."

"I am embarrassed and my actions were not indicative of the man I want to be," he added.

Earlier Monday, the 9,900-member Academy of Motion Picture Arts and Sciences condemned Smith's actions and said it was reviewing the matter.

"We have officially started a formal review around the incident and will explore further action and consequences in accordance with our Bylaws, Standards of Conduct and California law," the academy added.

The group's conduct policy states it is "opposed to any form of abuse, harassment or discrimination" and expects members to uphold the values "of respect for human dignity, inclusion, and a supportive environment that fosters creativity."

Violations may result in suspension or expulsion from the organization, revocation of Oscars, or loss of eligibility for future awards, according to the policy.

SAG-AFTRA, the union that represents actors, called the Smith's actions "unacceptable" and said it had been in touch with the academy and broadcaster ABC "to ensure this behavior is appropriately addressed."

It is rare but not unprecedented for the film academy to revoke membership. Producer Harvey Weinstein was expelled in 2017 after more than three dozen women accused him of sexual assault.

In his statement, Smith also apologized to the academy, show producers, attendees, viewers, the Williams family and "my King Richard family."

Studio executives were publicly silent about Smith on Monday. The 53-year-old actor has projects in the works with Netflix Inc, Walt Disney Co and Apple TV+ . The companies did not respond to requests for comment.

One of Hollywood's most bankable stars, Smith has anchored lucrative film franchises such as "Independence Day" and "Men in Black." His films have grossed more than $9 billion at global box offices, according to researcher Comscore.

Oscars producers had been hoping for a memorable night on Sunday to rebound from record-low ratings during the COVID-19 pandemic. They brought in three hosts, opened the show with Beyonce and shortened some acceptance speeches.

But it was Smith's outburst that went viral, with pictures and video ricocheting across social media.

Television viewership jumped sharply this year, to an average of 15.36 million people, a 56% boost from 2021, according to preliminary estimates.

Feel-good movie "CODA" won best picture, marking a turning point in Hollywood because the film was streamed by Apple TV+ rather than debuting exclusively to theaters.

Many Hollywood celebrities denounced Smith's actions.

"Will Smith owes Chris Rock a huge apology. There is no excuse for what he did," filmmaker Rob Reiner said on Twitter.

Others supported Smith for defending his wife.

"That's what your husband is supposed to do, right? Protect you," comedian Tiffany Haddish told People magazine.

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Entertainment

Michael Douglas and Danny DeVito Revisit ‘One Flew over the Cuckoo’s Nest’ for Its 50th Anniversary

Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
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Michael Douglas and Danny DeVito Revisit ‘One Flew over the Cuckoo’s Nest’ for Its 50th Anniversary

Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)

Jack Nicholson did not want to go to the Oscars. It was 1976 and he was nominated for best actor in “One Flew Over the Cuckoo’s Nest.” The Miloš Forman film, which is celebrating its 50th anniversary with a nationwide theatrical re-release on July 13 and July 16, had become a bit of a sensation — the second highest grossing picture of 1975, behind “Jaws,” and had received nine Oscar nominations.

But Nicholson wasn’t feeling optimistic. In five years, he’d already been nominated five times. He’d also lost five times. And he told his producer, Michael Douglas, that he couldn’t go through it again.

“I remember how hard I had to persuade Jack to come to the ceremony. He was so reluctant, but we got him there,” Douglas said in a recent interview with The Associated Press. “And then of course we lost the first four awards. Jack was sitting right in front of me and sort of leaned back and said ’Oh, Mikey D, Mikey D, I told you, man.’ I just said, ‘Hang in there.’”

Douglas, of course, was right. “One Flew Over the Cuckoo’s Nest” would go on to sweep the “big five” — screenplay, director, actor, actress and picture — the first film to do so in 41 years, (“It Happened One Night,” in 1934) which only “The Silence of the Lambs” has done since. That night was one of many vindicating moments for a film that no one wanted to make or distribute that has quite literally stood the test of time.

“This is my first 50th anniversary,” Douglas said. “It’s the first movie I ever produced. To have a movie that’s so lasting, that people get a lot out of, it’s a wonderful feeling. It’s bringing back a lot of great memories.”

The film adaption of Ken Kesey’s countercultural novel was a defining moment for Douglas, a son of Hollywood who was stuck in television and got a lifeline to film when his father, Kirk Douglas, gave him the rights to the book, and many of the then-unknown cast like Danny DeVito and Christopher Lloyd.

DeVito was actually the first person officially cast. Douglas, who’d known him for nearly 10 years, brought Forman to see him play Martini on stage.

“Miloš said, ‘Yes! Danny! Perfect! Cast!’” Douglas said in his best Czech accent. “It was a big moment for Danny. But I always knew how talented he was.”

A Joyful Shoot

Though the film's themes are challenging, unlike many of its New Hollywood contemporaries it wasn’t a tortured shoot by any stretch. They had their annoyances (like Forman refusing to show the cast dailies) and more serious trials (they found out halfway through production that William Redfield was dying of leukemia), but for the most part it was fun.

“We were very serious about the work, because Miloš was very serious. And we had the material, Kesey’s work, and the reverence for that. We were not frivolous about it. But we did have a ball doing it,” DeVito said, laughing.

Part of that is because they filmed on location at a real state hospital in Salem, Oregon. Everyone stayed in the same motel and would board the same bus in the morning to get to set. It would have been hard not to bond and even harder if they hadn’t.

“There was full commitment,” Douglas said. “That comes when you don’t go home at night to your own lives. We stopped for lunch on the first day and I saw Jack kind of push his tray away and go outside to get some air. I said, ‘Jack, you OK?’ He said, ’Who are these guys? Nobody breaks character! It’s lunch time and they’re all acting the same way!'”

Not disproving Nicholson’s point, DeVito remembers he and the cast even asked if they could just sleep in the hospital.

“They wouldn’t let us,” DeVito said. “The floor above us had some seriously disturbed people who had committed murder.”

A lasting legacy

The film will be in theaters again on July 13 and July 16 from Fathom Entertainment. It’s a new 4K restoration from the Academy Film Archive and Teatro Della Pace Films with an introduction by Leonard Maltin.

“It’s a gorgeous print and reminds me how good the sound was,” Douglas said.

DeVito thinks it, “holds up in a really big way, because Miloš really was paying attention to all great things in the screenplay and the story originally.”

Besides the shock of “holy Toledo, am I that old?” DeVito said that it was a treasure to be part of — and he continues to see his old friends, including Douglas, Lloyd and, of course, Nicholson, who played the protagonist, R.P. McMurphy.

One person Douglas thinks hasn’t gotten the proper attention for his contributions to “Cuckoo’s Nest” is producer Saul Zaentz, who died in 2014. His music company, Fantasy Records who had Creedence Clearwater Revival, funded the endeavor which started at a $1.6 million budget and ballooned to $4 million by the end. He was a gambler, Douglas said, and it paid off.

And whatever sour grapes might have existed between Douglas and his father, who played R.P. McMurphy on Broadway and dreamt of doing so on film, were perhaps over-exaggerated. It was ultimately important for their relationship.

“McMurphy is as good a part as any actor is going to get, and I’m now far enough in my career to understand maybe you have four, maybe five good parts, really great parts. I’m sure for dad that was one of them,” Douglas said.

“To not be able to see it through was probably disappointing on one side. On the other, the fact that his son did it and the picture turned out so good? Thank God the picture turned out. It would have been a disaster if it hadn’t.”

Douglas added: “It was a fairy tale from beginning to end. I doubt anything else really came close to it. Even my Oscar for best actor years later didn’t really surpass that moment very early in my career.”